In Caracas, a digitized pattern of marigold paint weaves
its way over the canvas, bringing the visual language of the future into dialogue with traditional forms of representation.
Not exact matches
I especially love the look when the white shirt is buttoned up all the
way with the necklace
over it, like beautiful brush strokes on a white
canvas.
He told him his uncle Ed Alison had gone up to the preacher after the funeral was said and shook his hand, the two of them standing there holding onto their hats and leaning thirty degrees into the wind like vaudeville comics while the
canvas flapped and raged about them and the funeral attendants raced
over the grounds after the lawnchairs, and he'd leaned into the preacher's face and screamed at him that it was a good thing they'd held the burial that morning because the
way it was making up this thing could turn off into a real blow before the day was out.
These can be summarized as: the
way his picture moves towards the edge of the
canvas in centrifugal waves filling to the brim; his completely impulsive use of pigment as a material, generally thick, slow - flowing, viscous, with a sensual attitude toward it, as if it were the primordial material, with deep and vibratory color; the absence of any effacing of the tracks bearing the imprint of the energy passing
over the surface.
One of the hallmarks of that type of abstract painting is the «all -
over» composition, in which the paint reaches all four edges of the
canvas equally, and the eye roams through the picture in a nonhierarchical
way.
That DeFeo labored
over this fabled
canvas for close to eight years, produc ing a painting of unrivaled heft and weight, only to see it deprived of an audience for most of her remaining life, goes a long
way to explain the semitragic nature of her fame and the painting's persistent mystique.
He painted those shapes
over and
over again, turning them this
way and that, trying to find all of the interesting
ways to arrange them on the
canvas.
The muted pink, turquoise and ochre hues that expand
over the
canvas have echoes of his early landscapes but are clearly on the
way to becoming the red, blue and yellow that mark Mondrian's modernism.
In the monumentally scaled triptych Lolita's House, Plaster Pink (2018), the artist uses a number of visual devices to draw the viewer's eye across the
canvas while also mimicking the
way in which memory evolves
over time.
It's fascinating to see the diversity in Foulkes's complex formal language from his signature rag technique using rags to apply and subtract paint to the
canvas in a
way that anthropomorphizes the rock paintings into denim jean paintings, to the use of drips on the
canvases imitating stains of a photograph, or
over painting on top of collaged postcards.
Multicolored paint covered the ground and raced up across the
canvases onto walls before dripping back down into the soil... As I very carefully picked my
way over the uneven ground, my senses were literally on overdrive.
And then you come to the pieces made with rubber glued to
canvas, some of which are just amazing and quite frightening in the
way her work is, and finally all the drawings on found paper — maps and such with figures drawn
over them.
Correspondingly, a calligraphic gesture threads its
way over the... read more... «Mattera looks at shaped
canvas: Pousette - Dart and Gorchov»
Ligon paints these quotes in repetition
over the
canvas, demanding that the viewer confront the discomfiting: racist aspects of American history, presumptions of male sexuality, the value we place in names, and the
ways we want to be represented.
Riley's early paintings are American in their Pollock - like, rollercoaster sense of space, and the
way they are not designed like pictures within a frame but seem to invisibly carry on
over the edges of the
canvas — what American critics at the time called «all
over» painting, and rightly saw as tremendously liberating.
Furthermore, in four of these paintings, What I Meant to Say is Not For You, Spare Me, Believe in all at Once, Maybe Later and Orange You Glad, parts of the female form (by
way of color stretched
over the
canvas) literally dissipate into or include the information from the background painting, becoming the texture of the background in and of themselves.
Marks sprawl across these 13
canvases in unexpected
ways, stopping far from the edge, or spilling
over into unseen territory.
Rather than focusing solely on the causes and symptoms of our global maladies, Heffernan's
canvases are alive with possibility, imagining creative
ways in which we might prevail
over our own undoing.
Although prepared in the same
way a
canvas would be made ready for a traditional painting — stretched
over a wooden frame and painted with layers of translucent gum — the found fabric is reversed to present a shadow of the «real» print.
Whilst Pollock's chance - orientated, gestural language was in many
ways at odds with the calculative precision of Riley's
canvases, she was fascinated by his dispersion of focal points, and his rejection of traditional perspectival laws in favour of an all -
over, multi-sensory perceptual field.
His pieces are created through a method he developed himself: He reproduces images in thick oil paint on a piece of glass, scrapes off the «oil skin» from the glass when it's dry, and collages these pieces
over large - scale
canvases to create totally new art pieces — proving, of course, that there's more than one
way to skin a
canvas.
Looking becomes addictive, as you inch your
way across the microlife of each
canvas, like poring
over a rock pool and forgetting the ocean.
«The
way we're approaching that involves a journey that began before I took
over the team,» Soltero continued, «a recognition that our SDKs for skills was having trouble keeping up with the difference between the types of surfaces where Cortana shows up today: the difference between a UI-less speaker, a PC, the RS3 era integration and how the proactive
canvas has evolved, versus of course mobile.
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