Not exact matches
The imagining of
fictional cityscapes and buildings have influenced the built environment, much in the same
way as architecture captures the imagination of
film makers and movie goers everywhere.
The
film presents a
fictional virus, a construct devised by Columbia University epidemiologist Ian Lipkin, vectoring its
way across the planet, killing millions of the fecklessly unprepared and leaving social havoc and innumerable bodies in its wake.
While it's about a young child facing her father's fading health and an impending environmental disaster (not to mention a herd of prehistoric monsters migrating ominously towards them) in a
fictional part of the U.S. called «The Bathtub,» the emotionally rousing «Beasts of the Southern Wild» is simply an inspiring and celebratory look at love, loss and life that's moving and passionate in the
way few
films are these days (read our review).
In a
way, this
film about a sleeper agent is a sleeper
film, initially taking place in the small,
fictional, nothing - ever - happens town of Lima, West Virginia, before turning it into a battlefield.
Though it has a lot of fun playing with slasher tropes and cinema in general (showing the
way Max and her friends are affected by elements like musical cues, monochromatic flashback sequences and slow motion within the
fictional movie), the
film isn't funny or scary enough, ultimately becoming a victim of its own satire due to its insistence on preserving the genre's traditionally bad acting and writing.
We're a long
way from McDonagh's last
film, Seven Psychopaths, which was a gleefully glib (albeit frequently hilarious) meta cartoon crime caper, like what Charlie Kaufman might make if assigned to write a Tarantino knockoff with his
fictional brother Donald.
Cruz's presence at the Berlinale will come by
way of a special screening (ie, non-competitive) of The Queen of Spain, her and director Fernando Trueba's follow - up to The Girl of Your Dreams, the 1998
film about a
fictional Spanish screen star who attracts the attention of Josef Goebbels.
It's easy to sit back and judge
fictional characters, but at no point do any of them make an obviously stupid decision, and much of the
film plays out as a thriller as we root for the strong - willed young women to find a
way out of captivity.
Aside from the teaser trailer that was released alongside Brave
way back in June, the campaign for the
film has mostly involved viral marketing which included a ridiculously detailed college website for the
fictional school.
The reason why it hasn't is simple: Emmet is a completely
fictional character, and the documentary - style talking head introductions to the
film's individual vignettes (by jazz historians and enthusiasts, including Allen himself) go a long
way in convincing the audience of the
film's truth.
[To Jolie] In a
way like your
film too, revealing a culture and an environment that has a pretty heightened degree of authenticity, meaning the documentary but at the same time, there are composite characters and there are
fictional elements.
The movie then gives
way to the
fictional world of the
film proper as Levy, playing an artist named David, meets and falls in love with a young Hungarian woman named Enci, enacted by Bordán.
Accompanied by a harmoniously juxtaposing score by Lesley Barber, the
film uses music to break the horrors of it's
fictional realities in a
way where we can handle it's dramatic themes without turning into a puddle of tears.
It's contrived in places but the message of the
film resonates strongly in the final hour in exploring the
way authors infuse their personal lives with their
fictional works.
Ataman's
film Journey to the Moon is especially engaging in the
way it crafts a
fictional story interwoven with a documentary style interview of Turkish scholars.