From March 26 to September 6, 2010, the Solomon R. Guggenheim Museum presents Haunted: Contemporary Photography / Video / Performance, an exhibition that documents this obsession, examining myriad
ways photographic imagery is incorporated into recent practice.
Not exact matches
Gwenn Thomas» photographs of doors and windows are embedded within sculptural frames in
ways that question perceptions of
photographic imagery, and our experience of lived space.
While considerable attention has been given to the decade through artists» use of appropriated
imagery and
photographic sources, the exhibition examines this moment specifically through the lens of painting, considering the
ways in which the medium was reinvigorated throughout the decade at a time when its relevance was fundamentally challenged...
Haunted: Contemporary Photography / Video / Performance examines the myriad
ways by which
photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrieving the past.
As I see it, the chief difference between my work and theirs is the content; while Warhol and Rauschenberg largely re-contextualized appropriated
photographic imagery, I choose to utilize only original photographs which are relevant to my personal life experiences in some
way.
The broad range of vision engages one with its formal and narrative authority — from elegant self - contained cerebral works like On Kawara's «Today» series, in which the artist paints only a date of the year against a background of color, and Roni Horn's wall - sized
photographic series composed of 36 progressive clown portraits of perceptual ambiguity, both artists neatly isolating individual permutations of life's sequential narrative, to Peter Fischli and David Weiss» collaborative film, «Der Lauf der Dinge (The
Way Things Go),» in which the unconstructed
imagery is punctuated by bursts of random narrative that addresses life's impermanence.
Haunted: Contemporary Photography / Video / Performance, features over one hundred works by sixty different artists who examine myriad
ways in which
photographic imagery is incorporated into recent art, with the aim of underscoring the unique power of recording technologies and documenting a widespread contemporary obsession with accessing the past, both collective and individual.