The film makes up for
its weak plot in strong comedic performances by the entire cast, and is sure to entertain male and female audiences equally.
The acting was strong by all the cast and between this and the non stop action, comedy, interscene heightening of thrill and suspense, this makes up for the somewhat
weak plot in places.
Not exact matches
Real EFFR
plotted with one - year percent changes
in investment (not shown) from 1954 to 2016 reveals a small and
weak positive relationship between rates and investment — the reverse of the standard assumption.
I can only hope that this attempt is taken more seriously than the largely muted and clearly unsuccessful protests of late last season... although the plane writing escapade brought some much - needed attention to the matter, it failed to resonate with fence - sitters and those who had just recently fell off the Wenger truck... without a big enough showing of support the whole endeavor appeared relatively
weak and poorly organized, especially to the major media outlets, whose involvement could have significantly changed what was to follow... but I get it, few wanted to turn on their club, let alone make a public display of their discord... problem is, they are preying on that vulnerability,
in fact, their counting on you to keep your thoughts to yourself... who are you to tell these fat cats how to steal your money... they have worked long and hard to pull the wool over your eyes... they even went so far as to pay enormous sums of cash to your once beloved professor to be their corporate spokesmodel so that the whole thing would be more palatable... eventually the club made it appear as if this was simply a relatively small fringe group of highly radicalized supporters, which allowed the pro-Wenger element inside the club hierarchy to claim victory following the FA Cup win... unfortunately what has happened to this club can't be solved by FA Cups or a few players coming
in, the very culture of this club needs to be changed and that starts at the top...
in order to change the unhealthy and dysfunctional narrative that has absorbed this club we need to remove everyone who presently occupies a position of power... only then can we get back to the business of playing championship caliber football, which should always be the number one priority of this organization... on an important side note, one of the most devastating mistakes made
in the final days of this hectic and poorly planned transfer window didn't have to do with the big name players like Sanchez or Lemar, but the fact that they failed to secure Jadon Sancho, who might even start for Dortmund this season... I think they might seriously regret this oversight... instead of spending so much time, energy and manpower pretending that they were desperately trying to make big moves, they once again lost the
plot due to their all too familiar tunnel vision
«But if you
plot the same information as a function of the sample size, the datasets,
in fact agree, and display the same general trend — the larger the indentation
in the material tested, the
weaker the olivine becomes.»
The movie portrayed her personality and as a legend of a woman posed as a man to enter the monastery and become Pope.German actress Johanna Wokalek was pretty good for that role and the other performances were decent as well.The portrayal of the time, crowds and the cities was below average, but very effective, since it was a low - budget movie, the image and lighting quality was not always good.The
weak point of the movie was
in the rhythm, which at times was uneven, and went from fast to very slow, but still it was never boring because of the strong
plot.
The movie is a little
weak at the joints, exemplified by the terrible decision to cast Heather Graham
in a minor but pivotal role that moves the
plot forward from time to time.
The film also minimizes the utter endgame uselessness of the Hallows, which seemed such a
weak and frustrating
plot device
in the book.
It tries to have some substance
in the
plot, but a
weak cast, and overdone FX prevail.
Begins as a serious, straightforward account of the origins of the cocaine trade and «gangsta» culture
in 1980s Harlem, but then downward spirals due to a
weak plot and gratuitous violence.
This film suffers from a
weak plot and from a missed opportunity
in knowing who its villain should have been.
It tries to have some substance
in the
plot, but a
weak cast, and overdone
Lets not beat around the bush anymore though, the
plot is
weak and
in all honesty most of the characters are pretty bland and unexciting.
This was one of his
weaker plots to begin with and it has suffered more
in this adaptation.
The
plot is
weaker than some of Marvel's more recent stories (I'm looking at you Winter Soldier), and the villain is the biggest mustache twirling megalomaniac the studio has yet produced, but what it lacks
in completely solid writing it makes up for
in its wonderfully charming cast, an impressive use of special effects, and at least a baby step forward as far as female supporting characters are concerned.
The overall
plot of Fire Emblem is thin, introducing the cast
in ways similar to their source material but with
weak excuses for battles.
Granted, the film's main
plot already begs for belief to be suspended
in and of itself, but once we are able to go along with it for entertainment's sake, Larry Cohen's (Cellular, Body Snatchers) rather
weak script starts asking for more, until it becomes laughably dumb for the rest of the way.
The Hobbit: The Battle of the Five Armies is the
weakest of the three Hobbit films
in regards to
plot, and is also the
weakest opening of Peter Jackson's six J.R.R. Tolkien adventures.
The film's
plot — while not exactly unprecedented — is
weak at times and sits at the back burner to these guys all trying something cool with the jokes, but I would've preferred,
in light of the film like Attack the Block, for this movie to try and embed the narrative into the humour a lot more, rather than just make another The Babysitter with more comedians.
It's a bit ironic that I've spent two paragraphs detailing the backstory for a movie
in which the
plot is so
weak.
The one
weak link
in this story is that despite being a cartoon, a supernatural villain from the after - life is a departure for this series and it seems like Kai could have just as easily been from a distant land and not have taken away from the
plot.
In addition, the overall
plot is
weak at times, and there are few surprises here.
Technically speaking, the film is fantastic, but that doesn't make up for some of the
weakest direction and poorest
plotting of the films
in the Harry Potter series.
Mostly lauded for its stunning visual design which admittedly was breathtaking, but a
weak overall
plot which forwent the depth of the original animation, plus all of the added political incorrectness, and Ghost
In the Shell 2k17 barely made a last impression — except for the lessons Hollywood learnt from this.
But yes, if you are mainly an rpg fan interested
in story /
plot then this is absolutely Xenoblade X's
weakest component.
Johanna Mason is a fierce competitor who
plots to take out all of her competition
in The 75th Hunger Games by pretending to be
weak.
«Starsky & Hutch» doesn't rely too heavily on its
weak plot, but rather on the dynamic relationship between Stiller and Wilson that has been such a winning combination
in past films like «Zoolander» and «Meet the Parents.»
Diamonds Are Forever (1971): Diamonds is the
weakest of the early Bond films, a»70s clunker that suffers from phoned -
in performances and a predictable
plot.
I recommend Enon to readers who enjoy quiet, interior narratives; long (but not belabored) descriptive passages; a strong sense of place; and to those who won't mind spots of
weak plot and dialogue
in order to get to the good stuff.
It is checking the story for logic holes, inconsistencies of
plot and character, patching any holes
in the fourth wall, finding spots
in the story that are
weak or don't make sense, then suggesting possible solutions.
They also could not find holes
in the
plot or point out where a character was
weak or the dialogue needed to be redone.
The
plot's foundation is strong and there is a lot that can be done with it, however, the way that its delivered is
weak and fails to fully draw me
in.
In terms of its esoteric eastern influences it's another wonderfully diverse tick list of kookiness; giant robots shaped like crabs with glowing
weak parts on them to helpfully aim at, stereotypical foreign characters with all the subtlety of an anvil sandwich, smaller robots that go «Bzzzttt» when you shoot them, futuristic utopian landscapes, a 90's inspired soundtrack, all wrapped up with enough unfathomably weird
plot twists and double crosses to sink Rosie and Jim's narrow boat.
Story wise, the
plot in Homefront: The Revolution is
weak, filled with cliché after cliché, uninspired dialogue and scenes that have already been seen countless times
in movies like Red Dawn and games like the original Homefront and Freedom Fighters.
But,
in my opinion, this title beats the pants off of the last Success game Atlus brought us (Rondo of Swords), and if you can swallow the
weak plot and the obvious appeal towards younger gamers, what you have left is an excellent Strategy RPG for everyone's favorite handheld device.
Regardless to the
weak plot, Double Dragon has always had a place
in my heart, I'd love to see a re-creation on the Xbox 360, PS3 or Wii with «next generation» style, not another port or virtual game (save that for River City Ransom).
Story has never been the strongest element of the Senran Kagura franchise, but those who've invested into the previous games may find the
plot in Estival Versus to be
weakest of the core series.
Why 2 - sigma instead of only 1 - sigma for the uncertainty of the models, are there realizations of the models that show as
weak a trend
in the lower troposphere as models - 2sigma
in the last
plot?