Insidious: The Last Key is
the weakest film in the series, but Lin Shaye is always captivating and the jump scares may be worth the price of a matinee ticket.
Lacking the authenticity of the first film and missing the quick humor of the second film, Pitch Perfect 3, directed by Trish Sie, struggles to find its narrative footing and falls flat comedically, ending as by far
the weakest film in the trilogy.
Episode VI: Return of the Jedi:
The weakest film in the original trilogy, Return of the Jedi concluded the story of Darth Vader and Luke Skywalker (who had been aware of a particularly troubling thing about his parentage).
It's Soderbergh's
weakest film in years and one his least characteristic.
There were effective ideas here, but they never really take off, and the film's potential is squandered on a poorly written script, and the end result is one of
the weakest films in the franchise.
In terms of entertainment value, it is one of DreamWorks»
weakest films in a while.
The widespread assessment also appears to be that it's been a better than average movie year thus far, despite the assumption that most studios tend to release
their weaker films in the first half of the year.
Not exact matches
«As we have been saying for some time, we feel the recent box office has been typical
in nature and the result of
weaker film product,» said Jacob.
In this sense, the
film suffers from the inverse problem of most Marvel
films — its first act is a bit
weak, but the back half sings.
Depending on the
films and sets of messages included
in the analysis, the correlation might look stronger or
weaker.
They also have night vision mode with a green
film optics glass that allows you to see things clearly
in weak or low - level light.
The ability to accurately measure tiny displacements of microscopic bodies has applications
in sensing trace amounts of hazardous biological or chemical agents, perfecting the movement of miniature robots, accurately deploying airbags and detecting extremely
weak sound waves traveling through thin
films.
NOTHING to do with a Hollywood
film - making process, technicolour takes us back to the beginning of the universe, when two of the fundamental forces of nature, electromagnetism and the
weak force (which governs particle decay within the atomic nucleus), were united
in a single force — the electroweak force.
Portrayals of smoking
in kid - oriented movies tend to be less than realistic and are probably a
weaker influence on tween and teen behavior than smoking
in films geared toward older audiences, Sargent says.
You Were Meant for Me is a 1948 musical
film, released by 20th Century Fox, directed by Lloyd Bacon, starring Dan Dailey and Jeanne Crain as a bandleader Dotard definition, a person, especially an old person, exhibiting a decline
in mental faculties; a
weak - minded or foolish old person.
Whilst not the worst
film tie -
in, Fantastic 4 still feels heavily watered down and certainly comes across as a
weaker version of «X-Men Legends.»
In the gay - geezers scenes, Hammer wears terrible old - age makeup, and the entire film is bathed in sepia tones as weak as its conviction
In the gay - geezers scenes, Hammer wears terrible old - age makeup, and the entire
film is bathed
in sepia tones as weak as its conviction
in sepia tones as
weak as its convictions.
The Iranian characters form the
film's
weakest link,
in my view, as they do
in the novel.
I don't exactly mean it as an insult to compare America Wedding to Return of the Jedi because, like its Star Wars counterpart, this
film is
weak on its own but works
in context.
In the end the third
film is a
weak attempt to recapture the heart and comedy of the first two
films.
The directing is also
weak, and has trouble keeping a consistent tone, yet Melissa Etheridge provides a strong theme song («
In Roxy's Eyes») that captures the spirit of
film.
The
film also minimizes the utter endgame uselessness of the Hallows, which seemed such a
weak and frustrating plot device
in the book.
This
film suffers from a
weak plot and from a missed opportunity
in knowing who its villain should have been.
Cutting Class like a few horror
films of the 80's relies heavily on an overused idea, and by the
films release
in 1989, The slasher flicks were getting
weaker.
The
film's intent was presumably satirical
in the vein of «Catch - 22» or «M * A * S * H,» but the satire is so
weak, the action so devoid of comic perspective, that we are left with a naked gaggle of ugly episodes.
In films, however, the shifty - eyed,
weak - chinned Rice was forever typecast as malingerers, wastrels, back - stabbers, and modern - day Uriah Heeps.
(GREAT VILLIAN, Mr.Hoffman) It has the intelligence of the first (the second best
film after Fargo
in 1996), and the action is almost as good as ghost protocol, the 2nd mission impossible is the
weakest, (it is enjoyable
By following five Atlanta - based couples, the
film wants fervently to incorporate all its character's diverse fluff into one sitting, but such hopes are subverted to an emptily - flat experiment that pairs audiences with familiar faces acting out a
weak script, while the experimenters stand back and pray that the audience doesn't notice just
in fact how hollow it all really is.
(GREAT VILLIAN, Mr.Hoffman) It has the intelligence of the first (the second best
film after Fargo
in 1996), and the action is almost as good as ghost protocol, the 2nd mission impossible is the
weakest, (it is enjoyable even with all the flaws tho).
Decent
film that definitely could have been reworked a bit before getting the green light, Insurrection is one of the
weaker entries
in the Star Trek franchise
The
film seems stuck
in a back and forth between melodrama and
weak - willed irreverence, trying desperately to contrive the natural disorientation of Marji's childhood.
Yes: «Of all the studios tracked
in this report, Walt Disney Studios has the
weakest historical record when it comes to LGBT - inclusive
films.
The cast was good, I found Idris Elba to be somewhat
weak in the
film... hopefully this will not happen
in his next
films, Jason Patric was awesome as Max, and Saldana, Morgan, Evans, Short, and Jaenada were all great.
In another
weak year for candidates that fit this column, I've decided to go with a
film that ultimately misses a mark, but is never less than interesting along the way.
It's not his fault, though, as this
film would have been
weak regardless of the star, with a predictable storyline and events that will have you recalling bits and pieces of plenty of other comedies of humiliation featuring a meek man finding the cojones to finally take on the bully
in his life, only to make an utter ass of himself.
Former photographer Floria Sigismondi makes both her writing and directing debut with The Runaways and is unfortunately the
weakest link
in the
film.
An equivalent result for the UK would be
in the # 1.25 m ballpark, but the
film began with a
weak # 291,000.
The action —
filmed in the Western style that favours quick cuts and too - close camerawork over the clarity of an Eastern approach — is perhaps the
film's
weakest element, but then it's just the bridge to the movie's greater concerns, anyway.
Because
in Wan, the
film boasts a director who can juggle the storytelling threads within an action
film — the
weakest aspect, by contrast, of Zack Snyder's skill set.
And those two phenomena have not always been
in sync: Farrell has been poor
in some good
films, and strong
in some
weak ones —
in short, he has been erratic, and where his highs, until recently anyway, were fairly high, his lows were true stinkers.
However, if her
film had come a year earlier, she wouldn't have been
in my Top 7... Claire Danes, Gwyneth Paltrow and Radha Mitchell also deserved nominations
in this painfully
weak year.
Granted, anything with Ashton Kutcher is doomed to miserable failure, but
in a
film where you have proven comedic actors... who is the
weak link?
The standard wisdom about Orson Welles's 1946 thriller The Stranger — broadly, that it's Welles's
weakest film, the runt
in his otherwise superlative litter — needs challenging, even if Welles himself seemed mostly disinclined to do so.
Perhaps the
weakest part of this otherwise powerhouse
film is the choice by Tarantino to cast himself
in a prominent role.
His latest feature, «Django Unchained,» marks a few firsts for the director — including the first
film not produced by Lawrence Bender (if you don't count «Grindhouse») and the first
film not edited by longtime collaborator Sally Menke (who unfortunately passed away
in 2010)-- and though it's hard to say how much of an effect that had on the finished product, it's easily one of his
weaker movies.
It's not much of an achievement that co-directors Anthony and Joe Russo (held over from Captain America the Winter Soldier) make a better
film than Zack Snyder... but it's worth noting that Marvel (corporation as auteur) have nurtured their characters (even
in weaker films like Iron Man 2) to the point when they carry more screen weight than lasting icons Batman and Superman.
The very future of cinema sometimes seemed to hang
in the balance, as Netflix was banned from bringing one of its streaming titles to competition and responded by pulling all its
films, worsening an already
weak year for English - language cinema on the Croisette.
6:15 am — IFC — The Curse of the Golden Flower One of the
weaker entries
in Zhang Yimou's series of historical martial - arts - on - wires
films, but it still has its moments — and the production design, as usual, is flawlessly beautiful.
To be fair, however, between Robbie, Leto, Jai Courtney as Captain Boomerang, Will Smith as Deadshot, Viola Davis as Amanda Waller, Joel Kinnaman as Rick Flagg and Cara Delevingne as Enchantress, there doesn't seem to be a
weak link
in the
film's cast.
The only real
weak link
in the
film, if you can get past the overly formulaic story, is Roselyn Sanchez as Peyton's ballet teacher and Joe's love interest.