Always jamming with wild, feral abandon, Soronprfbs consists of: Frank (Michael Fassbender), the damaged, Syd Barrett - like musical genius of the group who suffers from an «above board» medical condition that maintains he must
wear a papier - mâché visage over his head at all times; Clara (a scene - stealing Maggie Gyllenhaal), the belligerent and humorless synth / theremin / noisemaker; Baraque (Francoise Civil), the French - only speaking bassist / guitarist; and the aloof Nana (multi-instrumentalist Carla Azar of Autolux, collaborator with PJ Harvey, Jack White), the Moe Tucker - like thumping drummer.
Given that he frequently makes «world's sexiest» lists Michael Fassbender made a brave choice taking this movie role which sees
him wear papier - mâché mask for most of the film.
While some will focus on the conceit of Michael Fassbender
wearing a papier - mâché head for much of the film, and some of the odder elements of the movie, you'll likely be too caught up in the deeply inventive, playful and idiosyncratic film to give it much thought.
His intensity is channeled succinctly into Jobs, and like when
he wore a papier - mâché head for most of «Frank,» the already - acclaimed actor proves he still has more sides to him.
Jonas
wearing the papier - mache head of an animal.
So in 1938, the surrealists marched through Hyde Park dressed as Chamberlain in top hats and tails,
wearing papier - mache Chamberlain masks.
Not exact matches
Wearing a black suit, a red tie and a gigantic
papier - mache head that resembled President Donald Trump, a protester marched up to Syracuse's City Hall and held a sign reading «Deport me!»
Granted, these noises must penetrate a thick, muffling wall of
papier - mâché: Frank always
wears an unblinking false head onstage (as did the film's real - life inspiration Chris Sievey, a British comic and musician who died an enigma in 2010).
Fassbender was required to
wear a giant
papier - mache mask — a nod to Sidebottom's unique performance style — while shooting the movie.
The story probably sounds stranger on paper than it does in the actual film: an aspiring musician in London named John (Domhall Gleeson) ends up roped into helping a strange band full of oddballs record an album, led by the enigmatic Frank (Michael Fassbender), a man who
wears a giant
papier - mâché head to hide his true face.
FRANK How can you resist the idea of Michael Fassbender as a brilliant, Dadaist rock «n» roll mastermind who
wears a giant
papier - maché head everywhere he goes?
Frank was the comedy alter - ego of London musician and funnyman Chris Sievey, who performed
wearing a large cartoon
papier mache head.
Room's director, Lenny Abrahamson — whose previous film was the offbeat Frank, starring Michael Fassbender as an eccentric musician who
wears a large
papier - maché head — navigates the balance with remarkable finesse, working from a screenplay written by Donoghue.
A musical - comedy inspired by the life of
papier maché head -
wearing Mancunian comedian Frank Sidebottom, aka Chris Sievey; and by «loosely» inspired, we mean in the same way that the toast we made this morning was loosely inspired by that crab dish Marcus Wareing served up on Masterchef that one time.
Michael Fassbender, as the title character, spends most of Frank
wearing a large
papier - mâché head, and this visual conceit intrigued me enough that I really wanted to see the movie (knowing nothing else about it).
Frank was the comedy alter - ego of London musician and comedian Chris Sievey, who performed
wearing a large cartoon
papier mache head.
Frank Already much buzzed about due to that first look pic showing Michael Fassbender
wearing a Frank Sidebottom - style
papier - mâché head, the footage from Lenny Abrahamson's comedy about a gonzo rock band was the biggest hit among the assembled journalists.
Trivia: Frank is loosely based on late British comedian Chris Sievey's iconic comedy character Frank Sidebottom who
wore the same
papier - mached head.
Instead, they're supported by pairs of
papier - mâché legs
wearing his khakis, Nikes and other pants and shoes.
Renowned for their
papier - mâché objects, including traditional sacred masks, Gill's collaborator - subjects
wear masks made to represent living individuals, as they engage in everyday village activities.