Sentences with phrase «weaver anni»

Rice recruited artist Josef Albers and weaver Anni Albers from Germany's famed Bauhaus Art and Architecture Institute after it was closed by the Nazi regime.

Albers made more than a dozen trips south of the border with his wife, the artist - weaver Anni Albers (1899 - 1994), also a former Bauhaus student and teacher.

Albers took thousands of photographs during his trips south of the border with his wife, the artist - weaver Anni Albers.

Under the tutelage of the émigré Bauhaus painter Josef Albers and the weaver Anni Albers, she learned that art, craft and design were inseparable; that all materials were potentially art materials; and that natural and abstract forms could be comparably organic.

Not exact matches

In his review of the exhibition in The New York Times, Holland Cotter writes, «the grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.»

KS: This work was titled in homage to Anni Albers, a weaver, jewellery designer, teacher, writer and refugee.

Professional weaver Cameron Taylor - Brown demonstrated the process of loom weaving using Anni Albers's Shuttle - Craft Practical Loom

Weavers, industrial designers, photographers, and architects like Anni Albers, Marianne Brandt, and Gertrud Arndt not only advanced the school's historic marriage of art and function; they were also essential in laying the groundwork for centuries of art and design innovation to come after them.

The grid as a form gets an impressive pre-Minimalist workout in 1940s room dividers made of cellophane and horsehair by the incomparable weaver, printmaker, art historian, philosopher, teacher, theorist and life - student Anni Albers.

In her 1965 introductory note to On Weaving, Anni Albers explains that the book is «not a guide for weavers or would - be weavers,» and that she hopes to «include in my audience not only weavers but also those whose work in other fields encompasses textile problems.»

«Anni Albers, more than any other weaver, has succeeded in exciting mass realization of the complex structure of fabrics,» artist, designer, and theorist R. Buckminster Fuller said.

From Anni Albers and Mary Parks Washington to Ruth Asawa and Dorothea Rockburne, these painters, sculptors, and weavers not only shaped the legacy of Black Mountain College, but pioneered new approaches to abstraction and art - making in the process.

But seeing and hearing works created by those who taught at Black Mountain — whether famous (notably Josef Albers, who was Black Mountain's leading figure from the mid-1930s until 1949, and his wife Anni, a renowned weaver and fabric designer, as well as John Cage and R. Buckminster Fuller, among others) or more or less forgotten (Leo Amino, Mary Callery, José de Creeft, Joseph Fiore)-- will never reveal much about what it was like to study there.

Anni Albers (1899 - 1994), wife of the abstract painter, stained glass artist, and Bauhaus instructor Josef Albers (1888 - 1976), was the leading Bauhaus tapestry weaver.

Referencing weavers and painters alike — from Anni Albers to Bridgett Riley — Bittman carves out a shared space between weaving and painting, drawing them together through an exploration of figure - ground.