Sentences with phrase «weekly essay work»

Regular clients give us weekly essay work, so we're keen on making a good impression so that you'll come back again.

Not exact matches

Not only did the archive include all of the sharp, highly opinionated capsule reviews that Jonathan Rosenbaum and Dave Kehr had written for the alternative weekly, but it also provided access to one of the most vital bodies of work in film criticism: Rosenbaum's brilliantly sustained run of essays on contemporary cinema.

If grading essays or examining student performance on weekly quizzes took only half as much time as it currently does, a teacher could work with more students and still have more instructional time for each student in that class.

You can read an archive of my personal work from Publishing Perspectives here, as well as peruse just some of hundreds of reviews and essays, I've written — for everyone from USA Today, Bloomberg News, People and Publishers Weekly — here and here.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Darling has worked as an independent writer and curator, contributing essays on art, architecture, and design to publications including Frieze, Art Issues, Flash Art, and LA Weekly.

the theory of semiotics, text and image as political tools in the work of Jacob Riis, the FSA, «Have you Seen Their Faces», and «Let Us Now Praise Famous Men», captions and photographs in the picture magazine and weekly tabloid, Pat Ward Williams's handwritten retellings, Shawna Dempsey and Lorri Millan's photo essay parody, Bill Owen, Gay Block, and Clarissa Sligh's stories of suburbia and family, photographs that counter the voice of authority, posters by the Guerrilla Girls, installations by Carrie Mae Weems and Glenn Ligon, instructional text in the work of Erwin Wurm, Gillian Wearing, Tony Oursler, and the spoken word, pictures of words, appropriation and photomontage, Adbusters, The Billboard Liberation Front and cultural jamming, and more...