Works included in the exhibition range from film posters painted by Peter Doig for
his weekly film club in Trinidad, a video projection, Ligne de Foi, 1991, by James Coleman, Polaroid photographs by film director Andrey Tarkovsky, which were selected by Dominique Gonzalez - Foerster for their poetic representation of landscape, photographs presenting an example of early self - cinema by Victorian photographer Lady Clementina Hawarden and the screening of Michael Powell and Emeric Pressburger's iconic The Red Shoes, 1948.
STUDIO FILM CLUB (Trinidad) is
a weekly film club run by artists Peter Doig and Che Lovelace operating out of Port of Spain, Trinidad.
A year later, he started
a weekly film club, StudioFilmClub with a Trinidadian artist Che Lovelace.
In 2003, Doig, together with Trinidadian artist Che Lovelace, started
a weekly film club called StudioFilmClub in his studio.
Not exact matches
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The Anime
Club meets
weekly, where members learn Japanese (Mr. Velasco speaks Spanish, Japanese, and Chinese), draw and read manga series, and view anime
films.
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film, and arts; plus the most extensive movie times,
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That seems about as likely to happen as movie studion forbidding critics from the New York Times and Entertainment
Weekly and the AV
Club from seeing their
films.
In 2003, Doig started a
film club, StudioFilmClub, in his studio near Port of Spain, Trinidad, making posters for the
weekly screenings.
His collages, photographs, videos and paintings have been exhibited in various group shows and
film festivals in Los Angeles, Chicago and New York, including Spike and Mike's Festival of Animation, Black Maria
Film Festival, New York Director's
Club Biennial and The LA
Weekly Biennial.
The series was produced in the spirit of Peter Doig and artists Che Lovelace's StudioFilmClub, a
weekly Trinidad
film club that screened independent, Caribbean and foreign language
films.
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film, and arts; plus the most extensive movie times,
club calendars, and blogs.