It's
a weird little movie but I actually quite like it.
So when we're looking at this strange, beautiful,
weird little movie, we are actually looking at the life of John Patrick Shanley, in a way.
Smoke —
A weird little movie set around a Brooklyn smokeshop and starring Harvey Keitel, William Hurt, Forest Whitaker, Stockard Channing, Giancarlo Esposito, and Harold Perrineau (the dad from «Lost»).
I mean, if it was, how do you explain the fact that you grew up somewhere completely different and yet your obsessions with
weird little movies like The Ninth Configuration are exactly the same as mine?
Not exact matches
There are few times more appropriate to get fun and maybe a
little bit
weird with your style than when you're starring in a
movie like «Star Wars.»
What I like about it is that it's a
movie that's certainly not afraid to be a
little weird.
There's only one thing about the
movie: The tone is a
little weird.
G might look a
little weird by modern standards, but it's a homage to
movies that came before it and a darn successful one too.
As it's Fosse's first serious attempt at a
movie, some things are a
little sloppy but for the most part it's enjoyably
weird.
In its own
weird little way, Thor: Ragnarok manages to poke fun at the constant churn of myth and entertainment of which the
movie itself is a part.
Clocking in at a brisk 103 minutes, «The Great Wall» has very
little on its mind beyond its B -
movie premise, operating like a
weird hybrid between a Hollywood swashbuckling adventure and a Chinese fantasy film.
Amélie — Jean - Pierre Jeunet had a nice
little career going making
weird French fairy tale
movies Delicatessen (# 34, 1991) and The City Of Lost Children (# 17, 1995).
Premiered in Sundance this year, Hosking's film sparked a controversy of sorts: Variety's Dennis Harvey detected «a sense of absurdism that stubbornly remains on the peepee / caca level,» and The Hollywood Reporter (John DeFore) commented, «in addition to being repulsive it's a witless bore»; conversely, IndieWire's Russ Fischer hailed it as «a new event
movie for the truly
weird at heart» and Jordan Hoffman, in the Guardian, found it «a welcome oasis of filth, depravity and shock in a culture that too often thinks merely being a
little weird passes muster.»
No one gets high in We're the Millers, which seems a
little weird for a drug - running road - trip comedy, but then it is also a
movie about seeming artificially domesticated.
«We were just this
weird little crew making this
movie in a very serious fashion.»
Unconventional may be exaggerating a
little, but I can assure you I heard many murmurs permeate the theatre during Stay, most of which involved the phrase «this
movie is really
weird» or «I don't get it».
I loved this
weird little animated
movie.
When the
movie goes after bigger comic set pieces than improv - friendly «you look like...» runs (e.g., «you look like burn - victim Barbie»), it tends to get a
little dodgy, as with a long sequence of
weird sexually tinged slapstick at a spa.
Harry Dean Stanton plays a Christmas angel who sits around most of the
movie, then takes the
little girl to see Santa Claus, who's kind of
weird.
Considering it was one of the few films on the short list to actually receive a relatively robust American release (I gauge this basically by the fact that I was able to see it myself by going to a
movie theater and buying a ticket in the same year it is nominated), it seemed likely that Ruben Ostlund's wonderfully
weird little domestic drama was pretty close to a lock.
First time i saw this
movie i felt a
little weird.
I have never played any previous Telltale's games, so The Walking Dead was a
little weird for me in that it didn't feel like a traditional zombie game, more like an interactive
movie.