Sentences with phrase «well as a visual artist»

Question: I am a theater artist as well as a visual artist.
His involvement in the early 1960s with Judson Dance Theater, New York, an experimental collective that included dancers as well as visual artists, resulted in performances free of narrative, emphasizing instead the purity of movement — sometimes conventionally dance - like, but also mundane movements, allowing untrained performers to participate side by side with professional dancers.
A writer as well as a visual artist, his novel A Separate Reality was published in 2006 by Carroll & Graf.
She has also collaborated with The Drawing Center and Words Without Borders, as well as visual artist Jessica Mitrani, literary programmer Caro Llewellyn and radio creator Benjamen Walker.
Durham was a writer as well as a visual artist, allowing his morals to dictate his travels.
A musician as well as a visual artist, and one who studied painting before turning his attention to performance, Kjartansson infuses his multi-media works with a vitality that is visual and aural, textural and rhythmic.

Not exact matches

A good friend of mine, Katie Joy, a visual artist and birth doula living in Brooklyn, tells Romper that as soon as she moved to the city, procuring house plants was absolutely essential: «I needed the balance with nature... it's my therapy.»
Ayorinde added that the project would encourage the ingenious creativity of visual art students across tertiary institutions as well as budding artists thereby boosting the curation of contemporary and home grown artworks.
Historically, artists as well as illusionists have used illusions to develop deep insights into the inner workings of the visual system.
It's a 2.5 D RPG platformer with stunning visuals that seek to pay homage to the brilliantly crafted Studio Ghibli films as well as classic Final Fantasy concept artists such as Yoshitaka Amano.
A «David Fincher Film» does not feature David Fincher as the director, writer, producer, cinematographer, gaffer, production designer, costume designer, visual effects artist, etc. (though, to be honest, he could probably do those jobs incredibly well).
Other multiple award winners included Gone Girl (for Best Actress Rosamund Pike and Gillian Flynn's Adapted Screenplay), Interstellar (which earned nods for its Visual Effects and Cinematography), and, in a surprise considering its indie status, Damien Chazelle's Whiplash (which earned praise for Best Supporting Actor J.K. Simmons and the director himself, as the FFCC's Breakthrough Artist).
Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.
Working in the hills of rural Pennsylvania, Brent Green is a self - taught filmmaker, storyteller and visual artist whose films have screened, often with live musical accompaniment, at the Rotterdam Film Festival, the Sundance Film Festival, the San Francisco Film Society, MoMA, The J. Paul Getty Museum, The Walker Art Center, The Hammer Museum, as well as at warehouses, galleries and rooftops across the globe.
As well as a description of each element, it includes many visual examples of the elements including colour examples of the elements as used by well - known artistAs well as a description of each element, it includes many visual examples of the elements including colour examples of the elements as used by well - known artistas a description of each element, it includes many visual examples of the elements including colour examples of the elements as used by well - known artistas used by well - known artists.
Members include elementary, middle, and high school visual arts educators; college and university professors; university students preparing to become art educators; researchers and scholars; teaching artists; administrators and supervisors; and art museum educators — as well as more than 54,000 students who are members of the National Art Honor Society.
Most of you probably know that The Nature of a Pirate is on the ballot for the Aurora Award this year; voting is open now, and if you're a member of CSFFA I urge you to get a ballot in, to support your favorite work by Canadian authors, pro and fan (as well as fan organizers, musicians, and visual artists!)
I'm also considering other artistic products and if you're a visual artist as well as a writer, then check out Art Inc by Lisa Congdon, and also this interview with Lisa about how she runs her artistic business.
There's also a certain wistful, melancholic atmosphere to everything, reminiscent a tiny bit of sports manga master Mitsuru Adachi, and while Kaito lacks the older artist's sure cartooning hand he makes up for it in these odd studies of clashing cartoon visual types, as well as the strange energy that tends to erupt in his many emphatic closeups of one of the female leads.
We're home to the California Center for the Arts, Escondido, a unique visual and performing arts complex and museum; the San Diego Zoo Safari Park, an expansive wildlife sanctuary; the amazing sculpture garden, Queen Califia's Magical Circle, created by the late world - acclaimed artist Niki de Saint Phalle; the San Diego Children's Discovery Museum; and Daley Ranch, a wilderness preserve with extensive hiking, biking and equestrian trails... as well as equestrian trail riding at The Ranch at Bandy Canyon and exploring 10,000 years of San Diego history at the San Diego Archaeological Center.
As in the beginning, the event still focuses on a wide range of visual and performing arts, offering the opportunity to meet artists and discuss their work, listen to local musicians, take in gallery events and experience why Cannon Beach has been recognized as one of «The 100 Best Art Towns in America.&raquAs in the beginning, the event still focuses on a wide range of visual and performing arts, offering the opportunity to meet artists and discuss their work, listen to local musicians, take in gallery events and experience why Cannon Beach has been recognized as one of «The 100 Best Art Towns in America.&raquas one of «The 100 Best Art Towns in America.»
Immerse Yourself in the Visual Arts Recognized as one of the Pacific Northwest's best art towns, Cannon Beach is home to over a dozen galleries where you will discover the work of local artists, the emerging talent of Northwest painters and some of the country's most celebrated sculptors.
Flying all those musicians (and a few visual artists as well) from their U.S. hometowns, UK, France, Stockholm, and Sweden will be expensive, so organizers are hoping to raise $ 3,000 to cover travel costs through Kickstarter.
I dig the hell out of this visual design choice, as it also affords the artists the ability to line up some of the more well - known DC characters in a more grounded fashion on the case's lower half.
David is best known as the visual artist of the acclaimed indie videogame Braid and co-creator of the «cult classic» web comic A Lesson Is Learned But The Damage Is Irreversible.
They have worked on feature films as well as mass market games, crafted innovative visual experiences for games and films for clients like Disney, Logic Artists, Kiloo etc..
The team of contributors has grown to include Seattle - based visual artist Izaak Moody, as well as musical artists Rich Vreeland / Disasterpeace and Kasson Crooker / Symbion Project.
Visual development - and illustrations artist with an educational background in graphic arts and industrial design, Lauri has been attached to various creative endeavors over the last six years, including illustration work for the tabletop roleplaying game Hc Svnt Dracones by Pierce Fraser, as well as the Crysis conversion mod MechWarrior: Living Legends.
• Follow the level design pipeline from «pen & paper» game designs to implement spectacular character based levels and ultra-fun gameplay mechanics • Work closely with level layout artists to identify level assets and gameplay direction to ensure visual and technical quality for the levels • Follow direction of Lead Level Designer to maintain gameplay vision consistency • Contribute to level concept, layout, implementation (camera, entity, etc.), prototype modeling, scenario creation, event scripting, game balancing, pacing, and gameplay tuning • Contribute to general game design, as well as cooperate with all other facets of game production (programming, environment / world art and animation) • Place and trigger entities (such as enemies, movers, and objects) to create fun, absorbing gameplay • Master internal tools for modeling environments and integrating game play • Rough out world geometry, camera paths, and lighting using 3D world - building tools • Assist with the scripting of gameplay entities and events • Creatively resolve gameplay and production issues • Meet production schedules and deadlines • Collaborate with Design team to define and refine gameplay mechanics • Multitask effectively, prioritize competing demands, and follow through on details
Featuring 28 works by 19 artists — both black and white — the exhibition explores how visual perspectives of blackness «have been influenced at particular historical moments by specific political, cultural, and aesthetic interests, as well as the motives and beliefs of the artists
With the aid of film and photographic records, correspondence, invitation cards, as well as posters and other ephemera, light will be shed on Joan Mitchell's colorful personality and her multifaceted relationships to visual artists, writers, and other cultural figures.
As well as a deep collection of textual, archival and visual material, ARTIST WORK LISSON includes a number of short essays by Nicholas Logsdail and other members of Lisson Gallery, including Greg Hilty (Curatorial Director), Alex Logsdail (International Director) and Ossian Ward (Head of ContentAs well as a deep collection of textual, archival and visual material, ARTIST WORK LISSON includes a number of short essays by Nicholas Logsdail and other members of Lisson Gallery, including Greg Hilty (Curatorial Director), Alex Logsdail (International Director) and Ossian Ward (Head of Contentas a deep collection of textual, archival and visual material, ARTIST WORK LISSON includes a number of short essays by Nicholas Logsdail and other members of Lisson Gallery, including Greg Hilty (Curatorial Director), Alex Logsdail (International Director) and Ossian Ward (Head of Content).
The works range in scale and include portraits of renowned visual artists (Kara Walker, Matthew Barney, John Baldessari, Glenn Ligon) and performers (Elizabeth Streb, Ron Athey, Miranda July), as well as athletes (Diana Nyad) and notable critics and writers (Hamza Walker, Hilton Als, Jonathan Franzen).
These works consisted of cartridges for various 8 - bit gaming platforms, such as the Atari 2600 and Nintendo Entertainment System, which the artist manually altered so as to modify their functionality, primarily by removing elements, which has the effect of imbuing them with a sense of tragic futility, as well as isolating the games» visual vocabularies by foregrounding certain of their frequently - ignored formal aspects.
These narratives explore good and evil, authority, race, moral relativism, and religion, all while creating a truly unique body of visual art referencing artists such as Philip Guston and Henry Darger, as well as making unapologetic nods to comic books, illustrations, animations, horror films, and toys.
Andrews seems to follow no canons of visual selection besides those that originate within his own experience — as an artist who reached maturity when Abstract Expressionism was in its heyday, as a black man in America, plus a good deal of native stubbornness about not just doing what's expected of him.
Development of an online resource of archives relevant to Washington visual artists As a service to many artists, Artist Trust has gathered information on visual art archives, including answers to frequently asked questions (FAQ) on archives and repositories for visual arts, as well as information on a selection of local, statewide and national archiveAs a service to many artists, Artist Trust has gathered information on visual art archives, including answers to frequently asked questions (FAQ) on archives and repositories for visual arts, as well as information on a selection of local, statewide and national archiveas well as information on a selection of local, statewide and national archiveas information on a selection of local, statewide and national archives.
Taking influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards, and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.
He was a major force in innovative American poetry from the 1950s to his death in 2004, as well as a significant experimental composer, performer, filmmaker, and visual artist.
Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.
A photojournalist with the eye of a visual artist, for more than 60 years, Parks covered civil rights, race and poverty issues, as well as high fashion, and in 1969 was the first African American to write and direct a Hollywood feature film («The Learning Tree»).
Nominated in the Visual Art category are John Akomfrah and George Shaw for their respective exhibitions «Vertigo Sea» at Turner Contemporary in Margate and «My Back to Nature» at the National Gallery (Apollo's coverage of both exhibitions can be found here and here), as well as Artangel's multi-artist project «Inside: Artists and Writers in Reading Prison» (also covered in Apollo here).
As well as many recordings with musicians of the calibre of Charles Lloyd and The Bandwagon trio (with drummer Nasheet Waits and bassist Tarus Mateen), Jason Moran's work includes an intense and lively series of collaborations with visual artistAs well as many recordings with musicians of the calibre of Charles Lloyd and The Bandwagon trio (with drummer Nasheet Waits and bassist Tarus Mateen), Jason Moran's work includes an intense and lively series of collaborations with visual artistas many recordings with musicians of the calibre of Charles Lloyd and The Bandwagon trio (with drummer Nasheet Waits and bassist Tarus Mateen), Jason Moran's work includes an intense and lively series of collaborations with visual artists.
We believe that her leadership will continue the Foundation's impressive legacy of support to visual artists, as well as expand on its vision and values to direct the Foundation into its next phase, deepening its impact on the national arts community, advocating for artists, and guiding new initiatives as a private operating foundation.»
Cyril Vouilloz better known as Rylsee is a visual artist, illustrator, and lettering geek originally from Geneva, Switzerland...
Led by Mothersbaugh and CSM Director Dean Sobel, the discussion will explore Mothersbaugh's spectral creative production — beginning from his work as a visual artist, while also exploring his new role as a curator as well as other areas of artistic expression.
Featured artists include top - tier contemporary American artists Kara Walker and Mike Kelly as well as the museum's first sound art piece, which was created by Nadine Robinson, and Sam Fox School of Design & Visual Arts alum Ian Monroe.
«World War I and the Visual Arts,» organized by Jennifer Farrell, associate curator in the Metropolitan Museum's Department of Prints and Drawings, represented the Met's main commemoration of the centennial of the American entry into World War I on 6 April 1917.1 But while it incorporates prints by George Bellows and the Japanese - American soldier and artist Kerr Eby, as well as drawings by John Singer Sargent, the show emphasizes neither American art nor the term of American involvement in the war.
Cutting a swathe through 500 years of history, and tracing not only the movement of artists but also the circulation of visual languages and ideas, this exhibition will include works by artists from Lely, Kneller, Kauffman to Sargent, Epstein, Mondrian, Bomberg, Bowling and the Black Audio Film Collective as well as recent work by contemporary artists.
Previously, at the Newhouse Center for Contemporary Art at Snug Harbor, she managed a contemporary exhibition program in a 15,000 - square - foot historic space as well as international residencies, public programming, and a studio program for visual artists.
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