Sentences with phrase «well as her artistic practice»

Remaining attentive to the evolutions and concerns of contemporary creation, questioning the transformations of the careers of gallery owners and exhibition organizers as well as artistic practices themselves (Part II).

Not exact matches

Through my artistic research and practice I am investigating light and shadow as stimuli to human emotions and memories as well as the optic science on colored shadow.

Known as the creator and innovator of Modern Warrior Flow, which he originally named Yogic Arts ™ to define the practice as a goal to the artistic expressions and states of yoga, Duncan's unique and fluid practice combines the intelligence of yoga, the intuition of dance, the heart of martial arts, and the healing touch of massage, that has evolved into the name Flow Arts to best define its expansion that reaches far beyond the limits of classical yoga, into the realm of authentic organic self expressed motion.

Museums reported increases in audience without compromise to artistic quality, as well as a change in the practices of staff members who took ownership of their institution's new mission and visitor - centered culture.

Artempatía, or Empathy Art, is the stimulation of our natural empathy through teaching and practicing art, as well as a set of collaborative artistic actions seeking the identification and recognition of the victims of violence and their loved ones.

Fusco's nuanced and considered writing on the topic, as well as her continued artistic practice, will undoubtedly prove a benchmark for moving the needle on discussions of postcolonial identity politics for years to come.

Photography is a constant and ubiquitous element in Fallen Fruit's artistic practice — utilized both as documentary process and image production — as well as an informal way of establishing trust with a range of citizens, and asking them to lend specific for inclusion in their installations.

The program will include a substantial amount of independent studio time for participants to delve into their practice, as well as a combination of professional development opportunities, studio visits and tours to get a sense of the artistic and cultural of community at the Joan Mitchell Center and the city of New Orleans.

These unique landscapes broaden her artistic practice as well as help develop projects that are directly related to the lexicon of these distinct geographies.

The fidelity of these paintings can therefore be best understood, perhaps, as a product of a particular situation, when a significant body of contemporary artistic practice was orientated to accurate observation, as opposed to the ideal.

Language is an important part of Verbicky's artistic practice as well, with the positioning of the letters, symbols, and phrases taking on new life as well, transforming the disparate elements into a continuous story.

This succinct phrase speaks to both to the impetus for her artistic practice as well as her minimal aesthetic.

Qiu Xiaofei's artistic practice focuses on painting, as well as sculpture and installation related to painting.

Well into the 20th century, it was often cast as preparatory, or otherwise subsidiary, to final, «finished» opuses: a position that simultaneously diminishes its significance while acknowledging its centrality to artistic practice.

As well as, «how can artistic practice effect technology?&raquAs well as, «how can artistic practice effect technology?&raquas, «how can artistic practice effect technology?»

The program emphasizes creative and critical thinking, problem solving, visual thinking, perception and observation, as well as presenting traditional vocabulary, theory, media, and techniques of artistic practice.

In addition to pivotal works by Noguchi, the exhibition illuminates his relationships through personal photographs, exhibition - related ephemera and correspondence from The Noguchi Museum Archive, as well as sculptures, paintings and drawings by those who influenced his artistic practice.

The symbolism of water is a leitmotif in his artistic practice as well, both as a purifying and a destructive force of nature.

In this exhibition, I hope to highlight aspects of his artistic practice as well as his professional career as a university professor and its impact on several generations of artists, curators and writers from Nigeria, West Africa and across the continent.»

Eschewing the accepted hierarchy of artistic forms — painting, drawing, and sculpture — as well as an art market dependent on the production of objects, artists embraced performance as a transgressive practice.

Representing a diversity of artistic practices and media, all ten artists share a passion for New Orleans and a strong commitment to their own communities, as well as to the contemporary arts scene in the city.

This project offers a new means of apprehending the work of this young artist who has continuously questioned his own artistic practice as well as his means of production.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

It provides a platform from which to consider the incredible skill of papermakers as well as the interaction of materiality, content, and artistic practice.

Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.

In concersation with internationally acclaimed Ghanaian born, British architect Sir David Adjaye OBE, Professor Paul Goodwin, curato, Director of the resarch centre for Transnational Art, Identity and Nation [TrAIN], and current chair of Contemporary Art and Urbanism at the University of the Arts London, and moderated by Rachel Barrett, writer, curator and lecturer at the Jamaica based Edna Manley College of the Visual & Performing Arts, Thomas will discuss his artistic practice and the series of works in The Beautiful Game as well as the broader concerns of historical perspective and postcolonial, transnational legacies.

This fall, a group highly acclaimed curators will variously take up questions of international curating, the evolution of global biennials, as well as more particular topics relating to artistic and curatorial practices in Asia.

The exhibition features works produced between 1964 and the present, in order to situate these artists» practices as in part a reaction against the misogyny present in the art world in the 1960s and 1970s, as well as to celebrate the fortitude and dogged artistic activism that these artists have shared for nearly five decades...

It includes a foreword by Serpentine Galleries CEO, Yana Peel and Artistic Director, Hans Ulrich Obrist; as well as two newly commissioned texts: Alex Kitnick has contributed an essay that draws links between the sites of production and exhibition of Guyton's work; and Flame have written about the modes of temporality within Guyton's practice.

Her artistic practice has recently focused on producing works that incorporate found fabrics as well as new textiles, which the artist stretches on wooden frames to create organic and almost painterly compositions that oscillate between transparency and density, foreground and background.

Germano Celant's text further explores the influence this 16th - century style had on Mapplethorpe's artistic practice and sensibility, illuminating the artist's interest in the study of pure form as well as allegorical imagery.

Gates's practice embraces a wide range of disciplines and a variety of artistic vocabularies — sculpture, painting, installation art, music and performance — as well as urban development and social practice.

We asked Akiko to tell us about what to expect in one of her classes as well as a bit about her artistic practice.

Drip Machine continues the main artistic strategies Jeff Shore and Jon Fisher have employed during the past 15 years of practice, the conflation of DIY aesthetics and visual technologies, the exploration of the relationship between automated and chaotic movement, and the spectator expectations about the cause - effect relation between image and sound, while moving a step forward in complexity by conflating water and electronic equipment as well as the use multiple sensors and channels.

The event will examine how art and writing institute a notion of territorial place — making, permanence, and action, as it explores writing as an extension of an artistic practice, as well as an element of practice itself.

It will house more than three - hundred paintings and drawings by Bartlett as well as the complete archive of his sketch books, photographs, journals, and other objects related to his artistic practice.

The result is a collection of vivid anecdotes and personal reflections by Marfa residents who have special connections to Judd's artistic practice, as well as his life as a townsperson for nearly 20 years.

Within the wider context of Canada's sesquicentennial and re-examinations of accepted narratives of nationhood, the exhibition raises important questions about how such knowledge is established as well as how artistic practice can produce vital new insight and imagination.

Weekly informal gatherings, inter-studio visits and activities, as well as monthly field trips and meals together, are designed to form a community, foster cultural and exchange of artistic practices and ideas among residency and studio artists, and provide exposure to New York based artists and art institutions.

Using digital and wireless platforms, as well as analog printing and traditional casting techniques as a point of departure, each of the artists» creative processes explore the development of artistic practices and visual vernacular in the post-information age.

The free event and three - day programme, founded and run by artists, features exhibitions, performances, publications, screenings, workshops and seminars — as well as one - day symposium — responds to the increasingly nomadic nature of artists and artistic practice, questioning «how we live together in a global community».

While the artist investigates the complex relationships between form and substance through different artistic practices such as photography, video, sculpture and installation, he is best known for his beguiling marble carving to which he applies his refined craftsmanship in order to create unexpected and light forms, ordinary and yet highly symbolic.

The history of performance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Performance: Live Art Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to the Present.

As part of the prize, Frazier was honored with a 10,000 USD award to further her artistic practice as well as a solo exhibition at SAM in the Gwendolyn Knight and Jacob Lawrence GallerAs part of the prize, Frazier was honored with a 10,000 USD award to further her artistic practice as well as a solo exhibition at SAM in the Gwendolyn Knight and Jacob Lawrence Galleras well as a solo exhibition at SAM in the Gwendolyn Knight and Jacob Lawrence Galleras a solo exhibition at SAM in the Gwendolyn Knight and Jacob Lawrence Gallery.

Pop Life, the exhibition at Tate Modern formerly known as Sold Out (until one of the artists featured in the show vetoed the title), is a noisy, rambustious, rhinestones - and - fast - cars kind of a show, focusing on the Warholian notion of good art as good business and anatomising this tendency in artistic practice from Warhol and Jeff Koons to Martin Kippenburger and Richard Prince.

SOLO SHOW is at the same time a solo show and its own deconstruction, which analyses the real meaning of this exhibition format within the context of the contemporary artistic practices and their contradictory relation to the institutional framework as well to the art market strategies.

Princen has also been known to reference scientific measuring systems, mapping, and amateur anthropology in his work, and his artistic practice has involved plotting ecological changes — water currents, wind patterns, and soil erosion, as well as the impacts of urban developments on the Dutch landscape.

As a physical manifestation of their creative relationship, as well as a durational challenge, Clark Beaumont must continually navigate the complex terrains of negotiation and compromise that define collaborative artistic practicAs a physical manifestation of their creative relationship, as well as a durational challenge, Clark Beaumont must continually navigate the complex terrains of negotiation and compromise that define collaborative artistic practicas well as a durational challenge, Clark Beaumont must continually navigate the complex terrains of negotiation and compromise that define collaborative artistic practicas a durational challenge, Clark Beaumont must continually navigate the complex terrains of negotiation and compromise that define collaborative artistic practice.

Invested in the artistic practices of both conceptualism and abstraction, his influences include literary figures such as Ralph Ellison, Zora Neale Hurston, and Richard Wright as well as artists such as Norman Lewis, Sam Gilliam, and Alma Thomas.

A collection that continues to grow and reflect the breadth of Paik's contribution to the fields of music, artistic practice and media arts as well as the blurring of these distinctions potentiated by his practice.