Sentences with phrase «well framed shots»

This film is beautifully shot, with extreme close ups and well framed shots.

The cinematography fares better but is still lacking any real style, aside for the occasional well framed shot, the camera work on display here is fairly pedestrian.

Simply touch the box and slide your finger around, so you can better frame the shot.

Not exact matches

i'm happy w ramsey shooting, as long as its on frame and the other option wasnt a huge amount better.

Mike Foltynewicz only has 248 career innings, but he's given up 1.4 homers per nine over those frames, so, yeah, Thames has a pretty good shot at 14 bombs, especially since Atlanta's bullpen hasn't been much better at keeping the ball in the park.

City had the possession advantage, but in terms of pure effectiveness they weren't within miles of Liverpool in the first half, perhaps best exemplified by the fact they didn't manage a single shot on target in the first half out of the three they took, while Liverpool managed four on frame and scored on three of them.

He has a good frame and skill level and can score at all three levels, but isn't a great playmaker or physical finisher and is overreliant on midrange shots.

For our purposes, for when we actually frame our shots, we shoot in 4:3, which good for 4 × 6 and 8 × 12 prints and frames.

If it is difficult to get a good shot of one grandchild, put two others in the frame and it becomes exponentially more difficult.

It offers a very good 16 megapixels resolution, extremely quick, 6 frames - per - second continuous shooting (for fast objects), and a good ISO range.

The whole process happens too fast for imaging technology to visualize in real time — you'd need to shoot at 1,200 frames per second, 10 times faster than the best x-ray and MRI machines on the market.

They looked at the shot duration in various scene shots as well as the relative size of a focal character within each of these frames, i.e. shot scale.

There's the idea that we could give the cells a «booster shot» and take sick cells that weren't functioning for a patient's vision and make them more functional again and maybe make the patient see better in an acute or short time frame.

For every shoot that I am on I gain a better understanding of using natural light, of framing, of giving and understanding direction, of how to get someone to relax in front of the camera and so on.

Put on your best heels, grab that sexy leather jacket, get your hair cut, repeat affirmations, ditch the take - aways, nurture your skin, indulge in a manicure, get some exercise, but dig deep and do what it takes to get in the right frame of mind to rock your photo shoot.

Visually this film is pretty well shot, with balanced, eye catching frames, and beautiful visuals of the Seattle landscape.

Despite being shot at 24 frames per second and showing «1080p» on the back cover, these Blu - Ray discs are encoded at 1080i at 30 (or 29.97 if you want to get technical) fps - while most of it still looks good (without any noticeable banding or compression artifacts) there are a few de-interlacing artifacts present in some scenes as well as aliasing.

«Pupil» demonstrates Singer's eye for framing shots and his skill in bringing out the best in his stars.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Koler's immersive, go - for - it performance, Burshtein's effective, often affecting reliance on intimate framing and vivid reaction shots, the enjoyable, well - drawn supporting characters, plus a lived - in depiction of religion and culture, add up to make «The Wedding Plan» an unusually involving, you - are - there experience.

With its carefully framed widescreen shots and understated soundtrack music it is at times perhaps a bit too tasteful for its own good.

It's your usual assortment of production anecdotes, but Wynorski is pretty good at screen - specific observation, cluing us in on which shots required the most work behind the scenes — like the tracking shot through the furniture store that forced stagehands to move furniture into place and stay out of frame as the camera rolled backwards through the set.

Schwentke tries to invest visual energy in his latest attempt to prove his big - budget credentials — and in the movement and placement of cinematographer Alwin H. Küchler's (Hanna) roving frame, as well as the frenetic assemblage of shots by editor Mark Helfrich (Tower Heist), his endeavour shows signs of approaching success.

To cite only one example — which includes a spoiler — how likely is it that the racist white cop (Matt Dillon) who gropes a well - to - do black woman (Thandie Newton) while pretending to search her for weapons one night will be the officer who rescues her from a potentially fatal car accident less than 24 hours later, or that during the same time frame his partner will save her husband from being shot by another policeman?

Snyder himself hosts an ongoing commentary - «The Ultimate Watchmen Experience» - featuring behind - the - scenes shots, a timeline covering the history of the Watchmen universe, remarks from the director himself and (best of all) a side - by - side comparison between shots in the film and frames from the graphic novel.

A couple of longing, lingering moments shot through snow - wet car windows and in Edward Hopper - framed hotel rooms (it's Haynes's most Wenders work), as well as a final shot that is the picture at its most evocative and unapologetically Romantic, point to the film that might have been.

In a shot that quickly will become a shining example of what Haynes does well throughout the series, he quickly establishes the financial stability of the Pierce family by casually letting the camera glide over a wall with framed photos, certificates and blueprints that informs us that Bert is at the helm of a prosperous real estate firm.

Morris departs from his head - on camera, an interrogatory framing device for which he is so well known, and instead frequently appears in shot opposite his subjects.

Again and again I saw a well - conceived special effects shot stuck next to a live action «reaction'that was badly timed, poorly framed and totally unconvincing.

The footage above is docked, but the game arguably looks at its best in portable handheld mode — the 720p resolution holds up better there, and the game seems to run with an unlocked frame rate, shooting for 60 fps and sometimes getting there with uneven but decent performance.

The final showdown in this film may very well be the best shoot out in the history of the western; its length, pace, and the way in which it was framed all seem perfectly calculated by Costner.

As well, seamless branching was applied (in the manner of The Matrix DVD's «White Rabbit» jump - to function) to fourteen fly - on - the - wall making - of segments shot with a camcorder that are presented windowboxed in a 2.35:1 frame if you're watching the DVD on a 16:9 display.

plotting to be any fun as camp, and too ponderous to be watchable as a purely bad movie, Diablo doesn't offer much beyond a reminder of other, better films and some choice Alberta scenery framed by a cinematographer who shot John Carpenter and Robert Zemeckis» best work, but is now doing this.

Typical for modern films of this nature, the action scenes are filled with shaky handheld cinematography and rapid cuts that mean there often isn't a single well - framed shot in the whole sequence (and if there is it lasts about a nanosecond before being replaced by one that isn't).

Ten time Oscar nominee Roger Deakins (Skyfall, Fargo, The Shawshank Redemption) works his magic by framing so many of the shots into stunning visuals that tell their own stories as well as shape the story we are watching before us.

Can you even name a scene in a comedy that was well - framed, lit or shot?

It was in the first Dead Rising and works similarly in this remake, rewarding players with points for every key object or person in a well - framed shot.

There's also some cinematic auteurism, borrowing well from film directors Michael Antonioni and Michael Haneke, each who employed several minute - long single frame shots to evoke somberness and slowly heightening suspense.

Writer / director Coralie Fargeat and cinematographer Robrecht Heyvaert shoot Revenge well with steady frames that trap Jen in this confrontation.

Shot by Vittorio Storaro, perhaps the best cinematographer in the world today, every single frame of Wonder Wheel is a little wonder in itself.

It might seem a hollow, too - clever trick, but the necessity to cram the frame — comparatively speaking, of course — gives the proceedings a lot of comic tension, as the actors are rarely more than a foot away from each other, and complements Anderson's tableau form of narrative shorthand — such as the proper introduction to one villain with a shot looking down at the weapons arranged on his desk — incredibly well.

Director Lawrence Sher, making his feature debut after a career as a cinematographer, brings the skills he established shooting movies for Todd Phillips (including the Hangover trilogy, with Helms), which is to say he uses better lighting and more textured visuals than a typically overlit studio comedy while still neglecting to frame, cut, or pace scenes for actual laughs.

McGregor and cinematographer Martin Ruhe light and frame scenes exceptionally, that leads me to believe Obi - Won deserves another shot at directing, but with better material.

«At least Boyle, who can not at all grasp how to frame a shot or tell a story without treating his viewers like imbeciles, and Sorkin knew well enough to hire great actors to play out their technobabble update on A CHRISTMAS CAROL.»

I have come to think that Howard Gardner's «Frames of Mind» has a pretty good shot at that title too.

That's all the basic info but the BlackBerry 10.3.1 software adds more to it through various optimizations such as the ability to take photos while capturing video, shooting modes, and even a nice set of tools for post processing both images and video that includes filters, frames, the ability to add slow - mo or trim the content, and reduce red - eye as well as adjusting audio levels, color levels and more.

That's the short and sweet of the camera specs but really the BlackBerry 10.3.1 software adds more to it through various optimizations such as the ability to take photos while capturing video, shooting modes, and even a nice set of tools for post processing both images and video that includes filters, frames, the ability to add slow - mo or trim the content, and reduce red - eye as well as adjusting audio levels, color levels and more.

The video test shown is using the Windows 7 sample video «Wildlife» and is a wmv file shot in 720p HD I find it's quite a good test as it challenges a lot of PC's to play it without skipping frames.

If your pet has a previous rabies vaccine and it's within the proper time frame, you can take your old certificate with you in order to get a shot that's good for three years instead of just one.

Find out how to approach a subject, best lenses to use and tips on framing the perfect shot.