And get this: the lighter colors actually work
well on black paper.
Not exact matches
1 egg beaten in a large bowl 1 to 1 1/2 pounds lean ground beef (I get mine at a store that has hormone free meats) 1/2 cup finely chopped white onion or shallots 1/4 to 1/2 cup plain breadcrumbs (start with 1/4 cup - if the mixture looks too moist, mix in more) 1/4 cup catsup or more depending
on the mixture 1/2 cup
well drained green chiles, or green chile salsa drained very
well and squeezed in a
paper towel Ground
black pepper and a little salt
The pieces range from Bickerton's chrome - and - wood creation («A very serious parody of a surfboard,» says Kohn) to Scharf's fiberglass - coated paintings («Very Californian — He did them
on rice
paper treated with a special, secret formula») to
Welling's
black - and - white statement («It looks like a dalmatian»).
On paper a
good switch but pressure wasn't being applied which gave the men in
black and blue the licence to move the ball around freely.
I draw mainly in
black pen
on white
paper to get a
good contrast when I scan my work to edit
on the computer.
But what I am suggesting is that whether you're out and about today
on «
Black Friday» or cruising the Net
on «Cyber Monday,» you can choose to make a difference with your purchases by patronizing those companies that help us to go green — either by saving energy, using organic farming methods, or insisting
on recycled
paper from
well managed forests.
The Ku Klux Klan's failure to defeat the
black civil rights moment is
well documented, but the group's lesser - known legacy may be its lasting impact
on the U.S. political system, according to a
paper published in the December issue of the American Sociological Review.
«Despite all odds, we see the
best evidence yet that low - mass stars are forming startlingly close to the supermassive
black hole at the center of the Milky Way,» said Farhad Yusef - Zadeh, an astronomer at Northwestern University in Evanston, Illinois, and lead author
on the
paper.
Black seeds were found in King Tut's tomb, and used by ancient physicians, yet are
well - researched by modern science, with 500 medical
papers published
on them.
Black and blue sound
good on paper so why not wear them as you have shown us here?
On paper, the Democratic Party and huge swaths of black and Hispanic families craving better school options for their kids have been on a collision course for year
On paper, the Democratic Party and huge swaths of
black and Hispanic families craving
better school options for their kids have been
on a collision course for year
on a collision course for years.
The
black market in test
papers is rife and
good teachers in
good districts earn
good money
on the side providing students with worked examples.
Print the given all 16 cards
on a card stock or any other
good paper and cut them along the
black line.
She placed samples of the crystals
on black construction
paper for
better visibility.
Although the e-ink screen
on the PRS - 505 isn't as white as a piece of
paper, and the text isn't as
black as in a printed book, the text is still very clear and crisp and the contrast was pretty
good; I had no trouble reading as long as I had adequate light.
«We hope to capture a set of readers who perhaps don't read
on paper, as
well as a new generation who will grow up reading and writing
on computer screens in school and will have different reading habits,» said Maru de Montserrat, agent at International Editors Co. and president of ADAL, «It's important to meet that demand, rather than waiting for readers to take matters into their own hands and create a
black market of scanned books.»
At $ 399 (available in either a
black or a white case, price as of March 15, 2010), the Alex eReader is more expensive than competing devices, but the $ 120 to $ 150 premium is worthwhile: The dual - screen Alex offers the
best combination of an electronic
paper display (EPD) and a separate LCD screen I've seen yet, and the reader impresses
on almost every level.
Its
black and white ink -
on -
paper look is achieved with a resolution of 170 ppi (pixels per inch), far
better than most portable devices (computer screens are normally 72 ppi).
My dog had fleas diagonised by the vet and we gave him a pill to kill the fleas now when i comb him im getting what look like
black specs nothing is moving when i clean the comb off
on a
paper towel now im noticing white stuff coming off
on the comb as
well as the blackish stuff what is this and is this normal ive never had 2 deal with fleas before thank you
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works
on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978
Black and White
on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping
Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works
on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and
Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974
Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973
Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT
Vendler had already done an edition of Ashbery's «Self - Portrait in a Convex Mirror» for Arion, printed
on roundel pages — wheels of
paper 18» in diameter — with work by several artists, including Willem de Kooning and Jim Dine, as
well as a selection of Wallace Stevens with a frontispiece by Jasper Johns; 1992 saw an edition of Kaddish, White Shroud and
Black Shroud with lithograph portraits by Kitaj.
The exhibition also includes the paintings Sand Morning (1973) and Arundel XI (1974), as
well as a series of
black and violet acrylic works
on paper, two of which Truitt made in a rented room in Georgetown in 1962; an acrylic
on paper made in her studio in Tokyo in 1966; two acrylics
on paper completed
on Tilden Street in 1968; several early drawings of streetscapes and buildings recalled from childhood; and a rare working drawing for the Gallery's sculpture Knight's Heritage.
After juxtaposing images blown up from auction catalogues and printed in
black and white
on large format
paper, Reed applies colorful formal shapes to the composition creating a dialogue that is dynamic as
well as poetic.
While
best known for her monumental
black cut -
paper silhouettes mounted
on walls, Walker has been making short films since 2004, and three of these works were included in the survey of her work at the Hammer.
Works
on paper in
black and white look great online,
on the same full screen as a canvas, but do not hold up as
well in the gallery.
On view for the first time will be the large - scale Black Painting; Horse, Bird, Cat (2016), from which the exhibition takes its title, as well as a group of works on paper that together underscore the artist's distinctive working process and intuitive approach to image - makin
On view for the first time will be the large - scale
Black Painting; Horse, Bird, Cat (2016), from which the exhibition takes its title, as
well as a group of works
on paper that together underscore the artist's distinctive working process and intuitive approach to image - makin
on paper that together underscore the artist's distinctive working process and intuitive approach to image - making.
Hauser & Wirth said sales included: Paul McCarthy's White Snow, Dopey,
Black Red White, Black (2011 - 2015), a black walnut stain sculpture, for $ 1.5 million; an untitled 1969 Philip Guston charcoal on paper for $ 300,000, as well as a Guston untitled circa 1975 drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 500
Black Red White,
Black (2011 - 2015), a black walnut stain sculpture, for $ 1.5 million; an untitled 1969 Philip Guston charcoal on paper for $ 300,000, as well as a Guston untitled circa 1975 drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 500
Black (2011 - 2015), a
black walnut stain sculpture, for $ 1.5 million; an untitled 1969 Philip Guston charcoal on paper for $ 300,000, as well as a Guston untitled circa 1975 drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 500
black walnut stain sculpture, for $ 1.5 million; an untitled 1969 Philip Guston charcoal
on paper for $ 300,000, as
well as a Guston untitled circa 1975 drawing (Drawing from The Phlebitis Series) for $ 250,000; and Ellen Gallagher's Blue Streak (1996) sold for $ 500,000.
On the one hand, the white
paper with its surrounding
black line is inspired by Ellsworth Kelly's extremely reduced painting White Square as
well as Felix Gonzalez - Torres»
paper stacks.
We will be presenting a work
on paper by Mark Rothko from 1957, a suite of prints from the 1960s pop series by Roy Lichtenstein and a classic
black and white work from 1955 by the abstract painter Franz Kline as
well as two early works by Andy Warhol from 1964, one an iconic painting from his Electric Chair series, the other a silkscreen
on paper from the Race Riot series.
His recurring stays in Japan since the late 1950s, where he studied traditional culture, pottery, and papermaking, as
well as Noh Theater and Buddhist philosophy, hint at two untitled works: large, simple, and rounded forms brushed in
black ink
on Japanese
paper.
Since the mid-1990s has also produced
black - and - white works
on paper, as
well as montages of individual negatives, fusing them into what appears to be a single photograph using digital technology.
Thus, the exhibition is allied to an aesthetic that favors the artisanal over the industrial: carved and turned wood, folded brass, serigraphy
on linen and
paper, metal and plywood constructions as
well as a pearl with a silver center originating from a 16 mm
black and white positive.
Until recently, González's
best efforts have been
black - and - white works
on paper that resemble photographic
These physical and mental chasms are astutely manifested in James Aldridge's (UK)
Black Metal Theory - infused paintings and works
on paper — which contend with our societal reliance
on images to determine the natural world — as
well as Darren Banks» (UK) ink
on paper «Blobs,» which act as tropes for the all - consuming fear of the unknown.
A
best - selling book
on his art,
Paper Work - Peter Clark, was published by
Black Dog, London, in 2009.
Tomorrow will be
better 2016 Single channel video installation projected
on paper (
black and white; no audio) Edition of 5 + 2 AP
In this exhibition therefore we come upon a version of Sainte Sébastienne once again (drypoint in
black and white
on paper, 1992), as
well as the Tryptych for the Red Rooms (1994) which offers an interpretation of the arch of hysteria, a figure that represents a physical and psychological state where pain and pleasure blend to produce feelings of arousal expressed through an erotic impulse.
The three - dimensional
black spheres that make up this work are in some ways distant relatives of the pixels of that original, two - dimensional photograph, but instead of being transcribed into a flat image as micro dots of ink
on paper, here they
well up into great waves that crash against the very walls of their original subject matter.
Adolph Gottlieb (1903 - 1974) Untitled (For the Benefit of Phoenix House) Etching with aquatint printed in
black andyellow, 1972, signed and dated in pencil, numbered 78/125, published by Brooke AlexanderEditions, New York,
on wove
paper, with fullmargins, in
good condition590 x 450 mm (23 1/4 x 17 3/4 in)
Adolph Gottlieb (1903 - 1974) Untitled screenprint in brown, green and
black, 1967,
on wove
paper, signed and dated in pencil, numbered 67/75, the full sheet, in
good condition L., S. 560 x 760 mm.
ADOLPH GOTTLIEB
Black Field screenprint in colors, 1972,
on wove
paper, signed and dated in pencil, numbered 139/150, published by Marlborough Graphics, with full margins, in
good condition L. 24 x 17 1/2 in.
Seeing the totality of
Welling's work, in a lucid installation by the architecture firm Johnston Marklee, clarifies connections such as those between the New Abstractions, (1998 - 2000), large photograms of deep
black bars
on white
paper, recalling Franz Kline paintings, and the rigor of his straightforward pictures of modern architecture such as Maison de Verre (2009).
Brodolino (2014) is an inkjet print
on cotton
paper and refers to a ghost made from the following items: cinnamon,
black cardamom, star anise, fennel seeds, coriander seeds as
well as pieces of self - made Raku ceramics.
The female body is sometimes
best depicted by curvy lines in
black ink
on white
paper, as Qian Shaowu seems to tell us.
If you're not applying for a job in design or visual art, keep your resume simple: 10 - size font, half - inch margins,
black ink, white
paper, even spacing between lines,
well - aligned columns and your name and contact info
on each page.
Remember that there are different word - processing applications that you can use to make your resume stylish but nothing works
better than
black ink
on white
paper.
Only 15 years ago a resume presented a white sheet of
paper with
black letters
on it and its format — as
well as the expressions used — was quite traditional.
All was
well and dry so I sprayed a clearcoat semi gloss sealer
on and a huge run went down the side of one of the legs and my instinct was to clean it up with a wet
paper towel (bad idea I know) so there is a huge smear about 5 inches down, it only shows through the white primer, not the original
black metal... everything else is OK, help!!