This is a theatrical piece that plays quite
well on celluloid.
Not exact matches
Only in the past few years have a large percentage of films been shot digitally, and shooting
on celluloid is still alive and
well.
The
best argument for shooting
on celluloid in the digital age gets made in the Romanian film When Evening Falls
on Bucharest or Metabolism.
When originally released, Wings included a sequence lensed in the wide - screen «Magnascope» process; even when seen «flat», however, the film contains some of the
best flying sequences ever captured
on celluloid.
As
well, you can take a peek at composer Harold Arlen's home movies, outtakes and deleted scenes, special effects sequences, the 1938 MGM short From the Vault: Another Romance of
Celluloid: Electrical Power, the 1939 newsreel Cavalcade of Academy Awards, the 1939 trailer Texas Contest Winners, audio vault, the radio promo Leo Is
on the Air, the 1939 radio show
Good News, the December 25 1950 Lux Radio Theater broadcast, and stills galleries.
We are so fortunate to still get great guests and films, and to have the facility at the beautiful movie palace, the Virginia Theater, to show movies
on celluloid as
well as in 70 mm.
: Heaven Knows What played extremely
well with the IONCINEMA team — our Jordan M. Smith called the film an «open - hearted, rawly bellicose realization of addiction has only been graced
on celluloid but a handful of times, making the Safdie's film a new exemplar of narcotic cinema for the ages,» the directing team plus regular contributor Bronstein are undoubtedly at the top of their game early into their filmography.
But there's so much more wrong with Bobby Jones: Stroke of Genius than just the music, the winking title, and the truism that for as boring as golf is to watch
on television, it's that much more boring to watch in reverent
celluloid slow motion — no, the picture is also fatally tagged by a terrible screenplay and terrible direction (that includes a half dozen ball's - eye view shots: not as interesting as you might misunderstand), as
well as the dreadfully persistent belief that the measure of a man's life are the crescendos and valleys rather than the caesuras and grace notes.
Far more delicate - seeming in person than
on the screen, Ms. Swinton is dressed in a loose brown shirt that she'll pull over her legs, knees folded against her chest, several times during the course of our conversation — a charming, almost alarmingly childlike pose from an actress I most readily associate with ferocious, audacious turns in Derek Jarman's free - verse
celluloid poetry and
best - of - bad - movie appearances in everything from Vanilla Sky to The Beach to The Statement.
Adapted from Greg Sestero's
best - selling tell - all of the same name, «The Disaster Artist» chronicles the real - life friendship between Sestero and Wiseau and the calamitous roller - coaster ride they went
on to create their 2003 stinker - of - epic - proportions, «The Room,» widely considered one of the worst films ever committed to
celluloid.