my only gripes
were the alien design pretty much being the cloverfield monster.
Not exact matches
The book
is about
aliens destroying the earth to make way for a hyperspace highway and features Marvin the Paranoid Android and a supercomputer
designed to answer all the mysteries of the universe.
Most of us know better than to trust websites with black backgrounds, X-Files-green text and dancing
alien head GIFs, but if a website or television program
is slickly
designed, we
're inclined to believe it.
But for me the greatest difference between Thomas Aquinas» Cosmological Argument and any and all arguments from
design comes from what all the advocates of
design admit: that the candidate for the Intelligent Designer could
be, at least theoretically, just about any supra «human intelligent manipulator of complex artifacts, from outer «space
aliens to Al Gore's Mama Gaia.
Only in a setting where the poor and the
alien have a right to the produce of the fields and where laws regarding land and family»
were designed to prevent the rise of a pertnanent underclass could Ruth's initiative have
been exercised with any effect at all.
The Gro Clock
is designed to teach your toddler when to stay in bed and when it
is time to get up, the addition of the little
alien face will set their imagination off, helping them to stay in bed longer.
No, that thing my kid
is holding
is not an
alien; it
is likely a teething toy: the newest innovation in teething
designed to help with the pain relief associated with baby teeth growing in.
With friendly
alien designs, this fitted cloth diaper
is also one of the favorites of thrifty moms because of its absorbency, softness and breathability.
He doesn't want to
be dogmatic, because the Bible doesn't explicitly say there aren't extraterrestrials... but it does say we supposedly have dominion over all the plants and animals... Genesis 1:26 would have to
be dealt with, of course, if there
were aliens... though perhaps not if the life - form
were merely a form of moss or lichen... and there
's no scriptural barrier to God
's having
designed a planet populated entirely by spatulas...
If
aliens were to examine a human, they would think we
were just slavish organisms
designed to feed microbes and carry them around.
In London next week, the Marine Environment Protection Committee (MEPC) of the International Maritime Organization will consider the findings of a survey that shows many countries
are ignoring IMO guidelines
designed to reduce the risk of importing
alien organisms.
From staph infections to pneumonia, strep throat to urinary tract infections, we can't help but feel the bacteria around us
are alien invaders,
designed to hurt, maim or kill us.
You can't get much more mysterious than the interstellar asteroid «Oumuamua, but
is it mysterious enough to
be an artificial probe
designed by a spacefaring
alien civilization?
and in another, which
is designed to find the subject a date, a woman takes a bathtime selfie complete with glass of wine jeremy piven categorically denies claims he groped woman's breasts on set of entourage and says he hopes it mother with 65 previous would you recognise an
alien?
Although the
alien design was
Although the
alien design was great the
AI»S strategy
was pointless
We know the machine
is of
alien - origin on account of subtle product -
design touches: the glaring white nothing that makes up the background; the sterile shine glimmering from the artificial tissue bringing one to mind of Chris Cunningham's groundbreaking, unsettling video for Bjork's «All
is Full of Love».
Between Scarlet Johansson's vampire -
alien character Laura and truly impressive production
design, the movie
is gorgeous to look at even though it doesn't hold up under any degree of thematic scrutiny.
The
alien race he portrays (Son «a)
are such a generic concept with little to no imagination in
design, their faces
are simply plain grey just like all the uniforms of the Enterprise cre... zzzzz.
For one thing, the story
is almost a beat - for - beat repeat of James Cameron's
Aliens, while the visual grammar of both the action sequences and the
designs is heavily inspired by the video game likes of Gears of War.
And the facility's monochromatic color lighting and minimalist
design hark back to the work of visual artist James Turrell, who has
been an inspiration for everything from Drake's «Hotline Bling» video to the interior of the
alien vessel in Arrival.
But there
's also a surprising undercurrent of investment in the characters, especially considering the insane amount of creatively
designed CGI
alien landscapes and sets that whizz by.
Jeff
is also proprietor of Jeff Schmidt Productions &
Alien Imaging Sound
Design where his original Sound
Design elements
are in use at hundreds of Radio Stations and Production Houses all over the world.
Further to film critic Simon Kinnear «
s analysis of how
Alien'
s revolutionary costume
design brought a grimy reality to sci - fi, in this second part he concentrates on the Anthology sequels.
The
design and execution of the CG - beasts
is largely successful, with the furious creatures creating agreeable trouble as they take to land and air to steal humans, giving off a slight
Alien vibe as they reveal an extra pair of hands from their chest cavity.
Eggers relied heavily on genuine journals and newspaper articles from the time to give his script and production
design a feel that
is staggeringly authentic, so far removed from modern society that it can feel like an
alien world.
Director Jonathan Liebesman
designed his movie as the cinematic equivalent of a pummeling: the viewer's senses
are supposed to
be overloaded as the action follows a platoon of American marines as they fight
aliens invading Los Angeles.
His
designs for the intergalactic tyrant Brainiac
were at least repurposed for the
aliens of Mars Attacks!
The set
design was terrific as Tim Burton uses his dark imagination to create an
alien type world.
Some of the
alien designs are fun and inventive, the special effects
are okay and Danny Elfman's music score
is adequate.
There
are also deleted scenes and a «Making Of» featurette that shows the intricate detail that
was put to not just the
alien designs, but also to the set
designs.
However, what makes it better than its sequel, spin - offs and various rip - offs
are the excellent production
designs by Ron (
Alien) Cobb and the music by Basil (Robocop) Poledouris.
But if you
were suddenly without thought, you'd still find in Cowboys &
Aliens a collection of disconnected explosions and flat production
design, with characters who declare things to each other in inhuman exchanges very much like the ones in Relativity Media
's last fucking disaster that
's worse than you already think it will
be, Season of the Witch.
Take the
alien design, for instance: it might as well
be any
alien from any old sci - fi movie of the past decade or so!
I
'm liking the
alien designs but the human faces seem a little too plastic, but we'll see how they turn out with more polish.
The environments and
alien creature
designs are certainly captivating and wonderful to explore, but it
's the «Skells» that really steal the show.
The disc's primary making - of
is «The
Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound design & alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Cl
Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound
design &
alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Cl
alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Clarke.
Director Espinosa isn't reinventing anything here — the character types
are familiar, the sequence of events
is largely predictable, the
design of the
alien creature lacks an H.R. Giger or Rob Bottin to make it pop — but he still finds opportunities for flourishes that keep his film from lapsing into a rote genre exercise.
** Theatrical and Unrated Versions of AVP Requiem Blu - ray ** Full - Length Audio Commentary by Directors Colin and Greg Strause and Producer John Davis ** Full - Length Audio Commentary by Creature Effects Designers / Creators Alec Gillis and Tom Woodruff, Jr. ** Added Footage Marker ** Prepare for War: The Making of AVP -
R Featurette ** Fight to the Finish: The Making of AVP -
R Featurette ** AVP -
R: The Nightmare Returns — Creating the
Aliens Featurette ** Crossbreed: The PredAlien Featurette ** Building the Predator Homeworld Featurette **
Design Photo Galleries ** On - Set Photo Galleries ** Theatrical Trailers ** Digital HD
The hostile
alien world has also
been designed to pull players off the beaten path, prompting exploration outside of mission zones in search of precious loot.
Arrival
is also stunning on a technical level, featuring excellently composed vantage point shots of the
alien spaceship pods (they
are also fascinatingly
designed looking like tall, black metallic ovals suspended off the ground by roughly 20 or 30 feet), and very mysterious shots of the tentacle style
aliens surrounded in a white mist while separated from the humans by a glass wall.
Most impressive, however,
are the
alien makeup effects
designed by Rick Baker.
For example — the PlayStation 3 remains un-hackable,
Aliens vs. Predator ceases to
be for some, 3DS
design finalized, Kinect Bundles, and then we close things up with video games and disorders
being linked.
Regardless, the audiences mostly likely to enjoy Cowboys &
Aliens are those ready to laugh at the improbable sight of gunslingers in ten gallon hats trying to get the drop on aliens who have arrived on Earth with designs on mining all the gold out of the g
Aliens are those ready to laugh at the improbable sight of gunslingers in ten gallon hats trying to get the drop on
aliens who have arrived on Earth with designs on mining all the gold out of the g
aliens who have arrived on Earth with
designs on mining all the gold out of the ground.
Blu - ray Highlight: Though fans will probably get a kick out of the short film «Survivor,» which explores the human resistance forming around the world, the «Visualizing an Invasion» featurette
is an interesting look at
designing the
aliens, their unique POV shots and the cool «shred» effect that happens when you come into contact with them.
However while the costumes and sets may
be okay for the cheap budget (they literally used spray - painted McDonald's hamburger carton boxes for the spaceship interiors), the fact remains that the
designs themselves
are shamelessly stolen from the first
Alien movie.
From the
alien design to the scope of the battle sequences (reminiscent of Spielberg's, Saving Private Ryan)
are quite simply spellbinding.
Its most original aspect
is the nasty
alien monster design, while the rest is recycled Rambo and A
alien monster
design, while the rest
is recycled Rambo and
AlienAlien.
The 80 - year - old Scott, whose credits include Blade Runner,
Alien, and Gladiator (along with many terrible movies: Exodus: Gods and Kings, A Good Year, Robin Hood, etc.), takes his usual care with
design in creating a visually enticing recreation of the shabby early 1970s, and All the Money
is for a while a reasonably absorbing thriller.
This looks kind of cool, I really dig the
alien designs, but I have a feeling it
's going to
be terrible.