Macuga's interests in this issue lie mainly in the political implications of
western exhibition models being implemented across the globe, and how these do or don't provide opportunities for non-western populations — both men and women.
Not exact matches
Looking to reinvigorate the biennial
model, in 2011, SITE reimagined SITE's biennial
exhibition to focus on the
Western Hemisphere, bring new perspectives to the curatorial table, and build a new infrastructure at SITE to support long - term research and new artist commissions.
Barbara Pollack finds at PS1 / MoMA a new
model of
exhibition that reveals Africa's influence on
western modernism
The
exhibition begins with the New Wave movement of the mid-1980s when Chinese artists turned away from the production of clichéd, propagandist works and started to create work based on
western models of art making.
The next
exhibition for the Museum of Modern Art and
Western Antiquities will be Section II, Department of Carving and
Modeling (2019).
While she is concerned about how this expanding
western model of art
exhibitions, fairs and biennials might or might not stimulate social change, one could also argue that the deconstruction of
western - centric narratives is in fact aided by this outward expansion.
Pioneer Works will present «White Man on a Pedestal: Kenya (Robinson) and Doreen Garner,» a two - person
exhibition questioning prevailing
western history that uses white - male heteronormativity as its persistent
model.
One of the more common
models in the
exhibition is that of
Western and African juxtaposition, and these highly politicized works are seen in Purgatory — the liminal state that's neither Paradise nor Hell.