Sentences with phrase «what rolling stone»

«Big Pimpin,» of course, turned into what Rolling Stone has called one of the top 500 songs of all time.

Yuna is used to transcending expectations, and she did so again with her album Chapters, what Rolling Stone hailed one of the best R&B albums of the year.

Yes, we're all embarrassed for what Rolling Stone has become (Justin Timberlake / Barack Obama Quarterly) but still, they've picked some rising stars correctly (RS)

Not exact matches

«Publishing is a completely different industry than what it was,» Rolling Stone's COO Gus Wenner said in an interview last week.

«The Silverdome is what we call «the Resurrection,» because the building was dead and we're rolling away the stone and bringing it back alive,» he said.

But from Pitchfork to Rolling Stone to SPIN, critics barely brushed the reason why Christian preachers were thanking Kendrick for his work and why Christian blogs were doing what the review mills never will — lyric analysis, song by song.

Rolling Stone called it an «existential crisis» — a favorite term haphazardly applied to a diversity of experiences by critics who have no idea what to call the religious existence of the human person.

What the denominational supervisor wants to see is how cheerfully new clergy accept an assignment where the stone regularly rolls back down and over the struggling prophet - pastor.

When the church is consumed and possessed by mortgages, capital campaigns, membership numbers, qualifications for membership or deacon or elder, the variety and format of financial reports, redecorating, ordination policies, the proper delineation of committee responsibilities, the aggregation and strengthening and protection of church hierarchical authority, the preference for political associations and prominence instead of being a voice and influence for justice and compassion, seasonal vestment colors, the abandonment and refusal to acknowledge congregations who dare to be excited by their proclaiming and provoking and living and sharing the Good News, the continual choosing and preoccupation with better organization over better outreach, or what styles of worship are to be offered — then it is time for an earth - shaking, stone - rolling, curtain ripping, hurricane - strength, fiery and noisy transformational revolution that will resurrect the Good News in the body and spirit of communities and individuals.

Just read the article in Rolling Stone and it will show what kind of principles he has.

This is coming with some missteps, including the new Rolling Stone interview in which the mayor seems to slag his predecessors and his constituents («A lot of people outside New York City understand what happened in the first year of New York City better than people in New York City»).

And what it's about, in the words of a sage Rolling Stone, is how «You can't always get what you want, but if you try sometimes you just might find you get what you need.»

The release of «True Story» feels especially well - timed due to how it grapples with the kinds of issues that were worked over last fall in the form of the Serial podcast and Rolling Stone magazine's UVA debacle: namely, questions of who to believe, what constitutes the truth, and how to present the facts of a horrifying situation.

Jordan explained his motivation for the Killmonger character in an interview with Rolling Stone: «This young black man from Oakland, growing up in systemic oppression, not having his mom and dad around, going to foster care, being a part of this system... I understood his rage, and how he could get to the point where he had to do what he had to do, by any means necessary.»

It's another one of those «how could this be true» stories and was first told in a Rolling Stone article aptly titled «Arms and the Dudes» if that gives you further indication of what these guys were like.

It is odd that Phillips chose to significantly dramatize David and Efraim's story, because if you read up on what actually happened (I highly recommend Guy Larson's 2011 Rolling Stone article — or his eventual book — on the subject), it's actually crazier than almost anything he fictionalized for War Dogs.

Peter Travers, Rolling Stone: «But what stands is an amazement, an electrifying piece of hip - hop history that speaks urgently to right now.»

The Forgetting Sarah Marshall star is totally persuasive as a troubled brainiac, and his performance is the beating heart of James Ponsoldt's (The Spectacular Now) fun and moving road - trip movie about what happened when a Rolling Stone journalist (Jesse Eisenberg) accompanied the late writer on the last leg of his book tour.

Fairly gripping, Stone's foxhole instinct pairs well with this story, what with its militaristic uniform roll call and camaraderie between men under extreme duress.

There appears to be no story reason for Thanos to wield a Reality Stone as Spencer holds a Space Stone — but sometimes you just take what makes for fun gameplay and roll with it.

From Cardi B to future A-list actors to the thinkers and creators who could save the world, here's who and what made Rolling Stone's annual list

«I think it speaks to where we are right now,» Monáe explained to Rolling Stone, «and what we've gone through recently as black millennials, and as women, and as Americans.»

In what is easily a career best performance, Jason Segel plays the bandana - wearing conflicted genius Wallace and Jesse Eisenberg portrays David Lipsky, the Rolling Stone writer who pitched and championed a profile on Wallace when his novel «Infinite Jest» was beginning to reap remarkable levels of praise.

Tim Grierson, Screen International; Ed Gonzalez, Slant; Pete Hammond, Deadline; April Wolfe, L.A. Weekly; Scott Marks, San Diego Reader; Susan Granger, SSN Syndicate, Chris Nashawaty, Entertainment Weekly; Eliza Berman, Time; Tomris Laffy, Freelance Writer; Gene Seymour, Newsday; Colin Covert, Minneapolis Star Tribune; Allyson Johnson, The Young Folks; Drew Taylor, Movie Fone; Allison Shoemaker, Consequence of Sound; The Daily Times; Reuters; Nick Schager, Esquire; Carrie Rickey, The Philadelphia Inquirer; Erik Anderson, Awards Watch; Matt Patches, Thrillist; Kevin Laforest, Extra Beurre; Scott Mendelson, Forbes; Dana Buffa, KSDK St. Louis; Rahul Punja, Blasting News; Alissa Wilkinson, Vox; Ann Hornaday, Washington Post; Kyle Turner, Mass Appeal; Brian Tallerico, RogerEbert; David Ansen, Newsweek; Joe Stemme, Mark Johnson, Awards Circuit; Jazz Tangcay, Awards Daily; Claudia Puig, LAFCA; Ethan Anderton, Slash Film; Nick Clement, Freelance Writer; Ben Pearson, Slash Film; Jack Girous, Slash Film; Richard Lawson, Vanity Fair; Amy Nicholson, MTV; Oliver Jones, Observer; Laura Clifford, Reeling Reviews; Anne Thompson, IndieWire; Kye Buchanan, Vulture; Yahoo Movies; Matt Donato, We Got This Covered; Bilge Ebiri, Village Voice; Joey Magidson, Awards Circuit; Julie Kosin, Harper's Bazaar; Christopher Bumbray, Joblo; ScreenCrush; Andrew Shearer, Online Athens; Marlowe Stern, The Daily Beast; Jonathan Caouette, Filmmaker; Edgar Wright, Filmmaker; Ben Croll, The Wrap; Pop Crush; Nathaniel Rogers, The Film Experience; Kent Turner, Film Forward; What Culture; Steve Pond, The Wrap; Richard Roeper, Chicago Sun - Times; Peter Debruge, Variety; Jordan Raup, The Film Stage; KGMI; Hunter Heilman, Niner Times; Jeffrey Wells, Hollywood Elsewhere; Peter Travers, Rolling Stone; Kenji Fujishima, Paste; Larry Bartleet, NME; Matt Prigge, Metro US; Matt Hoffman, The Film School Rejects; Bill Goodykoontz, Arizona Central; Edward Douglas, The Weekend Warrior; Brian Truitt, USA Today; Jake Mulligan, DigBoston; Rafer Guzman, Newsday; Alex Bieze, Asbury Park Press; Matthew Jacobs, The Huffington Post; Clayton Davis, Awards Circuit; Glenn Whipp, Los Angeles Times; Complex; Consequence of Sound; David Edelstein, Vulture; Angie Han, Mashable; Paste; Jason Guerrasio, Business Insider; Erik Childress, The Playlist; David Ehrenstein, L.A Weekly; Josh Brunsting, Criterion; Jon Frosch, The Hollywood Reporter; Edwin Arnaudin, Citizen - Times; Steve Erickson, Village Voice; Joana Langfield, The Movie Minute; Graham Fuller, Culture Trip; Chuck Wilson, Village Voice; Dan Sallitt, Filmmaker; Hans Morgenstern, Indie Ethos; Robert Abele, The Wrap; Luke Y. Thompson, Nerdist; Nicolas Bell, IONCINEMA; Jacob Hall, Slash Film; Jared Mobarak, Freelancer; Robert Koehler, Film Comment; Jason Shawhan, Freelancer; Michael Atkinson, Village Voice; Todd Gilchrist, Freelancer; MaryAnn Johanson, The Flick Filosopher; Eric Henderson, Slant Magazine; Roger Moore, Movie Nation; Juan Barquin, Miami New Times; Saul Austerlitz, Five - Thirty - Eight;

At least, that's what he latest Rolling Stone magazine revealed in an interview with Perrin Kaplan.

What made Stone Cold so damned awesome was not that he could put someone in the most technically perfect cobra clutch, but that he would laugh in the face of authority, run his mouth on the mic, and then go whoop some ass with beer rolling off his chin.

In an interview for the Rolling Stone magazine, the American artist explains that whether our life ends tomorrow or five decades from today, there will always be some things left undone, some unrealized ideas sitting in the back of the mind itching to be shown to the world; he never really feared facing it, as it never really mattered to him: he was doing what he wanted to do until his last day.

2006 Jackson, Brian Keith, Franklin Sirmans and Emil Welbekin, Kehinde Wiley: Columbus, Los Angeles, Roberts & Tilton, Columbus, The Columbus Museum of Art Sischy, Ingrid, The New York School, Vanity Fair, December, pp. 342 - 343 Greco, Stephen, Kehinde Wiley, TRACE Magazine Essence, October Hill, Logan, Hot Artist: Kehinde Wiley, Rolling Stone, Issue 10011, 19 October, p. 112 Herbst, Moira, What Wait Till the Paint Is Dry, Business Week, 16 October, pp. 98 - 100 LeBlanc, Marc, Kehinde Wiley: Roberts & Tilton, Beautiful Decay, Issue P, p. 40 Sumner, Vonn, Kehinde Wiley: Roberts & Tilton Gallery, Artillery, Vol.

It could be found in the internet oceans of Cecile B. Evans's What The Heart Wants; the virtual bodies of water that the lifeless avatars float around in throughout Chen Zhou's Life Imitation; or the rolling navy waves and fuzzy stone - blue monitors in Blake Williams» Prototype.

That's what Andy Morahan said when Rolling Stone asked him what Axl Rose meant by the symbolism in a trio of bizarre Guns N» Roses videos he directed.

Highlighting what it deems an «authoritative study,» Rolling Stone concludes that fracking is «contaminating the air and water — and imperiling the health of millions of Americans.»

Jeff Goodell has a fascinating article over at Rolling Stone about what will happen to Miami over the next 30 years as storm surges get higher and sea levels rise too.

As the former NASA scientist Jim Hansen recently told Rolling Stone: «We are at the point now where if you want to stabilize the Earth's energy balance, which is nominally what you would need to do to stabilize climate, you would need to reduce emissions several percent a year, and you would need to suck 100 gigatons of CO2 out of the atmosphere, which is more than you could get from reforestation and improved agricultural practices.»

In Bill McKibben's Rolling Stone article on Global warming's terrifying new math, McKibben notes that we can emit no more than 565 gigatons of CO2 into the atmosphere by 2050 if warming is to be kept within the 2 degrees margin which represents an upper border to what our ecosystems can adapt to without disruptive change.

As Bill McKibben pointed out in his Rolling Stone article, the global fossil fuel reserves that are already on the corporate books, for which the development capital has largely been sunk, greatly exceed, by a factor of five, what we can safely burn to be assured of keeping warming below two degrees Celsius.

Stone carvings in what is now Turkey appear to depict a comet crashing at the same time Earth rolled into a 1,000 - year cooling period known as Younger - Dryas, a study in the journal Mediterranean Archaeology and Archaeometry found.

Instead of spending $ 1,000 - plus on a news release — and it was definitely what most would consider news release worthy due to the brands involved — we simply sent out a two - sentence pitch to a few important news outlets, including USA Today, The Wall Street Journal, Forbes, Rolling Stone and Billboard.

It's easy to keep tabs on what your buddies are listening to on the service, and Spotify has built up a healthy ecosystem of internal apps from brands like Reddit, Billboard and Rolling Stone magazine that aid listeners in the discovery process.