Now, abstract expressionism were used by the powers that be to show for Americanism but this is not
what the artists felt.
And in her haste to destroy, she didn't stop to think or care or consider
what the artist felt or what the work might have meant.
To be a talented expressionist is to paint so that everyone can feel
what the artist felt when painting.
Not exact matches
But I was just amazed by how everyone, young and old wanted to be involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the stories of where they've come from, particularly because I have the language and was coming there as a woman and just how touched they were that I was there as a woman from England who's learned the language and who's an
artist and running this project and come all the way to see them so they didn't
feel forgotten I think that was pretty much
what they
felt... that their stories were being heard so they don't
feel forgotten knowing the tents would be around the world.
Tortured
artist Shia LaBeouf has been working overtime to convince the world that his soul is rent with deep
feelings beyond
what the Transformers franchise might suggest.
Thus
what is expressed in the work of art obscures from our vision that complex working process by which the
artist forms the
feeling for himself.8 The
feeling is not formed in advance, awaiting externalization.
Artist and marine conservationist Katie commented, «You can
feel the hostility and tension when you're with [them] and
what a burden we are.
Ohhhhh Aran if you could look into my heart and know
what I am
feeling as a woman, mother, friend,
artist, these days you would understand fully why this...
NB: I like to be an
artist, to take risks, to work on
what feels natural.
But, I hope my experience will help other martial
artists feel encouraged to get back to
what they love.
Looper is not exactly the film one might expect, it has more sentiment and softness to it than the trailers and ads suggest, but
what it mostly is is something that
feels firmly like the mark of a movie
artist ascending.
Still, that instinctive sense of
what it takes to connect with a mass audience — so often snobbily dismissed as «middlebrow» — is precisely
what distinguishes Spielberg as an
artist, and it allows «The Post» to go for broke with such unselfconscious energy,
feeling and, every so often, sheer beauty.
Say
what you will, but Pixar understands innately that making their audience
feel something deeply is the greatest magic trick in movies, and all of their work as technicians and
artists are always focused on making that happen.
But ultimately that's
what's great about his filmmaking, and The Raid 2 in particular: Where the first film
felt like a gritty, hardcore tribute to the martial
artists and films that inspired it, this one blooms more fully, not only
feeling like its own entity, but offering much thrills that are significantly more democratic.
It might make us
feel uncomfortable reducing culture to capital, but if that's
what's required to make producers cough up for the
artists who deserve it most, then so be it.
There's a self - aware
feel to the period pageantry, the alternatingly seductive and kinetic cinematography, and the actor's showcase this ramshackle contraption has been held together with spit and bailing wire to be (for
what are con
artists and undercover agents if not actors?).
I
feel like on The Disaster
Artist I was sort of the opposite;
what I learned on this movie was how to collaborate, as opposed to
what I've been doing with my very artsy, literary projects, like my Cormac McCarthy and William Faulkner projects.
Watching Pacino in this role, you can see that he knows
what it means to
feel soulless and depleted as both an
artist and a man, and he isn't afraid to share that with an audience.
What surprised me the most about The Disaster
Artist is the fact that the film
feels like a love letter to dreamers while celebrating friendship, drive, and passion.
They encouraged all the
artists to be open and honest about how we experience life as human beings, with the goal to get down to
what Mann called «the true
feelings.»
It's an odd thing to see a once - celebrated
artist lose all
feel for
what made him or her celebrated in the first place.
And that's the problem with «Get on Up»: it
feels more like a greatest hits of classic James Brown moments than an examination of the
artist himself, barely scratching the surface of
what was clearly a very complex man.
This is why
artists and designers spend so much time drafting various looks for their heroes — they want to do
what they
feel is right for their character.
The
artist for this issue must have
felt a lot of pressure to design wedding garments worthy of these characters, which is
what Frank Cho did.
We spoke with the veteran DP about working in horror, collaborating with other
artists, and why actors shouldn't
feel restricted by
what is on their storyboards.
And yet, as any filmmaker — or any other
artist — will attest, there's no warmer
feeling than being around when an audience connects with
what you're trying to tell them.
lesson 1 and 2 - create
artist page (double page spread) on William Morris through research lesson 3 - replicate his style in sketches of tiles of his work lesson 4 - create a mood board -
what does his art make you
feel?
If you want to be an «
artist» and
feel vindicated every time you finish something that nobody wants to read, just keep doing
what you're doing.
I think
artists (of any medium) who do this, who capture
what it «
feels like» in that moment, are the ones whose work lasts, whose work we want to keep coming back to or looking at often (or listening to, etc.) and that is
what makes it more valuable.
After that, it really was just
feeling out
what artist seemed to both be able take my direction while still having their own point of view.
She explores America's penchant to romanticize
artists» addictions while examing her own alcoholism and
what it
feels like to be in the continual process of recovering.
Just as we'd probably
feel insulted if someone told us to our face that our book wasn't worth X amount of money, that's
what asking for a cheaper price can
feel like to cover
artists.
«They're using the medium of game making the way an
artist would use their paintbrush to express
what they're thinking and how they're
feeling about the current political climate.
- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D
artists -
artists can turn out images that capture the essence of
what a level might look or
feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment
artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion
When I play the new Kirby game, I'm transported to a familiar place that
feels like home - but that home has received an extreme aesthetic makeover, and I'm eager to tour every room and experience
what these clever
artists have done to the place.
Voice - over
artists have captured the mannerisms and tones of their big screen counterparts, while every car reacts to
what happens during events such as if they
feel they have been unfairly side bashed.
Especially given the potential of site - specificity and the rich legacy of
what artists have done in the landscape before, it's hard not to
feel that «Desert X» underutilizes the terrain and its baggage.
If you are an
artist who sells large works or very expensive pieces, your art is out of the price range of
what most new collectors
feel comfortable spending.
lots of learning and inspiration is there for all especially emerging
artists like me.A week has passed that i joined in and awesome response is
what i got.Friendly experience!i always
feel like at home here.
I'm finding I'm tough thinking of
what to write in social media posts etc. as I just don't
feel that my life will be that interesting to other people (although other
artists blog posts and newsletters fascinate me).
It's the idea of always being willing to learn, adapt and
feel the excitement around
what I can do as an
artist to build a rewarding career, taking the long view, planning and course correct as I progress.
Clients want to
feel like an
artist knows
what she - he is doing.
Ethics aside,
what makes a project interesting is purely subjective; we're designers, not
artists, and as a general rule we
feel there is creative opportunity in most briefs, regardless of the sector or subject matter.
I can see the for and against re: fiver, but I think it just comes down to
what current position you are in as an
artist, in terms of people being aware of and engaging with your work, and where you
feel your times is best spent.
I have never been able to completely release myself from my experiences as a child in South Africa; thus, as an
artist, I have
felt compelled to constantly return in an attempt to articulate
what I
feel.»
Artist creates adorable
felt toy specimens of sea creatures and creepy crawlies that will change your thoughts on
what's cute and cuddly.
re: $ 100
What follows may be a babbling brainstorm... and I don't know if the $ 100 can kick - start this... but maybe, if the idea catches on... it will grow... to something else... I have
felt for a very long time that there should be a «scholarship / grant» fund for
artists to be able to apply for funding to go to something like WDS.
What matters is that if you're having a hard time, if you
feel like a starving
artist, there are financial tools that can help you do more with less, manage variable income, and run your business better.
What did surprise me was finding out that a lot of
artists feel really isolated, and they long to connect with a larger community.
I think
what's interesting is that the headline (of an email i didn't actually receive, but i did receive the follow - up) echoes how
artists themselves
feel... argg it's so scary when you put yourself out there and in the beginning get little response and the tendency is to take it personally...