Sentences with phrase «what audiences experienced»

When films were first shown on television, they were — arguably — poor imitations of what audiences experienced in the theater.

And ultraviolence is what the audience experiences for rest of the movie.

What the audience experiences, positioned around this main action, is chiefly aural: They hear Cassils breathing or the moments when their fists hit the clay.

Not exact matches

Understanding what makes or breaks the online form experience will help you meet your audience on its terms.

Truly experienced marketers create campaigns with the understanding that nobody knows what truly works until the target audience has cast their vote.

A / B testing to ascertain what is effective for each segment of your audience will help your business personalize your site's experience to attract and retain relevant customers.

The rise of social media means that we're not just having experiences for ourselves, we're having them for our networks, as we see what our social audience is up to and want our lives to be reasonably competitive.

«They focused all of their attention on the product itself and the engineering, rather than what the experience is like for their core audience,» says Rob Jekielek, a director at the institute.

By building bots that sift through existing content and give users what they need when they need it, you can not only strengthen your content distribution strategy, but you can also create a more positive brand experience for your audience overall.

In December 2013, the U.S. Army launched the «Defy Expectations» recruitment campaign, in which, according to the campaign's press release, «the U.S. Army takes the audience's expectations about what the Army experience is like and turns it on its head in a surprising but realistic way.»

But this is still very early days, which allows Davies and his team to figure out what audiences want in a virtual reality boxing experience.

Your content marketing mission statement should help your entire organization better understand what distinguishes your brand's content experience from all the other content competing for your audience's attention.

In addition, you will also know who your ideal audience is, how to embody a voice that will speak to them and you will have gained a clear and detailed understanding of what they experience and how they make decisions.

What customer experience are you delivering your customers, audience, partners and community online?

I have had this experience three times now, on three different occasions, in admittedly similar circumstances, but not similar enough to explain the coincidence: I am speaking from a podium to a fairly large audience on the topics of — to put it broadly — evil, suffering, and God; I have been talking for several minutes about Ivan Karamazov, and about things I have written on Dostoevsky, to what seems general approbation; then, for some reason or other, I happen to remark that, considered purely as an artist, Dostoevsky is immeasurably inferior to Tolstoy; at this, a single pained gasp of incredulity breaks out somewhat to the right of the podium, and I turn my head to see a woman with long brown hair, somewhere in her middle thirties, seated in the third or fourth row, shaking her head in wide - eyed astonishment at my loutish stupidity.

Rather, convinced of his «charism,» West tends, according to Schindler, to instil in some members of his audience «a sense of guilt, of resistance to the Holy Spirit, if they experience uneasiness about what he is saying.»

Following the performance, psychiatrist and author Richard Restak, and Stephen L. Macknik and Susana Martinez - Conde, scientists who study various aspects of visual, sensory and cognitive neuroscience, discussed the science underlying what the audience had just experienced.

Created by talented students at the Tribeca Flashpoint Academy, Chicago, audiences can experience what it was like to stand beneath a surging flock of hundreds of millions of birds.

I had tickets to the Rachel Ray show taping which I love, so of course I had to experience what it would be like sitting in the audience.

What further complicates the comparison is that audiences claim that the film version of Annihilation is an intellectual dream, a cerebral experience, that it's almost too much of a think - piece for the general public.

The game, which allows families, tweens and teens to experience a wild journey to rock stardom where they can «Build a Band and Rock the Universe,» combines the multiplayer music experience of Rock Band with the fun, customization and humor of the LEGO videogame franchise packed with brilliant chart - topping songs and classic favorites suitable for younger audiences, including: Blur's «Song 2», Carl Douglas's «Kung Fu Fighting», Europe's «The Final Countdown», Good Charlotte's «Boys and Girls», and Pink's «So What.»

From that moment on, the audience is experiencing the same terror that Eleanor and Theo are - what was behind the door?

To the enormous credit of these preternaturally clever writer - directors, the above paragraph contains more low - hanging Lego puns than the movie itself, which relies on ingenuity and genuinely inspired twists on what audiences expect from such an experience to deliver a constant stream of engagement and laughs.

Being an almost an updated version of what has come before means that fans of the Linklater film will find themselves easily entertained, and audiences not familiar with these films also get to experience this slightly different skew on relationships.

His last decade of films «W.» (too soon), «World Trade Center» (way too soon), «Alexander» (a disaster) and the sequel to his 1987 «Wall Street» proved he is completely out of touch with what modern audiences want in a cinematic experience.

By doing this Glazer turns the audience into active participants, though, if this was actually his intent, it would only work with native English speakers as Scotsman that understand what's being said or foreign audiences reading subtitles wouldn't have a similar experience.

With Coco, Pixar Animation Studios» take on the traditional Mexican celebration Día de Muertos, audiences are given a film that will become the standard - bearer of a positive example of what the Latino experience can look like on the big screen for years to come.

With Beta House, we have no creativity whatsoever, with screenwriter Lindsay and director Waller merely checking the standard boxes of audience expectations, filling up enough of what we expect to provide an adequate feature length experience.

What marks a film festival as a truly unique cinematic experience is the audience.

What was the experience of bringing the movie to the festivals, and having it be so well perceived by audiences?

The production's now vacant audience is an appropriate analog for what's to come; a unique experience targeted at no one in particular.

With unprecedented access, the audience will share in the experience as snowboarder Travis Rice, along with a cast of the best riders in the world, complete a two - year quest to redefine what's possible on a snowboard.

So what is it about the time we live in that makes audiences want to experience this vastness and unfathomability?

What he does in his portrayal of Kick - Ass is allow the audience to step in his shoes as they experience his wonderment and hope.

It read «I do not know what you will think of my movie, however, whatever you write, I would ask that you preserve the experience for the audience of seeing the film the way you see it today... without knowing any details about the plot of the movie.

At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.

LONDON FILM FESTIVAL: Audiences not braced for what Rick Alverson's Entertainment has to offer will be doomed for an unpleasant and gruelling experience.

However, The American contrasts this detachment with its subjective use of sound and editing where the film will cut to what Jack notices or emphasise a dramatic noise to give the audience a sense of the tense, suspicious and always on - guard view of the world that Jack experiences.

«But my experience, and what I've heard from our audience, is just general excitement when these films do get here.

A visceral, thrilling story that will take an audience on a never before experienced journey and prove what we can do when we choose life.

Doing this allows for the movie to set itself apart while maintaining a level of familiarity for audiences that want what they've already experienced.

Instead, there's a sense of honoring what so many Americans were forced to go through during a very, very dark period in our history, of trying to make a modern audience feel the weight and burden of an ancestral experience.

It's an exaggerated version, perhaps, of what audiences might experience watching this super-sized cringe comedy, awkward enough to get Larry David hot under the collar.

The experience was what made it for me, complete with every last punch, kick, half the audience walking out, but a deserved standing ovation at the end from those that remained.

To think that child audiences in 1963 had a far more earth - shattering theater experience than today's young viewers will have with «Percy Jackson» speaks to the effect that «Harry Potter» films have had on reconfiguring what is expected of this kind of picture.

Both Stan and Davis have small supporting roles in the film so the audience didn't get a real grasp on maybe what Damon or Chastain's experiences were.

What was your experience of bringing the sci - fi action film to the festival in Austin, Texas, and how did audiences react to the movie there?

What eventually happens in and out of «Room» is best left for the audience to experience, but what can be said is that the events open old wounds, create new ones and lead to some healWhat eventually happens in and out of «Room» is best left for the audience to experience, but what can be said is that the events open old wounds, create new ones and lead to some healwhat can be said is that the events open old wounds, create new ones and lead to some healing.

Because if you can get an audience to go with a movie, all the personal stories, what she was struggling with, what Bobby was struggling with, all the issues at play, and to have a mainstream audience experience that, that was exciting to us.

It's time to join your audience on a personal journey of motivations and reasoning, and begin the process of truly discovering what makes their experience unique.