Sentences with phrase «what color and line»

It was simply an investigation into the possibilities of what color and line could accomplish on their own.

Not exact matches

For a couple of decades we've been counting women and people of color without linking it to what the bottom line business rationale is for that, and the bottom line business rationale is about skills,» she says.

Color and mass and line were what these painters knew of salvation, and what they knew was not enough.

The players knew a black man would cross the color line that was first drawn by the sudden hate of Cap Anson back in 1883, yet no one was fool enough to think that some bright, scented day way off among the gods of Cooperstown they would hear their past blared out across the field and would know that who they were and what they did would never be invisible again.

There is no rush to figuring what clothing works best for you or what makes you feel the most comfortable feeding your baby out and about, but I don't think an entire line of nursing clothes is necessary, just like I don't think a beautiful quilt or the perfect paint color are necessary.

«I don't know what happened between 1987 and today, but somewhere along the line, it would seem that somebody lost sight of the fact that the original color breakthrough in question here had been achieved through genetic modification,» says Craig Regelbrugge, senior vice president in the Washington, D.C., office of the trade group AmericanHort.

I have often wanted to start a clothing line with yoga clothes with seven colors — one for each day of the week (dictated by the planet that governs each day according to yogic astrology) and then never have to think about what to wear again.

What I really need is something along the lines of the featured shoe (athletic - y flats / hybrid sneaker - flat, fashion sneaker, whatever you want to call it) that I can wear with light colored casual dresses cotton dresses and skirts in the spring / summer / fall.

The season's offerings are in line with what we've seen over the past year; the brand's surefire favorites in new colors and combinations, plus a couple of seasonal bags that are unlikely to catch on.

I am not sure what the whole process looks like, as far as how they come up with the colors for each season and how those translate to fabric versus paint or graphic design, but if you start paying attention to the Pantone colors, all of a sudden you will begin to see those colors in the new season's line of clothing, home furnishings, graphics and even architectural designs for offices.

Cause what goes better with coffee than a biscuit and a glass of champagne to wash it all down, right??? You've got to love a company that really doesn't color inside the lines.

So when I saw that there were two blues in the Pantone Fall 2016 color line up, I was excited to search my closet and see what I could come up with.

It's the perfect length and has pockets, is lined, and a year - round color palette which makes it super versatile, exactly what I'm looking for from each new piece I'm adding to my pared down closet.

Could you please share with me what line and color your kitchen countertops are?

what with the colors matching the flowers and the pattern mimicking the lines of the buildings in the background.

What struck me immediately when I saw the polishes was that in having a modest line, the brand has created color choices that are bold and playful!

The post-up-her-ass reader might be frustrated with her current dating situation, but is conflicted about interracial dating because she's so deeply entrenched in what it MEANS to BE a black woman, with it's crippling demands of her allegiance that every move she makes to cross the color line is met with her tripping and falling on her face because she insists in getting in her own way.

Borrowing from a running segment «Jokes Seth Can't Tell,» on Late Night With Seth Meyers, the host asked Jessica Chastain, Billy Eichner and others to deliver the punch lines for what would be off - color jokes for him to deliver as a straight, white man.

«We can't have an administration dictating our coverage just because they don't like what we write about them in our newspaper,» Hanks» Bradlee says early in The Post, and it's this line that colors the whole film; this is essentially what this movie is all about.

The result, in the case of The Dark Knight Rises, is a movie so rich in lushly cinematic images — with lustrous colors and richly textured night scenes — that it should be displayed side by side with the likes of The Avengers and The Amazing Spider - Man in public forums devoted to educating the audience about what is being lost as the making and exhibiting of films on actual film becomes a museum art — the latest, but surely not the last, casualty of Hollywood's relentless focus on the bottom line.

Much to our surprise and delight, when it was announced that thesps Anne Hathaway, Keanu Reeves, Daniel Radcliffe, Chloe Grace Moretz, Tom Holland, Asa Butterfield, Jeff Goldblum and Abraham Attah were lining up to join Primer and Upstream Color (interview here) swiss army knife of a filmmaker third feature film, it confirmed what plenty of us folk already knew: Shane Carruth «s is a genius....

PRODUCT PERKS Colored - coded whole, halves, thirds, fourths, fifths, sixths, eighths, tenths, twelfths Snap alignment Fraction / decimal / percent labels Change global or specific label format Fraction wall Double number line (unlabeled) Color - coded number line Fractional number line Transparency (to see overlap) Toggle between filled and empty tiles WHAT TO TEACH Understanding Fractions Mixed Numbers Comparing Fractions Equivalent Fractions Adding Fractions (like / unlike denominators) Dividing Fractions Includes 1 Single - User, 1 year license

In contrast to Route 66's rose - colored history, the Genesis cabin feels pleasantly anodyne, its Nappa leather, gloss walnut wood, and unprovocative lines offering a by - the - book impersonation of what a conventional luxury sedan ought to look like.

The roof is not like other cars and when I pull up to stop lights (on the white line) I have to duck my head to see what color the light is.

It has two fewer font - size options than Kindle Fire HD, but it offers line spacing and three additional background colors beyond what Amazon's tablet provides, including a light gray textured background that mimics paper and preserves the paperlike theme running through other native app screens.

The program doesn't know what's a chair, what's the floor, what's a vase of flowers, etc. in the picture, it just knows the pixel size and count and color value, line by line.

The Nook Color's hardware, graphics, and browser performance were all inferior to what we've seen on other Android tablets we've tested, more in line with phones like the HTC EVO Shift 4G (4 stars) than the Samsung Galaxy Tab 10.1 ($ 499.99, 3.5 stars).

They can annotate what they read, highlight lines in a palette of colors, and share them via email and social media.

It has two fewer font size options than Kindle Fire HD, but it offers line spacing and three additional background colors beyond what Amazon's tablet provides.

The Kindle Fire comes with a solid set of reading tools that offers very good controls for changing font type and size, line spacing, margins and what Kindle calls color mode — three selections that let you change whether you want dark characters against a light background or light characters against a dark background, and the contrast level.

If the store is selling a line of dresses in three colors, red, green and yellow, and the red ones sell out quickly, half the green ones sell, but the yellow dresses don't move at all, what does the merchant do?

Beyond all of this, though, the visual appeal of the game is what drew me in: saturated colors, glowing Tron - like lines, and pencil sketch backgrounds with cell - shaded elements.

David Hellman's line work is both intricate and forceful, but what I especially appreciated was the artist's color palette.

It's only playing Rez Infinite on a PS4, especially in VR mode but even on a nice, big, modern flat screen (Rez Infinite can be played both as a normal game or in VR, your choice), that the game comes closest to what we saw in our heads when we were creating it: vivid colors that blend seamlessly into one another, crystal - clear textures, and razor - sharp lines only possible at full 1080p HD, all swimming around you at the speed - of - life 60 frames per second (120 frames per second in PS VR), with full 3D audio (PS VR) or 7.1 surround sound (PS4) that, well, truly surrounds you.

That's what makes the color paintings very different from the black - and - white line drawings.

As a «creative» type forced to color within the PR, marketing and advertising lines — but always pushing clients to think beyond their limits — I love what you've accomplished.

They are my explorations in color, line, shapes and painterly edges to push the boundary of what is possible for «Digital Art».

Painting in what is now considered a signature style characterized by flattened planes of color, shallow pictorial space, and lean, reductive but acutely descriptive lines, Katz sought to convey the appearance of things as they are both felt and perceived in the «present tense,» the now.

Schloss wrote of her work, «What I really do is what any painter worth his salt has always done, I abstract color and line from life around me, and make another life out of it.&raWhat I really do is what any painter worth his salt has always done, I abstract color and line from life around me, and make another life out of it.&rawhat any painter worth his salt has always done, I abstract color and line from life around me, and make another life out of it.»

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

Featuring more than 200 works by African American artists such as Horace Pippin, Aaron Douglas, Jacob Lawrence, Bob Thompson, William H. Johnson, Faith Ringgold, Ellen Gallagher, Glenn Ligon, Whitfield Lovell, Mickalene Thomas and David Hammons, «The Color Line,» a major show in Paris asks, «What role did art play in the quest for equality and the affirmation of black identity in segregated America?»

Guston's painting, in terms of color, line and form, privileges these properties above all else so that what is eventually shown on the canvas is the artist's investigation into the plasticity of image - making.

Lines, colors, shapes are arranged in space and while at first the composition doesn't seem to stand out in any specific way, what you're in fact looking at is what art historians consider to be the very first non-objective or abstract painting of the 20th century.

Exploring form, color and line, abstraction enjoys a degree of independence from what we -LSB-...]

This body of work can be grouped into two categories: watercolors with web - like black lines interwoven over masses of color suggesting successive layers of depth, and oil paintings of extremely heavy consistency in which controlled randomness allows for the appearance of an unconscious, interior landscape or what the French surrealist artists called an «inscape.»

What surprises many curators is that while many of her 20th - century contemporaries in South Asia were making brightly colored, figurative paintings, Mohamedi was intensely focused on abstract, monochrome line drawings rendered in combinations of ink, graphite, gouache, and / or watercolor.

Co-curated by Barbara Haskell, it posited O'Keeffe as the radical abstractionist that she was, her ravenous curls and sweeps of color and sophisticated use of line, light, and darkness presaging much of what came after her.

Everything in the work of art which is related to symbolism, context of any kind and iconography can only be secondary to what constitutes its form — line, shape, color, brushwork.

In his multiple and editioned works — what he calls his «cheap line» — John Baldessari often uses stock images, which he adapts by adding plains of color that highlight some planes and obfuscate select portions of the image, therefore forcibly shifting a viewers attention and perspective.

What their kind of abstraction strived to be is orderly, formal, classic, where all that matters was form, line, color and their own interaction.