For many Christians, however, this is still a semi-accurate caricature of
what cultural engagement looks like.
Not exact matches
What may seem obvious in modern church circles about welcome, and musical and
cultural engagement, was revolutionary when Chuck Smith first did it in the 1960s.
Henry rejected liberal versions of the social gospel which tended to be all social and no gospel, but he appealed to an earlier evangelical consensus of
cultural engagement that included the work of William Wilberforce in campaigning for the abolition of the slave trade in England, the revivalist impulses of Charles G. Finney against slavery in this country, as well as evangelical concerns for suffrage, temperance, child labor laws, fair wages for workers, and many other progressive issues to which many theologically conservative Christians were once committed» before
what David Moberg has called «the great reversal,» an evangelical withdrawal from such concerns.
Echoing
what Doug Parker said back in March, Kirby noted that the airline was focusing on a «
cultural transformation» where the aim is to build «the best employee
engagement in the industry» by focusing on improved contracts and profit - sharing with employees as well as getting to a place where employees were proud of where they work.
Yeapanis selects both manufactured goods and collected detritus of her life as an artist, a consumer, a
cultural participant and a waitress, because these materials represent an acceptance and
engagement with
what is, rather than a striving towards
what should / could be.
Informed by Ringgold's legacy as well as the current political climate, the exhibition poses questions about how to reconceptualize
cultural representation,
engagement, and critique:
What spaces for agency are available to black artists today, and by what means have they produced spaces for themsel
What spaces for agency are available to black artists today, and by
what means have they produced spaces for themsel
what means have they produced spaces for themselves?
Harvey's practice incorporates painting, photography, video, installation and public participation to examine our expectations about art and
cultural production, their proper contexts and
what constitutes appropriate
engagement, all with a disarming charm.
The program's main goals are to provide a stimulating and supportive environment in which students can thrive and develop as artists, to foster rigorous critical
engagement with contemporary art and other
cultural forms, and to produce an ongoing conversation, through work as much as through words, about
what we make, how we make it and why.