Over the years, students, visiting curators and scholars have tested out new cultural and art historical perspectives, evolving their sense of
what curatorial practice might become.
Not exact matches
But each Art Now exhibition is about taking a
curatorial risk on an artist, on a
practice or tendency that feels relevant now, without knowing
what will happen to it in the near future.
What can artists and curators learn from the art projects,
curatorial practice, expanded notions of location, pedagogy, and their intersections?
As part of this process, we are considering
what kind of things, images, information, display structures, events, discussions, archives, attention, temporalities, works, and
practices should make up the Center for
Curatorial Studies.
What they collectively reveal are outdated hierarchies across
curatorial practices.
What this meant in
practice was a low - key, somewhat retiring show, with a downsized rostet (eighty - one artists, as compared with 101 in 2006) spread over two venues (the museum and the nearby Park Avenue Armory) and with none of the flights of
curatorial fancy that informed «Day for Night.»
What were some of the highlights of that project and did this
curatorial experience have any spill - over into your own
practice?
Meanwhile she is extending her
curatorial practice in many international projects including 9th Gwangju Biennale (2012) in South Korea as Co-Artistic Director, Phantoms of Asia: Contemporary Awakens the Past (2012) at Asian Art Museum in San Francisco as guest curator, and Ai Weiwei: According to
What?
They explore
curatorial practice as an exercise in questioning the world around us; and they speculate about
what it will take to build new, innovative, and progressive
curatorial research institutions.
Despacio's mission is to keep doing
what it has been doing for the past decade: consistently exploring new models of artistic and
curatorial practice while remaining a driving force in the continued development of Central America's artistic voice.
ICI's Kate Fowle will be conducting research on
what «international» means for
curatorial practice today.
Responding to context, both in geographic and intellectual terms, Nawi is committed to a
curatorial practice that serves artists and communities, nurtures a conceptualization of
what it means to be «off center,» and creates a space for open discourse around art and ideas.
PEI commissions and publishes critical writing on
curatorial practice including proceedings from the symposium Curating Now: Imaginative Practice / Public Responsibility and an anthology entitled Questions of Practice: What Makes a Great Exh
practice including proceedings from the symposium Curating Now: Imaginative
Practice / Public Responsibility and an anthology entitled Questions of Practice: What Makes a Great Exh
Practice / Public Responsibility and an anthology entitled Questions of
Practice: What Makes a Great Exh
Practice:
What Makes a Great Exhibition?
Early this Fall, Independent Curators International (ICI) was in residence at the South London Gallery (SLG) which created an open forum for reflection on current
curatorial practices by inviting curators from its network to collaborate on research into
what it means to be working internationally today.
WHW /
What, How & for Whom are a critically acclaimed
curatorial collective from Zagreb, Croatia, with a decade of international
curatorial practice behind them, including the curatorship of the 2009 Istanbul Biennial.
What are the new terms of reference for
curatorial and artistic
practice framed by the experience of the diaspora?
Despite the fact that I tend to work in unconventional spaces, I believe that art should be available to everyone and that is
what I have been trying to do through my
curatorial practice.
Including collaboration with institutions such as indoor - gardening specialists Conservatory Archives and performance art festival Block Universe, Huma Kabacki says `' I believe that art should be available to everyone and that is
what I have been trying to do through my
curatorial practice».
What (critical) models do exhibitions such as Dylaby and HON provide for contemporary
curatorial, artistic, and scholarly
practices?
Showcasing three different
practices of curating and making art online the focus is on
what stories we tell,
what objects are displayed and how they are performed through
curatorial and artistic
practices and strategies online.
Meanwhile she is extending her
curatorial practice in many international projects including 9th Gwangju Biennale (2012) in South Korea as the Joint Artistic Director, Phantoms of Asia: Contemporary Awakens the Past (2012) at Asian Art Museum in San Francisco as guest curator, and Ai Weiwei: According to
What?
What do the
curatorial selections of fifteen gallery artists reveal about their own contemporary
practices?
What is a
curatorial practice?
This discussion will ask whether
curatorial practice can have meaningful social or political impact, as well as
what the responsibility of the curator and the museum should be to address and / or ameliorate injustice.