Sentences with phrase «what imma»

An extensive visitor survey, commissioned by the Museum last year, showed an overwhelmingly positive reaction to what IMMA has to offer, with 82 % of visitors saying that they would definitely or probably visit again and a remarkable 92 % saying they would definitely or probably recommend a visit to others.»

at skool im a loud and out goin and you'll neva know what imma do next then when i do you'll be soo suprised!!!!!!!!!!!!!!!!!!!!

Not exact matches

when i grow up im gonna be some thing greaat and im gonna prove some thing to every one but i dnot noe what yet, but i am imma weird girl that u just have 2 know: P

Well nobody is gonna rite a novel here... but, While I'm here «IMMA LET U KNOW WHAT IT DO BABY.»

if this is what we r to expect imma just sell my netflix box now...

I must say when I moved to Columbus I had a 2003 Chevy Malibu paying like $ 400 - $ 500 a month and then my car messed up and I was in need of a car super... bad so my cousin told me about miracle motor marts on Morse rd and took me to Kenne Smalls I told him what was going on how much money I had down and want I needed and he told me don't worry about imma take good care of you and few hrs later he ended up getting me approve for a 2011 Chevy impala paying $ 286 a month and he told me everything that was wrong with the car while was nothing but breaks and oil change and he made sure he took care of that before I drove off with the car.I had the car for a few months then I ended up getting into an var accident and car got Totaled out And once again I need a car I had a rental for alil bit then I hit Kenne Small up again and told him what happen he said the same thing the first time imma take care of you and he came through for me once again and this time with a better and newer car he got me in a 2014 Nissan sentra with no down payment and payments $ 360 but still cheaper then my 03 but one thing I really liked about Kenne after I got my cars he still called and checked on me seeing how I was doing seeing how the car was doing to and most dealerships don't do that and all the people there is just so nice I love it I'll Recommend Anybody to go to Kenne smalls for a car

bad so my cousin told me about miracle motor marts on Morse rd and took me to Kenne Smalls I told him what was going on how much money I had down and want I needed and he told me don't worry about imma take good care of you and few hrs later he ended up getting me approve for a 2011 Chevy impala paying $ 286 a month and he told me everything that was wrong with the car while was nothing but breaks and oil change and he made sure he took care of that before I drove off with the car.I had the car for a few months then I ended up getting into an var accident and car got Totaled out And once again I need a car I had a rental for alil bit then I hit Kenne Small up again and told him what happen he said the same thing the first time imma take care of you and he came through for me once again and this time with a better and newer car he got me in a 2014 Nissan sentra with no down payment and payments $ 360 but still cheaper then my 03 but one thing I really liked about Kenne after I got my cars he still called and checked on me seeing how I was doing seeing how the car was doing to and most dealerships don't do that and all the people there is just so nice I love it I'll Recommend Anybody to go to Kenne smalls for a car

Ther eis lots of magazines so there is many ratings some gave Lair a bad rating MOST gave it a Good why do nt people stop fighting about it n wait to play it and decide and now moving to Heavenly Sword how is it a rip off God Of War (which is based on Greek Mythology) if the fighting style is well i guess every action / adventur eis rip offs and imma go ahead and give what ive seen from Heavenly sword with the boss battles and great graphincs a 9.5 / 10 now you all make a blog about that!!

20 Jan 2010 New Collection Exhibition at IMMA What happens next is a secret, an intriguing, experimental exhibition, opens to the public at the Irish Museum of Modern Art (IMMA) on Tuesday 26 January 2010.

23 Feb 2010 Studio 8: A Space dedicated to young people at IMMA The new season of Studio 8 kicks off on Saturday 6 March with Irish artist Claire Halpin and Studio 8 Coordinator, Lynn McGrane, with a workshop that explores the IMMA Collection exhibition What happens next is a secret.

, an experimental, ever - changing show drawn primarily from IMMA's Collection, addressing the issue of what happens when artworks are shown in different contexts and what is the impact on a work when is becomes part of a collection or group exhibition.

19 May 2010 08 Aug 2010 Collecting the New: Recent Acquisitions to the IMMA Collection Collecting the New presents artworks recently acquired for IMMA's Collection and marks the first occasion that these works have been shown at the Museum as part of that Collection 26 Jan 2010 18 Apr 2010 What happens next is a secret This is an experimental exhibition which attempts to addresses the question of what happens when artworks become part of a collection and are subsequently shown in many different conteWhat happens next is a secret This is an experimental exhibition which attempts to addresses the question of what happens when artworks become part of a collection and are subsequently shown in many different contewhat happens when artworks become part of a collection and are subsequently shown in many different contexts.

Plans for the coming year also include solo exhibitions by leading artists from Ireland, Germany, Spain, America and Mexico; a multi-faceted show inspired by the shadow theatre tradition of Turkey and Greece, and an exhibition from IMMA's Collection exploring what happens when artworks are shown in different contexts.

Writing in the 1960s, the critic Susan Sontag claimed that, «Every era has to reinvent the project of «spirituality» for itself», and through this exhibition IMMA asks what the project of spirituality looks like in 2017.

Curated by Christine Macel, Chief Curator at Centre Pompidou, with Rachael Thomas, Head of Exhibitions at IMMA, What We Call Love: From Surrealism to Now features almost 200 works, including over 30 works on loan from major international collections.

The artists» work has been featured in recent major group exhibitions, including Paulin, Paulin, Paulin, Galerie Perrotin Paris, Paris, France (2015); What We Call Love, IMMA, Dublin, Ireland (2015); Little Is Left To Tell (Calvino after Calvino), Blueproject Foundation, Barcelona, Spain (2015); Poor Art — Rich Legacy.

Here's what they said about the experience: «We were really excited about the evening and our enthusiasm was matched by the IMMA 25 crew who welcomed us warmly.

We look forward to welcoming people to IMMA over the coming months to join us in a consideration of what love means to us all today.»

Sinead Hogan Saturday 9 May 2015 12.00 - 1.00 pm, Lecture Room, IMMA In conjunction with the exhibitions, Karla Black and Gerda Frömel at IMMA, Sinead Hogan (Lecturer, IADT) presents What is Sculpture...?

05 Aug 2015 What We Call Love: From Surrealism to Now at IMMA In September, the Irish Museum of Modern Art (IMMA) presents one of its most ambitious and compelling shows ever, tackling a subject that is part of everyone's lives: LOVE.

15 Dec 2015 Seamus Nolan: F**K IMMA │ What We Call Love As part of the exhibition What We Call Love: From Surrealism to Now (12 Sep 2015 — 7 Feb 2016), IMMA is delighted to present F**K IMMA (2015) a new commission by Irish Artist Seamus Nolan (Hotel Ballymun, 10th President).

Speaking about What We Call Love, IMMA Director Sarah Glennie said «IMMA is delighted to be staging this important and fascinating exhibition, which is a great opportunity for audiences to experience, at first hand, 20th century masterworks from some of the world's most important collections, shown in the context of contemporary art from Ireland and around the world.

Another leading paper El Mundo stated that this was the right time to see IMMA's Collection «This seems the right moment to show what is being made in the visual arts in Ireland, especially after the big cultural and economic boom of the last decade».

This is what gives IMMA its personality and its distinction in the spectrum of national art collections worldwide.

Hales Gallery is pleased to announce Carolee Schneemann's inclusion in What We Call Love: From Surrealism to Now at the Irish Museum of Modern Art in Dublin (IMMA).

Commenting on the forthcoming exhibition of Lapsus Exposure and on what the acquisition of the trilogy means to IMMA, the Museum's Director, Enrique Juncosa, said, «We are very happy to present this second work of the trilogy of slide projected works by James Coleman that IMMA acquired through the Heritage Fund in 2004.

An exhibition from the IMMA Collection at the Burren College of Art What Do You See When You Look At Me?

The artists» work has been featured in recent major group exhibitions, including Paulin, Paulin, Paulin, Galerie Perrotin Paris, Paris, France (2015); What We Call Love, IMMA, Dublin, Ireland (2015); Little Is Left To Tell (Calvino after Calvino), Blueproject Foundation, Barcelona, Spain (2015); Poor Art - Rich Legacy.

Curated by Christine Macel, Chief Curator at Centre Pompidou, with Rachael Thomas, Head of Exhibitions at IMMA, What We Call Love will include works from Cecily Brown, Miriam Cahn, Elmgreen and Dragset, Jim Hodges, Jeremy Shaw, Pablo Picasso, Marcel Duchamp, Alberto Giacometti, Louise Bourgeois, Meret Oppenheim, Annette Messager, Andy Warhol, Rebecca Horn, Marina Abramoviæ, Nan Goldin, Wolfgang Tillmans and others.

Upcoming Matheson - sponsored New Art at IMMA projects in 2015 include exhibitions by Lebanese artist Etel Adnan; British photographer Chloe Dewe Mathews; Irish artist Grace Weir; and What We Call Love, an exhibition of Surrealist works, alongside key conceptual and contemporary pieces, exploring the 20th century notion of love at the heart of which will be a series of new commissions supported by Matheson by artists including Seamus Nolan, Lucy Andrews and Jim Shaw.

12 Feb 2015 IMMA Announces 2015 Exhibition Programme IMMA Announces 2015 Exhibition highlights which includes Gerda Frömel, Diogo Pimentão, Karla Black, Stan Douglas, Etel Adnan, Chloe Dewe Mathews, Grace Weir, and a major new show, curated by Christine Macel, Chief Curator at Centre Pompidou with Rachael Thomas, Head of Exhibitions, IMMA entitled What We Call Love.

In addition to the new art packs and What is... booklets, publications will include Museum21, comprising the papers presented at IMMA's 2008 international symposium of the same name, and the Winter Lecture presented by the distinguished Irish artist Anne Madden in 2007.

Recent commissions of note include new works for IMMA by Duncan Campbell, Jaki Irvine and Emily Jacir as well as a number of new works commissioned as part of the two major group shows, What We Call Love and As Above, So Below.

Listen back to this talk on Soundcloud Seminar Art in the Contemporary Universe IMMA + MA Art in the Contemporary World, NCAD Saturday 20 September, 3.00 pm - 5.00 pm, 2014, Lecture Room This seminar explores realms of science, aesthetics and philosophy, and what Italo Calvino calls the «overambitious projects» in contemporary culture, narratives in science and the cosmological turn in recent philosophy.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

(External) Listen back to this talk on Soundcloud Seminar Art in the Contemporary Universe IMMA + MA Art in the Contemporary World, NCAD Saturday 20 September, 3.00 pm - 5.00 pm, 2014, Lecture Room This seminar explores realms of science, aesthetics and philosophy, and what Italo Calvino calls the «overambitious projects» in contemporary culture, narratives in science and the cosmological turn in recent philosophy.

Sarah Glennie, Director of IMMA, said: «We are delighted to present another dynamic programme for Ireland in 2015, where a key highlight is sure to be the autumn exhibition What We Call Love, curated by Christine Macel, Chief Curator at Centre Pompidou with Rachel Thomas, Head of Exhibitions at IMMA.

Artist Daphne Wright describes what drew her to curating this particular exhibition: «When I was approached by IMMA to curate this show I was fascinated and pleased, but also very aware of the challenging complexities of Freud's work.