But even within art institutions, she says, «it comes down to
what individual curators are interested in.»
Not exact matches
The system works like this: Researchers ask the virtual
curator questions based on the data — for instance, «
What percentage of
individuals who have Type B blood are also HIV positive?»
With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of
curators have mounted a remarkable series of object lessons about
what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the
individual's voice in recording and interpreting history and its sweep.
Mind and Matter and these other exhibition and incidental installations of
individual works are part of an ongoing initiative among women
curators at MoMA to delve deeply into the permanent collection in order to find out
what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.
Convening luminary artists,
curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media's mass creativity interfaces with branding and identity for
individual artists; how the quality and texture of art criticism is evolving in a digital age; and
what the future of internet art might be in light of a broader assimilation of digital technologies.
Art Trichotomy: Portraits of the Industry aims to explore how gallerists,
curators, and artists interface within the art world and
what factors shape the trajectory of each
individual's career path.
But one theme that cropped up repeatedly in the shortlisting discussion of the judging panel for the 2014 Art Fund Prize for Museum of the Year was the very evident impact of particular
individuals (be they
curators or directors) on the quality and originality of
what was being newly presented to the visiting public.
Home of the Free, an exhibition assembled by independent
curator, Jens Hoffmann, examined
what freedom meant for
individuals that are living in the United States on a daily basis.
The Evolving Collector: Collecting as a Beginning - at Art Basel Hong Kong 28 March 2018, 13:30 - 15:00 Through a consideration of collecting as a point of departure, this conversation, moderated by Delfina Foundation Associate
Curator Rose Lejeune, hopes to chart
what is becoming an expanded — and creative — practice by bringing together a group of
individuals who have each taken a path that has somewhat diverged from the traditional notion of
what a collector is and does.
Our
curators have build an exhibition around different proposals that raise questions and shed light on
what relates and sets us apart, on transfer of knowledge and future, on power and resistance, on
individuals and communities...
While our
individual practices as artists inform our work as
curators, both in terms of
what we're interested in and how we connect with other artists, there are two things we do a little differently than some other artist - run spaces; we don't include our own work, and we don't promote exhibitions with the
curator's name.