Sentences with phrase «what kids film»

Yes, there is a dumb villain subplot, but what kids film doesn't have that nowadays?

Not exact matches

I'm not sure the film even needs such a premise to be effective, (in fact, it may distract from the main point a bit... and I hate to think there are people who need it to be reversed in order to empathize), for what really moved me was its depiction of bullying, which is based on real reports from LGBT kids.

what was the name of that film with the scary clown that used to kill kids?

For those of you that don't know what Catfish is, it's a documentary that was made in 2010 about a young kid who falls in love with a girl over Facebook while his brother and friend film it.

«What he did in the film world was unbelievable and films I watched growing up my kids now watch and they are still greats.

I think the film shows what can happen when all stakeholders, especially moms, work together as a team to make the sport of football safer, not just for their kids but for all kids.

Subtitled «the film about kids and food politics», What's On Your Plate?

Read previous Innovation columns: Hand - held controls move out of sight, Mobile malware develops a money bug, Reinventing urban wind power, Mastering the art of 3D film - making, A real live Grand Prix in your living room, Google may know your desires before you do, Shrewd search engines know what you want, The tech refresher Russia's spies needed, Smarter books aim to win back the kids, Microsoft's Kinect isn't just for games, 19th - century tech makes a smarter iPhone, Invisibility cloaks and how to use them.

Read previous Innovation columns: Mobile malware develops a money bug, Reinventing urban wind power, Mastering the art of 3D film - making, A real live Grand Prix in your living room, Google may know your desires before you do, Shrewd search engines know what you want, The tech refresher Russia's spies needed, Smarter books aim to win back the kids, Microsoft's Kinect isn't just for games, 19th - century tech makes a smarter iPhone, Invisibility cloaks and how to use them, Methane capture gives more bang for the buck.

The Extras There is an incredible amount of extras for what could be considered just a kids movie, starting with a new Ice Age short film, starring John Leguizamo's sloth character.

I can't even describe what happens in the scenes he has with the mystery - baby in a non-profane way, but when that kid grows up he's going to be either really embarrassed or totally popular for having been in this film.

There's nothing that scary here, but there's some good tension built up and the zombie kids, while you can probably take one at a time, when they swarm you then they become viable threats, at least for what the film is trying to accomplish.

Now going by written dialogue in the film Diana «Gets very excited by Hospitals», «I'm a princess and I get what I want», and wonders if «Did they publish the pictures of the kids with all their arms and legs blown off».

His mother sends the kid off from the slums of Baltimore to live with her estranged parents, the Rev. and Mrs, Cobbs (played by Oscar winning actor Forest Whitaker, and Oscar nominated best supporting actress Angela Bassett both of whom for their work in films «The Last King of Scotland», and «What's Love Got To Do With It?»)

Victoria's feature film debut in «Fun Size» is just not what the parents wanted the kids to see.

If you have kids or are simply interested in what's in a film (along with a standard artistic review) drop by for a visit.

Director Johannes Roberts begins the film with a synth - infused version of Kim Wilde's «Kids in America» and retro title styling, letting the audience know what decade of horror we're in for, even if the characters are blissfully unaware of what's coming.

Think of this film as what would become of the college kids in Roger Avery's «The Rules of Attraction» once they hit middle age.

Filing off what little edge there was from the first film's supervillainy, introducing a host of mostly forgettable new characters (Al Pacino was initially down to voice the bad guy, but dropped out at the last minute), and doubling down on the adored - by - kids, annoying - to - adults Minions, the film has occasional moments of wit and invention, but it's mostly a bland retread without the heart of its predecessor.

It's a brave and vulnerable turn that shapes every corner of the film - ensuring that Conor's perception of his situation, the adults and kids around him, as well as what to make of his supernatural visitor, are faithful to a person (young or old) whose life has been entirely upended.

Although the film didn't connect as strongly with mass audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on as a deserved cult classic, perfect for drunken film studies students and bored kids at slumber parties alike.

In what could well be the least subtle national allegory ever committed to film, an awkwardly placed, extended flashback reveals why protagonist Jacky (Schoenaerts) is obsessed with bulking up: just as he was beginning to develop sexually, his balls were irreparably smashed with a rock by a deranged French kid.

Its script is far too good for only kids to watch it; it's a well - produced, visual powerhouse; which provides real emotion and heart to what is essentially an animated superhero film.

What follows is a broad overview of The Force Awakens that leaves out some important details — and those who have seen the film can probably guess just what those are — in favor of a light, kid - friendly retellWhat follows is a broad overview of The Force Awakens that leaves out some important details — and those who have seen the film can probably guess just what those are — in favor of a light, kid - friendly retellwhat those are — in favor of a light, kid - friendly retelling.

I rewound it before I returned it, but to this day I remain blissfully unaware of what actually happens to the three kids in the film, who apparently are on a trip to hell or something.

Some of my best friends and I were sitting around and we hatched an idea to drive around the U.S. for three months interviewing kids from all walks of life to figure out what our generation is about [which became the film Our Time (2009)-RSB-.

I would have been so much more satisfied walking out of the screening had the film been about 40 - year - olds and their struggles with deciding what it means to be that age and if they need kids to be happy.

A spry, sun - bleached and often rather sexy study of what makes a family in modern America, «The Kids Are All Right» breezes by so pleasurably it's easy to forget what a daring and very necessary film it is.

Added Bailey: «We had no idea what would happen with this but we followed it as we did with his everyday life — traveling to events, raising money for his court case, taking his kids to Rugby etc., and in the film we bounce back and forth between real time and how he got there which was based on the MMR scandal dating back before the infamous 1998 Lancet paper.»

I fell in love with film as a kid and remain as passionate about it as the day I started acting so it's great to see what inspired and eloquent detectives you are when it comes to all things cinematic.

When the beautiful she - devil leans down for a kiss, lesser films would resort to jump cuts or gore, yet the scene's simplicity makes plain Caleb's complex feelings: A kiss is what the poor horny kid most desires and fears — with good reason.

What's troubling about this picture and stuff like it (the regrettable remake of The Heartbreak Kid is the film Forgetting Sarah Marshall most resembles) is that there's an awful lot of hate and cruelty packed in here front and centre.

This film excels in all of these areas, making the audience care about what happens to each character, whether it be the investigating couple, Lorraine and Ed Warren (Vera Farmiga and Patrick Wilson respectively), the tortured owners of the house Roger and Carolyn Perron (Ron Livingston and Lili Taylor), or their kids (too many to count).

With the filmmaker Mark Cousins, she set up the 8 1/2 Foundation, a Scottish - based not - for - profit organisation dedicated to the idea that when kids turn eight - and - a-half they should have a film birthday — on which date they're introduced to the wider world of movies beyond what's on TV or in the multiplex.

Without Tommy's growing sense of coming danger, one wonders just how alert Laurie would have been to what was happening around her, as he sets up her unease later in the film with the presumed silly questioning of a kid high on candy corns.

And what I can not believe is how many people in this country will still set their kids in front of this film, thinking they will laugh it off and not retain a thing.

Beside Dorval, the best thing about the film is probably the cinematography, even though it sometimes calls a bit too much attention to itself, what with all the off - center close - ups, slow - motion tracking shots à la Wong Kar - Wai, B&W shots of Hubert talking to the camera, colourful fantasy cutaways... Still, you can tell that the kid has seen a lot of movies and instinctively knows how to recreate the things he likes in others» work through his own.

Without giving away too much, the film itself is really all about these two kids: what they're going through (at home and in the city), and how hard they're trying to find something to be happy about.

But I really quite liked the slow, oblique approach in this film about a wanna - be skateboarder kid who relishes hanging out with the bigger skateboarders at the titular skate park — but there's a death not far from there, and it takes the rest of the movie to slowly reveal what exactly happened that one night near Paranoid Park.

I have no problem with kids reviewing movies, I like hearing there take on films, and it reminds me of what impressions movies made on me as a child.

The film makes The Searchers «s anti-racist message much more explicit (to much lesser effect) as we see exactly what happens when the hero brings back the poor kids who had been kidnapped by Comanche (it ain't good).

Maybe for the sake of some troubled kids these high school films should show what unchanging people look like, instead of what their parents want them to be.

After three years of extensive research the pair have managed to speak with almost every living major contributor to the film, among them directors John Hancock and Jeannot Szwarc, screenwriters Dorothy Tristan and Carl Gottlieb, Production Designer / Associate Producer Joe Alves, Universal Studios former chairman Sidney Sheinberg and cast members Lorraine Gary, Jeffrey Kramer, Joseph Mascolo and all (17) of the young actors who played what the authors collectively call «the Amity Kids!»

Inspired by Larry Clark's controversial 1995 film «Kids» and by Wood's own college experience, «White Girl» vividly charts what is at times a violent culture clash.

If you feel I'm overthinking and analyzing what is only meant to be a cute talking animal movie for children, welcome to film criticism and please hang up your kid gloves.

In a film full of crude and sexual humor, Ashley Tisdale gets the starring nod in what is quite a racy role for a PG - 13 flick, which, in the same year that the Selena Gomez and Vanessa Hudgens vehicle, Spring Breakers, gets a release, proves that parents might be strongly cautioned from allowing their impressionable kids to these movies just because they feature some of their favorite kid - show stars.

Hear Leonard Maltin's responses: • On what goes into selecting content for the Treasures • His answer to the «Disney films are just for kids» argument • On the current state of animation / 2 - D & CG Debate • On the future of the Walt Disney Treasures line

The first half of the film mostly follows her adventures with the neighbor kids in the motel (begging for change to buy ice cream, playing hide and seek in the motel office, exploring empty houses and what passes for countryside amid Orlando's sprawl).

Dogs in peril are what your kids will remember most about this film.

What we could do with more of is the film's attack, albeit with kid gloves, on the collusion between doctors and Big Pharma.