Sentences with phrase «what kind of artist»

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[gravityform id =» 3 ″ name =» Book a Coaching Session»] What Kind of Artist Coaching?

But if not, what kind of artist is he?

Now, as Julian is compelled to take responsibility for his own actions while finally exploring the interpersonal relationships that have come to define his existence, he will finally find out what kind of artist he really wants to become.

I'll leave you to decide what kind of artist Dan Jarvis is...

12:03 What kinds of artists are most successful with Patreon?

What kinds of artists are you interesting in supporting?

Not exact matches

A real artist creates a kind of ideological hologram, I think: what you see depends upon the angle you are observing from... but the entire message (sometimes many thousands of words, potentially) is encoded in each part of the work.

Now that art, long nurtured at the bosom of the church, has come to be seen as part of secular culture, Fuller Theological Seminary aims to use this pilot class as a catalyst for a conversation in the international art world: What kind of training do artists who are Christians need?

«Bowie represented, to my generation, in a way that is hard to explain, this kind of model for what it meant to be an artist or creative person,» says Evan Ziporyn, who will also present a novel arrangement of Satie's Gymnopédies.

Typically when an artist who paints with watercolors (which I think you all understand what I mean by watercolor)... the person sketches out a drawing with a special kind of pencil as so when they apply water and paint — the outline from the watercolor pencil blends in versus just being an outline.

Members can see all the artists they have in common, and can find out what other kinds of music a match is listening to.

A serious comedy in which the assorted players - a couple of artists, some gallerists, and the people who attend (or don't attend) their shows - discuss what art is, what it should aspire to be, and what kind of people collect, exhibit, and consider it.

They really are about, from what I've seen so far, supporting up and coming artists, artists who have a strong vision and voice and perspective, and they really wan na permeate the films with those kinds of voices.

Tsuboyama brought back many photos from his location trips back to Japan to help his fellow artists understand what kind of visuals they needed to create for the game.

Watergate, Vietnam, Kent State, Watts... What inspired some artists to rage against the machine caused Frankenheimer to retreat, his late - years prickliness the kind of knee - jerk defensiveness of a man who knew the shape of his cosmic flinch.

Jada Yuan: I got to see The Disaster Artist when it was still a «work in progress» at its first unveiling at SXSW in March, and not only did I have no idea what I was getting into, I was kind of dreading it.

There were great performances across the board by Christian Bale (whose combover alone deserves some kind of award) and Amy Adams as the con artists, Bradley Cooper as the fed who is as tightly coiled as his perm and Jeremy Renner as a politician who falls into their trap out of a genuine desire to help his constituents but the whole thing was stolen outright by Jennifer Lawrence as Bale's wife, a live wire whose innately direct nature is enough to blow the entire deal in an instant, in what may be the best performance to date of her already incredible career.

Jaume Collet - Serra, the film's wonderful director, has always exulted in details — it's what helps him stand out as an artist even though he mostly makes this kind of easily dismissed genre fare.

What kind of marks or techniques has the artist used?

As Deadpool questions Domino's perplexing powerset (and she defies his doubting at every turn with incredible action), Deadpool wonders what kind of comic book book artist would created such a character, and remarks «Probably someone who can't draw feet!»

I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.

Thus, a humble team of 2 developers, a 3D artist, a game designer and a content writer was formed and they came up with a cool idea — what if you are an elite operative, tasked with resolving all kinds of crises?

There are all kinds of socioloical reasons why that's interesting, but what's really got me is how they look like a video game artist's portfolio come to life.

The first thing any successful video game character artist should know is, of course, what makes a great video game, and what kind of characters best suit those games.

Encouraged by what emerges when different kinds of artists - including those not necessarily from the world of games - collaborate, these game developers are fast - tracking initiatives to bring even more different kinds of people into the field.

When artist Matt LeBlanc was deciding what to price, he looked at what kinds of art were available in his area and noticed the low - end and high - end of the market were rather saturated.

Put up a survey on your website, asking people what kind of art they buy, whether they buy art regularly, whether they are artists themselves.

If you were going to be a part of a community of artists focused on learning to sell art online, what kinds of things would you expect from the site?

Now, in preparation for the opening of a museum dedicated to the artist, experts can finally see how the works have held up and what kind of treatment they need.

«Conservative pundits are quick to cite what I think of as a straw man — that there's some kind of leftist boogeyman coming to take away the Second Amendment, and to my knowledge, there never has actually been one,» the artist Joshua... Read More

And Sam Messer was such a good teacher because he understood young people's concerns about what being an artist is, specifically those making paintings, what kind of language of expression they should have, and so on.

CHICAGO — «It's a super-interesting moment to be at the National Gallery, where the question of what it means to be an American, and what kind of American are you, has a new kind of resonance,» said Theaster Gates, the sculptor, installation and performance artist and urban interventionist, whose exhibition «The Minor Arts» opened there this month in Washington.

And I wonder if you could talk about what that difference is for you between the technological, mechanical light used by artists like Turrell and Flavin and the kind of light that you are using in your painterly work.

What kinds of conversations would artists have After Dark?

What advice would you give to young artists today who are getting that same kind of attention early on?

That Kelley recognized the importance of what George Eliot called «unhistoric acts,» that he knew there was a world outside of celebrity and wealth and museum retrospectives and that it was big and interesting even if it went largely unmentioned, made him the kind of artist who comes around maybe once in a generation.

John Yau offers a tribute to the late painter Michael Mazur, whose early paintings of apes in a zoo were recently exhibited in New York: «This is the kind of challenge that most artists, no matter what the medium, avoid: to confront and stroke difficult subject matter, to be open and sympathetic without trivializing or becoming sentimental.»

Bringing together 30 of the world's most innovative and exciting artists, the Beck's Green Box Project shows what can be done with the right kind of support.

The three «informalisms» in Bill by Bill are in part an attempt to create what artist Christopher K. Ho has termed «modest Bushwick abstraction» and linked to a kind of Clintonian political neutrality of privilege that our generation experienced outside of New York in the mid - to late - nineties.

The artist has said of this new series that, as with a previous body of work in which he articulated a fascination with Futurism, he is «exploring new ways of interpreting a definitive and somewhat overlooked period in cultural history, developing works centred around the kinds of characters who populate my practice, imagining who is the boy / man who would make this sort of space his own, what his home might look like... and what sort of psychosis would lead to this?»

Take an art break between April 25 and May 5 and finally learn what kind of artwork this modern master created in between the more famous paintings, when he was driving across the country in the 1930s or taking a break from teaching other famous artists in the 1950s.

What's different today is not just the heightened economic inequality we see within the US, but also the widespread de rigueur expectation — reinforced by curators, academics, and, indeed, critics — that serious artists offer a kind of protest, working to subvert the very social and economic power structures their patrons uphold.

Viridian Artists has responded to this need with ArtMeat, a bi-monthly gathering on Wednesday for those who want to talk with other artists and art lovers about their process, their inspirations, the value of showing on the web, what kind of art to buy and whatever else feels pressing at that moment iArtists has responded to this need with ArtMeat, a bi-monthly gathering on Wednesday for those who want to talk with other artists and art lovers about their process, their inspirations, the value of showing on the web, what kind of art to buy and whatever else feels pressing at that moment iartists and art lovers about their process, their inspirations, the value of showing on the web, what kind of art to buy and whatever else feels pressing at that moment in time.

So the title Fast Forward came in part from an article I read on Keith Haring, that was talking about the climate, this moment, in the early 1980s in particular and more generally, and that there was this idea that there was suddenly a kind of new freedom for artists to paint what you want.

The French artist Céleste Boursier - Mougenot has brought the architectural feature of the gazing pool indoors to create what he describes as «a kind of dream.»

In June 1970, in response to the tragedy at Kent State University where four students were shot and killed by National Guardsman, as well as the growing Civil Rights and Anti-Vietnam War movements, Artforum asked a number of artists to respond to the following question, «What is your position regarding the kinds of political action that should be taken by artists?»

In June 1970, in response to the tragedy at Kent State University where four students were shot and killed by National Guardsman, as well as the growing Civil Rights and Anti-Vietnam War movements, Artforum asked a number of artists to respond to the following question, «What is your position regarding the kinds of political action -LSB-...]

The announcement that the Chinese artist Ai Weiwei is to be the next artist to take on Tate Modern's annual Turbine Hall commission is unsurprising — though surprise, spectacle and a kind of art that is accessible to the widest possible public are what the Turbine Hall demands, even if the spectacle is of a quiet or understated sort.

The space itself is just so challenging that it lends itself to the kinds of shows that are totally different from what the artists usually do.