Sentences with phrase «what kind of comedy»

Depends what kind of comedy you're writing.)

In addition, Baena doesn't really seem to know what kind of comedy he's going for at all.

Yet Phillips makes a startling stylistic choice in the film's opening minutes, one that punctures assumptions about what kind of comedy The Hangover is peddling.

Not exact matches

No matter what kind of content you create in your business or to promote your business, it's normal, when faced with a blank page, for your brain to try to pull a Sergeant Schultz from the old comedy, Hogan's Heroes;

More often, though, he aims at a kind of sardonic comedy, as in his «Rejection Note for Paradise Regained,» imagining what John Milton's publishers might have said to his follow - up to Paradise Lost:

No matter what type of relationship you're looking for — from the forever kind to the When looked upon with the rose - colored glasses of nostalgia, the dating we did in our 20s was the stuff of romantic comedies, especially when compared with

Loads of single Asian... It seems the objectification is hardly limited to dating websites, though, as comedy videos like «What kind of Read More...

What transpires from there can only be described as a series of attempts to keep upping the ante on gross - outs, one liners, animal gags, and slapstick that doesn't add up to any kind of elaborate comedy.

A serious comedy in which the assorted players - a couple of artists, some gallerists, and the people who attend (or don't attend) their shows - discuss what art is, what it should aspire to be, and what kind of people collect, exhibit, and consider it.

The Mountain Between Us builds towards a tame romance that left me wondering what kind of film it might have been if the studio had the courage to make a straight romantic comedy starring Winslet and Elba, who are above this parodic material.

It's as if show writer / executive producer Iain Hollands, whose most notable previous work was the short lived British comedy «Beaver Falls,» couldn't make up his mind on exactly what kind of series he wanted to create.

The tone shifts so wildly that it's hard to tell what kind of film you're in half the time; fantasy, comedy, tragedy.

«Drinking Buddies,» Joe Swanberg's deceivingly jolly, sharply alert romantic comedy, doesn't just pay homage to those confusing unspoken feelings, but engages in that very opaqueness itself, plunging viewers into the same kind of what's - really - going - on - here questions that its young, attractive protagonists are facing.

Coming from Nima Nourizadeh, the director of Project X, it's no surprise that American Ultra is such a haphazard experience, where the most amusing thought is trying to figure out what was going through the mind of someone who puts off the kind of highbrow intellectual persona that Eisenberg does while he was sitting on the set of this stoner action comedy, whose existence would be quickly forgotten if people were even aware that it was released in the first place.

Comedies tend to do better later in the summer (see: Bad Moms, We're the Millers, or even Horrible Bosses), but it seems like this year audiences are paying more attention to what kind of reviews a movie is getting.

See Arnett reveal his inner philanthropist and inner romantic while he explains exactly what kinds of shows «The Comedy Show Show» plans to showcase in these clips.

Young Adult (2011)- Strongly gives the impression that writer Diablo Cody and director Jason Reitman intended to take the cliches of romantic comedy and apply them to real life: What kind of person would do such things, and how would she be received?

While the film might sound depressing, it is actually a very funny comedy that happens to deal with such cold, hard realities as familial difficulties, the physical and mental deterioration of aging, and the morass of realizing that one hasn't lived the life one expected or desired — maybe even realizing one was never certain of what kind of life that might have been in the first place.

Director Jeremy Garelick, who ironically co-wrote Vaughn and Jennifer Aniston vehicle The Break - Up, doesn't seem to have changed his perceptions on comedy much since then, as Ringer is the kind of comedy that is almost exactly what we would have got a decade or so ago.

Writer - director Shane Black's horribly enjoyable action comedy The Nice Guys is an jauntily arch return to this tradition, the story of two dishevelled and incompetent private detectives in 1970s Los Angeles — played by Russell Crowe and Ryan Gosling — who have been expensively tasked with solving the mystery surrounding the death of a missing porn actress, and what other kind of fascinatingly damaged female character can there be?

What you get with this film is a very different kind of horror comedy.

Thoroughbreds killed (if you'll pardon the pun) on opening night at Fantastic Fest, but its marketing has yet to fully convey just what kind of pitch black comedy awaits audiences when they sit down with this tale of murderous rich girls (Olivia Cooke & Anya Taylor - Joy) and the loser (Anton Yelchin) they hire to murder the one's rich stepfather.

It's a good twist on what is usually expected for this kind of holiday comedy, and it's all handled with care, because Dougherty knows what he is doing.

Stiller, Vaughn, Hill and Ayoade all play to form - you've seen them play these roles before, what makes this film kind of work is seeing these comedy personas on screen together.

Tim and Eric talk about how their film was sadly «Rango'd» by Robert Redford and the festival, the state of comedy today, a sensitive project with Chris Kattan, and what makes the best kind of Shrim.

Director Nicholas Stoller (Forgetting Sarah Marshall, The Five - Year Engagement) and screenwriters Andrew J. Cohen and Brendan O'Brien know what kind of movie they are making and push the boundaries of comedy and decency to the extreme.

What You Need To Know: Even those who liked all of David Gordon Green «s comedies were, by the time «The Sitter» rolled around, looking forward to seeing the filmmaker return to the kind of territory that made his name, with films like «George Washington,» «All The Real Girls» and «Undertow.»

What makes «The Disappearance of Eleanor Rigby» truly stand apart from all the other films of its kind, be they French art - house award winners, your mother's favorite Meg Ryan movie or the myriad of romantic comedies out there, is the emotional depth that is allowed by the film's premise and length, executed almost perfectly.

A movie like this demands some kind of grounding, and that's what is sorely missing from co - writer / director Jonathan Levine's comedy about three friends trying to have one last weird and wild Christmas Eve, before giving themselves over to the more pressing responsibilities of life.

Currently, there are no details about what kind of approach the US version of the vampire comedy will take or who else is attached to the project.

You feel Shandling's drive, his passion for comedy, his thirst for what comedy can do in his life: «I demand truth,» he writes, which on its own might seem like the kind of self - help bromide people make inspirational posters out of — but here, in context, it's so plaintive and intimate you find yourself wanting to look away from the screen.

A lot of that blame falls on Michelle Morgan's awful screenplay, which can't seem to decide what kind of movie it wants to be, teetering between broad comedy and a darker character piece.

Warren Beatty's bizarre Howard Hughes biopic / sex comedy / look at idealism gone sour boasts four credited editors (including Paul Thomas Anderson regular Leslie Jones and Terrence Malick veteran Billy Weber), adding to the narrative that the director didn't know what kind of movie he wanted to make and wound up with a mess.

Reviewers have praised its stellar performances and tight direction, praise that is deserved, but I'd like to highlight what I think makes director Dan Trachtenberg's film unique: A combination of suspense so elemental that most of the movie could easily be performed onstage with the kind of absurd humor you might expect to see on FX or Comedy Central.

Hailee Steinfeld is fantastic in one of the best teen comedies in years, one that truthfully understands what it's like to be in those insecure, uncertain days of teenhood more than most films of its kind.

I don't want to turn people off with that, but what's really unique about this movie is the fact that it's like this kind of crazy action - comedy, but really at the core there is this like romance and there's this love story where all he wants to do is to propose to her.

What resulted is this amazing time - lapse video of the northern lights (or aurora borealis to those of you that get technical about these kinds of things), an in - flight movie that I guarantee beat any romantic comedy that may have been showing on his seat back that evening.

No matter what kind of romance you enjoy, from suspense to sci - fi, new adult to fantasy, adventure, paranormal, erotic, historical, comedy, contemporary romance and more, you'll find it here.

He adds: «What I'm experiencing is a kind of true love that isn't written about in sappy songs or featured in standard romantic comedies.