Sentences with phrase «what kind of movies»

Even worse is the fact now Sony may limit what kind of movies they make out of fear of this kind of retaliation.
Tarantino's directorial debut inaugurates the self - assured vision of a filmmaker who knows exactly what kind of movies he wants to make.
The details like what kind of movies, music, books, restaurants other like is a non-issue compared to what city they are from or country.
, «what kind of movies do you like?»
For that matter, is limiting the sale of these foods outside of school different from limiting what kinds of movies they can attend?
Also, if you are just meeting a person you probably do not even know what kind of movie they like to see in the first place.
And what kind of movie do you like?
Steve Buscemi's awesome in a small role; he really has fun, maybe more than anyone else, just because he's not pretending about what kind of movie he's making.
It is not helped by the fact the cast appeared to not really know what kind of movie they were making.
The production spent time creating scenes for a trailer they had no intention of ever being in the finished film, scenes that badly characterized what kind of movie it would be.
It depends on what kind of movie time travel logic is Looper based on.
I think NCfOM gave people the wrong idea for what kind of movie this would be.
What kind of movie could bring together the directors of Pirates Of The Carribean, Fight Club, Terminator and Watchmen?
But what kind of movie gives you a look at what your life would be like had you not been in it?
You wonder what kind of movie this might have been had it stayed purely in a world of machines, but it eventually moves, with EVE and WALL - E, to a mothership of human refugees.
So Cage being the lead in the movie is never a 100 % indicator as to what kind of movie you're in store for when you sit yourself in the theatre, or like me pick it up on DVD.
Last fall, the actor caught our attention by calling the shoot «great» and «absolute fucking chaos,» and he's now offered up a few more tantalizing observations about the production on what kind of movie PTA may be delivering.
by Bryant Frazer If there's any doubt what kind of movie he's made, director Jim Wynorski dispels it in the opening moments of Sorceress, as B - movie bombshell Julie Strain appears frontally nude, lighting a candle and muttering a witchy incantation.
And like, and after the first week, it got to be a lot of fun so like when it's too much fun you don't know what kind of movie it was.
In his one - of - a-kind fiction / documentary hybrid Symbiopsychotaxiplasm Take One, director William Greaves presides over a beleaguered film crew in New York's Central Park, leaving them to try to figure out what kind of movie they're making.
This action filled trailer gives viewers more of an insight to what kind of movie they'll be in for on July 3rd, 2012.
Set to roll on his ninth film — following a series of flops — he has absolutely no idea what kind of movie to make.
In that first scene, Joel and Molly explaining how they met, Wain, and co-writer Michael Showalter, make it perfectly clear what kind of movie you are about to watch.
Of course, the relative originality of those ideas may or may not be any more appealing to audiences than what preceded them, but at the very least those early moments of «oh, I know what kind of movie this is» from viewers are eventually proven false.
While his directorial debut relied on a smart mix of humor and horror, Dougherty's new film seems genuinely confused about what kind of movie it wants to be.
So what kind of a movie is Passengers?
I'm not opposed to Depp playing a somewhat silly role but the film makers here were unclear on what kind of movie they wanted to make.
Not that Kenan isn't a capable director because I'm sure he is, he just doesn't have enough films under his belt to truly get a sense of what kind of movie this is going to be, and that kind of scares me.
I believe its Hill's weakest picture from the 1970's because of the fact that it doesn't have that dark tone that the others did and seems unsure at times what kind of movie it wants to be.
Now, what kind of movie is it, really?
It's an odd trailer — and a bit of an anomaly in that it doesn't really tell us much about what kind of movie this is.
The entire cast seems to be unsure as to what kind of movie they're in, but it's hard to assign blame because the pic's various subplots are startlingly disjointed.
And the film looks to know exactly what kind of movie it is based on this poster, which is ridiculous.
Director Nicholas Stoller (Forgetting Sarah Marshall, The Five - Year Engagement) and screenwriters Andrew J. Cohen and Brendan O'Brien know what kind of movie they are making and push the boundaries of comedy and decency to the extreme.
«When you shoot a movie, especially when it's with this movie and Josh Trank — he has a very specific tone whether it is Chronicle or [Fantastic Four], but as an actor you don't really know what kind of movie it is until you see them cut it together.
The cast intrigues, with a combination of colorful personalities that give us no real hint as to what kind of movie this is going to be.
Co-written by Rauch — best known as Bernadette on The Big Bang Theory, but also an alumnus of the Upright Citizens Brigade — and her husband, Winston Rauch, The Bronze has a solid premise but it simply can't decide what kind of movie it wants to be.
I had trouble figuring out what kind of movie Gigli meant to be.
This fact was not completely lost on composer / editor / director John Ottman, who in his insightful and entertaining commentary reveals how he had to constantly remind himself what kind of movie he was making.
With few laughs and fewer surprises, this low - rent attempt at an envelope - pushing romp results only in a head - scratcher as to just what kind of movie they were trying to make, and for what audience.
Shyamalan keeps himself in check and knows what kind of movie he is trying to make.
So the biggest challenge to begin with was that, tonally, we had to kind of figure out what kind of movie it was going to be.
Mark Ruffalo delivers a solid performance as the father struggling to keep his family together despite being the source of their problems, but it's ultimately overshadowed by a tone - deaf script that isn't exactly sure what kind of movie it wants to be.
It has been a self - fulfilling attitude; studios, ever fixated on what kinds of movies have succeeded in the past, never challenged the assumption with a big - budget fantasy because they were always too afraid to take the risk.
A lot of that blame falls on Michelle Morgan's awful screenplay, which can't seem to decide what kind of movie it wants to be, teetering between broad comedy and a darker character piece.
The film has the backbone of a jellyfish, never seeming to know which direction to go or what kind of movie it wants to be, yet it still maintains a watchability due to some good music and likeable actors.
Add a flash here, a loud bang here, have someone turning around in slo - mo, a snatch of dialogue, some «moving» choral music, and hey, you've transmitted what kind of movie this is.
Warren Beatty's bizarre Howard Hughes biopic / sex comedy / look at idealism gone sour boasts four credited editors (including Paul Thomas Anderson regular Leslie Jones and Terrence Malick veteran Billy Weber), adding to the narrative that the director didn't know what kind of movie he wanted to make and wound up with a mess.
by Bryant Frazer First, let's be clear about what kind of movie A Walk Among the Tombstones is.
Its stars — Rosario Dawson and Katherine Heigl — know exactly what kind of movie they're in, and they're reveling in it.
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