Sentences with phrase «what kind of remark»

I like the idea of setting the guidelines — what kind of remark I'm looking for.

Not exact matches

What Governor Rajan did say, in his remarks made off the attached written text, was that the policies followed by major central banks around the world were in danger of slipping into the kind of beggar - thy - neighbour strategies that were followed in the 1930s.

@DrewNYC May I ask what kind of «Hate filled remarks» these awful Christians were constantly making?

This morning, The Today Show's Savannah Guthrie asked DeVos about the remarks, saying, «I wonder, as the education secretary, who's in charge of what our kids learn, what do you think of that kind of language?»

A precise statement of what the correspondence or the clash might be is not easy to produce and is not necessary here, since our main purpose in these remarks is merely to emphasize the point that value experiences depend for their character upon the kinds of relationships that exist between subject and object.

«I know that they are working very hard to do what they can to maintain the same programs that allowed those students to have that kind of success last year, even though there has not been funding, but it is effecting them and I think it is important for us all to be aware of that,» remarked Elia.

In his first remarks as superintendent, Beutner modeled the kind of humility we would want to see in a role model for our children: «Part of what I need to do is recognize I can learn, and I will learn.

As Deadpool questions Domino's perplexing powerset (and she defies his doubting at every turn with incredible action), Deadpool wonders what kind of comic book book artist would created such a character, and remarks «Probably someone who can't draw feet!»

I did wince and shook my head when I read that remark, but after reading the entire comment, I think I kind of understand what he is trying to say.

Just glowing remarks, a lot of praise without explanation, a lot of reviews for a newly published book with a high sales rank... these kinds of things are like putting a neon sign on your product page: What's funny about this picture?

It is not, however, one of the better known breeds of Terriers, and an Aussie owner walking his dog may expect to hear such remarks as «What kind of... Read more

It is not, however, one of the better known breeds of Terriers, and an Aussie owner walking his dog may expect to hear such remarks as «What kind of dog is that?»

When we pillory critics for saying hard but true things; when our leaders who've championed inclusiveness issue (and defend) bigoted remarks; when we plod from one spiteful spat to the next, played out (performed, really) in online forums and social media with all the requisite snark and ad hominem attacks, it's worth asking what kind of audience are we?

Marshall remarks, «It's challenging when there are so few students of color in programs so you don't really get a chance to shape with them the conversation about what kinds of things are possible in making art, but you constantly have to keep doing it with students who already have access to that kind of experience.»

In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»

Mehretu remarks: «I'm constantly playing with these various sides of making, one where you're trying to make sense of what you're doing and understand with some kind of rational perspective what's happening in the work, the intention, who am I in the work, why am I interested in this and what's really informing this — you ask these questions and you try to use rational means to make sense of that.

Likewise, artist Hong Sung - min, who collaborated with Hong Seong - dam on a hanging piece, remarked, «I'm not sure what kind of a «Gwangju - spirit» exhibition you can have when you won't let someone put something up satirizing the president.»

Well, first of all, what kind of person would take to Twitter to make sweeping remarks on urgent and sensitive socio - cultural issues?

The exhibition does, however, shed light on the past twenty - two years of contemporary art in Britain, on that art's relationship to the public, and - not least - on what kinds of artwork typically garner and then benefit from what journalist Laurence Marks, writing of the first competition in 1984, characterized as «a great cloud of fuss, feuding, gossip, theatrical controversy, dismissive remarks about the great modernists, and so forth.

Let us remark that the handwavings of the kind I quoted never define what this metrics is and why it is relevant for the dynamics.