Sentences with phrase «what kinds of audience»

For example, did you know that Redditters made a survey on what kinds of audience a dating site appeals to?

I'm not sure what kind of audience would really laugh at some of the stuff they do, but I guess there's a crowd for everything.

And in the privacy of your own home, who knows what kind of audience participation to expect?

The greatest mystery of Newsies is not necessarily why it was made (awful concepts get the green light all the time), but what kind of audience it was supposed to find.

With such opposing elements, it is difficult to figure out what kind of audience will be drawn to this venture.

What kinds of audiences have you established for your students?

The secret is in the method, and in this eBook you will learn everything behind the slogan «Small Chunks, Big Returns»; from types and latest technologies to dos and don'ts, and of course what kind of audiences prefer it, plus a comprehensive presentation of its benefits.

I'm also curious about what kinds of audiences come to your lectures... are they students, comics insiders, comics creators, queer studies folks...?

-- What kind of audience does Microsoft want for Xbox?

Traveller's Tales knew exactly what kind of audience to target here and did so exceptionally well.

When we pillory critics for saying hard but true things; when our leaders who've championed inclusiveness issue (and defend) bigoted remarks; when we plod from one spiteful spat to the next, played out (performed, really) in online forums and social media with all the requisite snark and ad hominem attacks, it's worth asking what kind of audience are we?

What kind of audience are you going for with Forces?

What kind of audience can be counted on?

You'll find out what kind of audience you have as you watch them respond to your articles.

Not exact matches

Ultimately, journalists and audiences must come to some kind of agreement on what is acceptable in the new world of immersive and VR journalism, and determine what kinds of film - making behavior are too manipulative.

It's also important that you understand what kind of topics and websites your target audience is interested in.

There's nothing like standing up in front of an expectant audience when you have no script and no idea what kind of scene you're about to play to put the fear of making a pitch or cold call into perspective.

Beyond obvious days for sales like Black Friday and Cyber Monday, think about what kind of deals and promotions you can offer your audience during the rest of the holiday season to drive ongoing sales.

Mari stays at the forefront of the industry by, as the example above, knowing what's happening now and what's next, actually using it for her audience, and wrapping all of this into a kind of heart - based marketing.

I think the flavors of the month are less important than really understanding why, how and what kinds of information your target audience shares.

«Whenever... preachers, instead of a lesson in religion, put [their congregation] off with a discourse on the Copernican system, on chemical affinities, on the construction of government, or the characters or conduct of those administering it, it is a breach of contract, depriving their audience of the kind of service for which they are salaried, and giving them, instead of it, what they did not want, or, if wanted, would rather seek from better sources in that particular art of science.»

If the film - makers continue to project the books» heart onto the screen, then a primarily teenage, Western audience will be forced to consider: what kind of world do I want to live in?

«I don't know what kind of a n --- wouldn't vote with a black man running,» he also told the audience in the St. James Baptist Church in Forsyth, Ga., according to the paper.

What is more, they can be greatly helped if they see that this is indeed the chief stress in public prayer or church worship, so that such social praying is undertaken by a family of God's children addressing a loving Father (who makes demands upon them, to be sure, but who is no hateful dictator nor absentee ruler nor moral tyrant, but genuinely concerned for their best development as his children), rather than a kind of law - court or imperial audience with a terrifying deity.

Hi Anna, I think the most important thing is listening to your audience and seeing what kind of things they are asking for.

In the earlier post on Social Shopping, I posited that if we take a step back from our work and consider what kinds of content our audience wants from us, we would have more digital success.

This kind of speed is what it takes to strike the iron while it's hot — in this case, catching your audience before they've had time to forget how mad they were.

He debuted his hard - bop style on the seminal 1959 record, Kind of Blue, shocking audiences around the world with songs like «So What» and «Blue and Green» that heavily incorporated Dorian scales to create a unique sound that would soon - after eclipse be-bop altogether.

«Miles debuted his hard - bop style on the seminal 1959 record, Kind of Blue, shocking audiences around the world with songs like «So What» and «Blue and Green» that heavily incorporated Dorian scales to create a unique sound that would quickly eclipse be-bop altogether.»

So the great thing is, you now, one fascinating opportunity, is that we can put some kinds of articles up on our Web site first, start to present that information, start to immediately, then initiate a kind of conversation with our audience over this and start to draw in their comments, fill [in] any kinds of questions they had that we didn't address in the original form of that editorial, and we can use that to rework what we would then do in print.

Our four panelists that night included Andrew Morehead and Kathie Sindt, who presented «good» and «bad» faculty interviewing scenarios, and Grant Reed and Cindy Bouchez, both patent attorneys, who revealed to the audience what kinds of questions they can expect to face when interviewing for nonacademic jobs — in patent law in this instance.

What kind of target audience would you suggest this for?

The film bustles along through a series of reveals — a storytelling technique that can lose an audience's sympathy or suspension of disbelief pretty fast, but which works flawlessly here because the filmmakers and the performers know exactly who their characters are and what kind of world they live in.

In such an audience stroker, where casting is everything (on Broadway, James Gandolfini brought exciting menace to the role of Mr. Longstreet), Winslet and Waltz jell while Foster and Reilly flounder, unable to make sense of what kind of people they're supposed to be.

Hooper is a desperate award hunter who never takes risks even with this kind of material in his hands, trying so hard to make it all wholesome and palatable for a mainstream audience that he even includes a martyr wife who stays beside her husband till the end no matter what.

First you bust a nut over that POS Daredevil (which lost 2 / 3s of its audience this weekend, by the way) now you're turning what should have been a simple reccomendation of a very funny (if mostly forgettable) college pic into some kind of ego - trip psyhco - babble fuck - you to all your readers.

Although the film didn't connect as strongly with mass audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on as a deserved cult classic, perfect for drunken film studies students and bored kids at slumber parties alike.

Even one quick segment shows an era - specific kind of taboo love rudely and heartbreakingly rejected, opening up not just the eyes of the character, but the audience's, also emphatically sending the message to embrace all real friends for who and what they are.

Comedies tend to do better later in the summer (see: Bad Moms, We're the Millers, or even Horrible Bosses), but it seems like this year audiences are paying more attention to what kind of reviews a movie is getting.

The early posts on the trailers and immodest promotional posters for Love have labeled it simply as a «3D porno,» both because the idea of a film that climaxes with a literal climax off of the screen and into the audience's face infiltrating an arena as prestigious as Cannes is kind of hilarious, and because that's what it is.

When looking at the potential audience, I guess that's kind of what you might get from the people who watch it.

Of course, the relative originality of those ideas may or may not be any more appealing to audiences than what preceded them, but at the very least those early moments of «oh, I know what kind of movie this is» from viewers are eventually proven falsOf course, the relative originality of those ideas may or may not be any more appealing to audiences than what preceded them, but at the very least those early moments of «oh, I know what kind of movie this is» from viewers are eventually proven falsof those ideas may or may not be any more appealing to audiences than what preceded them, but at the very least those early moments of «oh, I know what kind of movie this is» from viewers are eventually proven falsof «oh, I know what kind of movie this is» from viewers are eventually proven falsof movie this is» from viewers are eventually proven false.

Thoroughbreds killed (if you'll pardon the pun) on opening night at Fantastic Fest, but its marketing has yet to fully convey just what kind of pitch black comedy awaits audiences when they sit down with this tale of murderous rich girls (Olivia Cooke & Anya Taylor - Joy) and the loser (Anton Yelchin) they hire to murder the one's rich stepfather.

Her embrace of what she called De Palma's trashiness was central to her celebration of youthfulness in both movie art and movie audiences — especially the kind that regarded leftist humanism as square and choked with noble intentions.

It's just that a movie like Mission Impossible really can't get away from that kind of description because no matter what, that seems to be its singular goal: Keep audiences in the theater entertained with set piece action sequence after set piece action sequence (many of them practical), strung like beads on a necklace.

«You have the world's biggest audience and it's waiting to see what kind of a hash you make of it,» Broccoli half - jokingly told a hesitant Gilbert.

Aside from those moments, «The Forger» is the kind of instantly forgettable drag that will include a scene in which the characters are watching a movie on TV («D.O.A.» in this case) and when it is about to cut to something else, most audience members will think to themselves «I'll watch what they're watching.»

That's kind of a critical moment there, because if the audience doesn't know what the other's thinking, then the whole movie collapses.

With few laughs and fewer surprises, this low - rent attempt at an envelope - pushing romp results only in a head - scratcher as to just what kind of movie they were trying to make, and for what audience.

First, the script tames some of the more egregious proclivities of late, telling a story free from the buckets of irony and sarcasm that are usually employed as a form of distancing, allowing a modern audience to enjoy such an overt tale confident that they know what kind of story this is.