Sentences with phrase «what modern audiences»

His last decade of films «W.» (too soon), «World Trade Center» (way too soon), «Alexander» (a disaster) and the sequel to his 1987 «Wall Street» proved he is completely out of touch with what modern audiences want in a cinematic experience.
In giving fans what they want, and delivering what a modern audience needs, the studio has created a game that, while not quite a classic, sometimes reminds you of one.

Not exact matches

A very convincing case can be made that what we have translated as homosexuality in our modern translations in no way speaks of what was understood by the original audience.
Humanity Made for Christ When speaking to modern audiences, especially young adults, about what distinguishes us from the animals, it is not always a good idea to start with negative distinctions - pointing out, for example, that animals can not do such and such, but we can.
Bond's central problem is that the tropes of the franchise are out of step with what a modern cinema audience expects from its protagonist.
Whether dead or living, my job is to define the signature style of a designer, highlight what makes them different, and showcase the signature visual aesthetic, proper to their values, in a way that draws in and stimulates a modern audience
But if you're going to present such fare to a modern audience, what do you do to justify the choice?
I think he thinks he did a good job presenting Will Eisner's character to modern audiences, but what he's created is this amalgam fans won't like and new audiences can't connect with.
Birdman or (The Unexpected Virtue of Ignorance) is a brilliant directed film by Alejandro González Iñárritu, who manipulates the camera to give the illusion that the film is one continuous long take (which can get dizzying at times) giving a film that is resonate to a modern day audience as it examins these fictitious characters and their commentary on what it means to stay relevant.
Christian Whitehead, Headcannon, and PagodaWest Games have proven they absolutely understand what made Sonic great in the Mega Drive days and have modernised this essence for a modern audience with a follow - up worthy of standing with the best in the series.
Yet despite what every flag - waving drama focused on the Greatest Generation might want audiences to believe, Nazis are not just a nightmare of the past; they remain an all - too - real source of evil in modern society.
Modern audiences won't be impressed by the special effects, even «Gladiator» from 1999 looks better than what we see here.
But for all of those problems with translating the film to a modern, and presumably newer, audience, not much else would actually need to change to retain the impact of the humor and what pathos the film tries to create.
First, the script tames some of the more egregious proclivities of late, telling a story free from the buckets of irony and sarcasm that are usually employed as a form of distancing, allowing a modern audience to enjoy such an overt tale confident that they know what kind of story this is.
Instead, there's a sense of honoring what so many Americans were forced to go through during a very, very dark period in our history, of trying to make a modern audience feel the weight and burden of an ancestral experience.
For lovers of ancient literature, it doesn't come close to supplanting the baser pleasures of the original text, but from a modern standpoint, it does make for an interesting contrast in narrative elements to show how times have changed in terms of what audiences find appealing.
Nancy, the classic master teen mystery - cracker, will be shown in a way you've never seen before, by a creative team with a huge respect for the original tales, and what she could mean for a modern audience.
«I'm looking for great storytelling that teaches readers to see things differently — whether it exposes a story of modern corruption, tells the backstory of a historic scientific breakthrough, recasts original research for a popular audience, or in the case of biography and memoir, holds up a mirror to a specific experience and shows what is universal in it.
It's like modern horror films where the audience complain if they don't get to see the monster clearly, whereas a oldschool fan still holds that more often than not it's what you don't see that's more effective.
Fire Emblem Echoes: Shadows of Valentia brings a classic entry in the series to a modern audience while staying true to what made it unique.
What disturbs me about modern Nintendo is not perceived pandering to audiences that aren't me, but a capitulation to copy - and - paste game design.
Maintain what makes Mario, well, Mario, but alter gameplay elements and such to appeal to a modern audience.
But beyond that, this is exactly what you'd want a retro console to be: lovingly designed, packed with classics, and functional for a modern audience.
Secret of Mana is a welcomed remake, but doesn't do what's necessary to bring this game to a modern audience, with only slight changes to the original formula.
As with any modern game, there's also an XP system for finishing races, but because Forza Horizon 3 gives you so many different things to top up — from XP points to festival audience capacity, it's hard to know what you're actually achieving half the time.
Glenn Lowry, director of the Museum of Modern Art in New York, says he looks daily at audience studies to get a «fine - grained sense of what someone who has just been in the galleries thought — or felt.»
The exhibition showcased the lives of Hispanics of every national origin, through artist representatives, showing audiences just what it is like to make art as Latino artists, and how Latino art enriches modern American art.
This Tuesday Evening presentation offers a special preview of what Jones has in - store for the Modern's audience with the Museum's final FOCUS exhibition which opens to the public Sunday, April 11, 2009.
The exhibition offers a rare opportunity for European audiences to view O'Keeffe's work in such depth and what better moment to celebrate her influential career than 100 years after her debut andcoinciding with the opening of the new Tate Modern
Modern communication is characterized by a much more active role of the audience in selecting what information to take in.
When she was presented with the opportunity to become the new author of the 7th edition of Resumes for Dummies by John Wiley & Sons, Inc., it was an outstanding opportunity to share her how - to approach to a global audience, educating everyone in what a modern day interview - generating resume could and should really include.
a b c d e f g h i j k l m n o p q r s t u v w x y z