Sentences with phrase «what moves your character»

Not exact matches

Here they weigh in on various scenes where the characters make less - than - brilliant money moves and what they should have done.

Through all the «scenes» what we see and hear is a moving mosaic of many scenarios, schemes used and discarded by both central characters as they try to explain the causes of their misery and the forms of their salvation.

So with this character, you liken what had been his attachment to the pastor and his church as drug addiction and him moving on with fear of the unknown to withdrawal symptoms.

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

Frerichs designed the Snow site as a way of sharing the character and wisdom of a great man, but what I sense more than anything as I move through the space is the animating presence of Frerichs himself.

You know just like these thriller movies where you are always wondering what will be the next move of the character.

They have the ability to meet each other and get a feel for each other's personality and get to know each other a little better before they take it offline.With «webdating,» you get a feel for chemistry and the ability to pinpoint each other's personality and character; you can see them, see how they smile, see how they move and this gives you insight into what that person is really like as opposed to just reading a typed profile or chat with them on IM which is less personal.

Alan Rickman doesn't really deserve accolades for his performance here, but on a cumulative basis, and based on what we know of the character, Snape's aristeia is very moving (and, it turns out, thirty years in the making!

Now, this isn't a film that will instantly have you singing his praises from the rooftops but what it is, is a slow moving but deeply involving drama that pays attention to it's characters and their subtleties.

Whether Tara is herself or someone else (including a new alter), «Tara» works as both a character drama and an absurdist family comedy because the characters are so well - drawn, and because what happened before isn't forgotten as the show moves forward.

Warm, thoughtful and personal, their song book stays true to the spirit of the characters and helps move the plot along, allowing Mia and Sebastian the opportunity to say what they might not otherwise in «real life».

«What's moving to me about the story is that at the start it's this guy who just wants someone to pick up after him,» says Ethan Hawke of his cantankerous Everett character in Maudie, which also stars Sally Hawkins as legendary real - life folk artist Maud Lewis.

Anthemic, deeply moving and awe - inspiring (with a stirring musical score that embodies all those moods in what is easily one of the best soundtracks of the year), «Beasts of the Southern Wild» is part corroded neo-neo realism and magical fantasy, but moreover an exciting blend of ideas, characters and concepts thrown together in a stunningly unique and vibrant bouillabaisse.

However as you move across the map so do the ghosts, and what this means is you are never moving your character to attack where the ghost is but rather where it is predicted to be.

But what makes Haneke's film so intensely moving is the sense she provides of the character's remarkable mind and strength of character, making us grieve for what's gradually lost.

Gunn's comments even indicate that Russell's character will have a larger role to play in the Marvel Cinematic Universe moving forward: «I don't think Fox knew what a big piece of the cosmic universe puzzle he was going to be,» Gunn tweeted.

Ishiguro's idea of what constitutes «British character» however seems to be taken from the cultural stereotype of the polite Briton who would quietly let a stranger stand on his toe in the bus instead of asking that person to move.

If you wondered what those characters might sound like and how they might move, wonder no more.

What's remarkable about the poetry in The Seventh Victim is that it manages to coexist gracefully with a fast - moving plot, over a dozen important characters who have complex and nuanced relationships, and a running time of only 71 minutes.

Victoria's tricky segues from drunken - hangout comedy to tentative character piece to chase picture are impressive enough, but what's genuinely laudable is how the creator, cast and crew skillfully navigate viewers through the city's different locales: grungy dance clubs, lonely rooftops, underground hideouts, swanky hotels, and even moving vehicles.

After their boss calls and it is clear what is required of each of them, an often hilarious and frequently moving sequence of events is unleashed that will intertwine a host of minor characters in the fate of the anti-heroic leading duo.

Mockingjay might be different from the other two Hunger Games, but the characters hold it together, to the point where you realise that you don't mind Francis Lawrence moving away from formula, because we just want to follow the characters and see what happens to them.

The film is smart to both celebrate the concept of «Boston Strong» and question what goes beyond the slogan, and thanks to Green's deft eye and sensitivity to character beats it all accumulates into a moving, effective piece that refuses to make empty heroes of its protagonists.

Even if the level of other characters» own development decreases as they move down the food chain of plot importance (Some speak of their lack of feelings of worth and act upon them, others give themselves neat nicknames and show off their abilities, and one seemingly appears only as fodder for the villain (After the pronouncement that said character is dead, we half expect the follow - up to be «And we have killed him»)-RRB-, there is at least this conflict of ideas between its central characters playing out as though it, instead of nifty superhuman talents, is what matters the most.

Also, whether I'm objective or not, I will say that what Meryl Streep does in this movie, building a narrative about her character with each line, move, and gesture, is, even by her standards, astounding.

The characters, while some what flat (besides the inspiring Jane Levy) are merely there to move the greater plot along, the rise of the deadites and the reign of the «abomination.»

For what amounts to a bottle episode of a television show (featuring very limited locations and a relatively small cast of characters), «Gravy» moves around enough to not get boring.

But just as this set introduces us to what could be a riveting story, even the film's seemingly mundane details that might have given character and depth, such as Joe's quip about so - called T.K.'s (telekinetics) being «assholes who think they're blowin» your mind floating quarters,» are really only expository moments designed to move the plot forward.

By segregating the movie into three separates character portions, he allows the film to move at a brisk pace while keeping important items connected around the idea of suicide and what drives humans towards these self destructive actions.

Once you realize, and it's quite early on when you will, that Snyder isn't going to do much more with these characters except give you more porn fetish outfits for them to try on and move them into a variety of increasingly over-populated action - war scenarios, you will find yourself doing what Baby Doll does in the film, zoning completely out and into the comfort of your own daydreams as the bullets fly and explosions erupt on the screen.

What you notice immediately is that this film and its characters move at their own pace.

What moved me most about the film was its sympathy for its characters as well as its belief that the time to make up your mind about people is never.

What's more, characters» mouths move while they talk, which is one of the few additions or changes unique to the Switch version.

We decided to start with a detailed brief on the character — who he is, what he's like, why he moves the way he does and so on.

The pace is what keeps this generic fable interesting, moving between characters and set pieces in a way to keep it visual fresh.

What makes Three Billboards... McDonagh's most well - rounded, likeable piece of work, is that the framework holding all those solid, well - written characters together feels delicately honed and precise; there is no fat on the bones of this film, and editor Jon Gregory deserves plaudits for keeping the whole thing moving while still allowing time for the script to indulge, in a good way, in its characters.

What was once pure Gothic horror adds elements of the Western to its palette, and the narrative moves fluidly from London to Africa to the New Mexico Territory and the frozen Arctic as it catches up with (most of) our regular characters and introduces a few new ones.

It could be the decent cast, it could be the decent director, or it could be the decent writer — but personally, I think what makes this one watchable is the immense fun of trying to guess what the next outrageously ridiculous move made by one of the four main characters will be.

But the comics this year were dependable, not challenging for the character; perhaps a calculated move after the blockbuster movie, Deadpool offered newcomers and veteran readers — who, often, are generally apprehensive to change — the exemplary image of what is expected of the killer mercenary.

HD graphics look beautiful, the characters» moves being responsive no matter what controllers you're using, the replay value are higher than the original 3D Land on the 3DS, and the overall fun is unlimited.

Soni knows first hand what it means to be an outsider, having himself moved to the U.S. for college after growing up in India, «My character is definitely weird but because he has a journey though the film I think audiences will see him more as a real person rather than just a strange guy.

You can also mix and match which characters use what abilities and when — you can move into position with Luigi, use him as a springboard for Mario to make distance, and then go back to Luigi for his attack action.

It's interesting that you only command characters to move and don't select what actions they should take nor which foes they should target.

I was put off completely by the ME2 demo back then, meanwhile bought it cheaply to give it another go, but again find it pretty boring so far, and moving round your character feels so bad it makes me laugh, reminds me of... what was it called «Dark void»...?

There could be plenty of chances for cheap jokes at the expense of the central character, but Nancy Oliver's script treats the material for exactly what it is: a sad, lonely mediation on the pains of the past and the way a strong, supporting group of people can help one move past them.

Though actors often see design work or models of their characters, they are recording prior to shooting, and so have no idea what their character will ultimately move like.

The characters are archetypes, moving through a vague set of relationships and interactions and the acting is able to convey what Malick is going for.

The life of a society consists of more than moving resources around, and what happens in that vital space between the individual and the government is at least as much a matter of character formation as of material provision and wealth creation.

That said, it also seemed true that schools which deliver academically earn the parental trust that positions them to move as aggressively as they wish on issues of citizenship and character; the question is what they do with that.

The pack includes: Story Power point - a power point presentation of the sequencing pictures for children to retell the story Interactive Power point - a power point about the story with questions Display banners Display border A4 Book information poster Sequencing pictures Picture flash cards Large alphabet - large alphabet letters in lower and upper case each night sky pictures and a flying owl Large owl pictures Constellation posters A4 word card Number line - an owl number line to 50 Alphabet line - an alphabet line on bright stars Speech bubble worksheets Writing sheets Story word cards Writing worksheets Story sack tags Question cards Owl writing sheets Counting cards Colouring pictures Owl masks Owl finger puppets Make a moving owl - cut out the owl pieces and attach using split pins Word searches A collection of worksheets - these could be made into a workbook using the book cover or used individually: · Favourite part of the story · Write a book review · Speech bubble worksheet · Write about what you are afraid of · Who said what - draw each character next to the speech bubbles · Two question worksheets · Cut and sequence the story · Write sentences about the different pictures Nocturnal animals A photo pack of different nocturnal animals Masks in colour and black and white of nocturnal animals A Powerpoint about nocturnal animals A wordsearch Light and Dark A colourful banner Question cards about day and night and light and dark A Powerpoint about light and dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by ourselves.