In his work, he achieved
what other artists of his generation, particularly Jules Olitski, had aimed for: the ability to transcend painting and simply float color in a dazzling spectacle before viewers.
Not exact matches
Pop Art offered a clear contrast to abstract expressionism, then the dominant movement in American art and
artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and
others of their
generation challenged a whole range
of assumptions about
what fine art should be.
Some went back to the exploration
of perceptual stimulation after working in
others (if related) styles... And succeeding
generations of artists — notably but not exclusively painters, and notably but not exclusively Americans — have referred to op mannerisms or even return to op practices, interested all over again in
what can be done to stimulate the eye beyond the expected, beyond the quotidian, beyond the prosaic.
The 1939 - 1949 frame inevitably leaves out many important older and younger
artists of the time (just as the limits
of wall space impose
other exclusions), but the subject
of this show is not the entirety
of New York abstract painting
of the 1980s, rather
what a specific
generation contributed to it.
Obviously, there are
other great
artists, but having lived the life I've lived, being around a lot
of different people and traveling to a lot
of different places, it became interesting to me to be part
of what I felt was a new
generation of artists who were really able to make a statement and change the way people were looking at art in general,» said McEnroe, in an interview with Phillips.
His distinct perspective is
what makes his work so noteworthy and over three decades later, his photos still resonate with the contemporary
generation of artists, as evidenced by the contributions from Wes Anderson and
other art world creators, each
of whom command their own chapters
of the new body
of work.
The works
of artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and
others of their
generation challenged a whole range
of assumptions about
what fine art should be.
The
artists of Metelkova City belong to different
generations, distinctly heterogeneous in their practices, their means
of expression vary right from their outset, some
of them are more inclined to fine arts,
others to contemporary practice, some
of them to spatial design, and
others to
what we could call craft.
What art critic Hans Ulrich Obrist called the «Glasgow miracle» began in the 1990s, and the Glasgow School
of Art turned out a
generation of international contemporary
artists, including Douglas Gordon, Nathan Coley, and a whole string
of other Turner prize winners, many
of them described as neo-conceptualists.
When I was a young
artist I was not sophisticated enough to understand
what others of my
generation were doing.
Other themes at the exhibition include a mixed media installation by Guillermo Bert, which features video testimonies
of L.A. immigrants projected onto suspended tumbleweeds; multiple slide projections and audio narratives exploring
what it means to be a second -
generation Filipina by looking to the past, present and future by
artist Michelle Dizon; and a video installation that critiques systemic patriarchy and misogyny by Michele O'Marah.