Sentences with phrase «what other curators»

Not exact matches

Re Lucian's concern i think publishing will continue to morph and new alliances of writers, journalist, curators, illustrators, translators and social & mobile geeks will collaborate on ways to create ebooks, enhanced ebooks, interactive books — and additional distribution channels along with amazon... and increasingly what we create can be agnostic of technology, available on any devise, Mathew's coverage has been in - depth, up - to - date and writing for a wide audience... as a former JSJ reporter who is interested in this area i am in awe of his writing, and thankful for it, like so many others here evidentally are... maybe you, Matthew, will author your own Amazon - supported book?

As he told the MoMA curator William Rubin in 1969: «My main interest has been to make what is popularly called decorative painting» — decorative being the ultimate insult in western modernism, though no bad thing in other traditions — «truly viable in unequivocal abstract terms».

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

Tiffany Bell and Frances Morris — the loving curators who put the London survey of her work together — include 1954's Untitled, with its Adolph Gottlieb — like shapes and a few other paintings of its kind, the better to show what it looked like as Martin moved away from the body and into drawing something more ineffable — nature, or more specifically, the cosmos at the heart of the natural world.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

LACMA curator Franklin Sirmans says, «In a broad scheme, we believe in Charles and his work and what it means to other artists and other museum collections.

Other topics addressed over the two days include the problems of defining what it means to be art, or a gallery, or a curator, in a world of proliferating digital images.

The symposium, Mapplethorpe + 25, will revolve around this revitalized interest in Mapplethorpe as curators, artists, critics and others explore the broad question: what does Mapplethorpe's work tell us about the culture we have inherited and inhabit today?

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

group exhibition with Apparatus 22, Hannah Black, Shawn Maximo and Sidsel Meineche Hansen + others at Kunsthalle Wien — Jun 21 — Sep 10 — Artificial Tears group exhibition with Sean Raspet, Cécile B. Evans, Kiki Smith, Jeremy Shaw + others at MAK — June 21 — Oct 1 — ich weiß nicht [I don't know]-- Growing Relations between Things group exhibition with Lisa Holzer, Birgit Jürgenssen, Anita Leisz + others at MAK — June 21 — Oct 1 — Longing for Labor, a panel discussion by MAK FUTURE LAB with Lisa Holzer, Ágnes Heller + others at MAK — Jul 4 — The Care + Repair symposium as well as public talk with the curators and local contributors inCare + Repair — What next?

This panel discussion will revolve around this revitalized interest in Mapplethorpe, as curators, artists, critics, and others explore the broader question: What does Mapplethorpe's work tell us about the culture we have inherited and inhabit today?

Independent Curator and Art AIDS America Chicago Program Coordinator Joseph Varisco presents the fourth annual performance showcase exploring intersections of what it means to be LGBTQIA and live today with HIV and / or other forms of chronic illness.

Biennale visitors fortunate enough to have already experienced the work and others curious about what it has in store packed the Serpentine Gallery last Tuesday to hear the artist in conversation with German Pavilion curator Susanne Pfeffer and Hans Ulrich Obrist.

Artist, curators, and other entities within what we call an industry, have a tough time collaborating; artistic practice is, and perhaps should be, a violently lonely pursuit.

Taryn Simon will be guest curator, looking at what others have in their houses, a big show of Lynda Benglis, and Elaine DeKooning's portraits of JFK.

While our individual practices as artists inform our work as curators, both in terms of what we're interested in and how we connect with other artists, there are two things we do a little differently than some other artist - run spaces; we don't include our own work, and we don't promote exhibitions with the curator's name.

Other curators contract, demonizing anything successful or of the art world and embrace a kind of Curatorial Correctness — specializing in the rediscovery of the assistants of famous artists or other overlooked makers of the recent past (in other words, safer, quieter projects that make fewer grand claims about what is new or newly importOther curators contract, demonizing anything successful or of the art world and embrace a kind of Curatorial Correctness — specializing in the rediscovery of the assistants of famous artists or other overlooked makers of the recent past (in other words, safer, quieter projects that make fewer grand claims about what is new or newly importother overlooked makers of the recent past (in other words, safer, quieter projects that make fewer grand claims about what is new or newly importother words, safer, quieter projects that make fewer grand claims about what is new or newly important).

Other personally meaningful images and what the curators call «coded references» to his life and loves as a gay man abound.

Glenn Ligon, artist and curator of our current exhibition, speaks about the influences that have shaped his practice and what it means to be led by the work of others.

It symbolizes what Golden calls «an over-20-year constant conversation about art and art - making and the meaning of art in the context of life» with an artist who has influenced her as a curator perhaps more than any other.

Here's what she said: «Getting started in the commercial gallery world is best facilitated by engagement with the arts community; participating in public events, residencies, group shows, etc. and building relationships with other artists is one of the better ways to get your work seen while making connections to other curators and gallerists.

In front of the newly empty spaces, Calle asked curators, guards, conservators, and other staff members what they remembered about the missing artworks.

I'd argue that it's less interesting to see a Gerhard Richter painting paired with another Richter painting (abstract or figurative), or hung with a work from the same period made by an artist on the other side of the Atlantic (which is what lots of curators and collectors do now).

[Walter Hopps is a renowned curator who co-founded the Ferus Gallery in Los Angeles and worked at what was then called the Pasadena Art Museum before moving on to other roles around the country, including key posts at the Menil Collection that overlapped with Sirmans» tenure there.

Anya Gallaccio 22 Jan - 1 May Palazzo delle Papesse, Siena ([phone], www.papesse.org) Review by Charles Darwent On the face of it, «post-minimalist» seems an odd way of describing Anya Gallaccio's work, although in retrospect I think I know what the curator of her show in Siena was getting at Along with two other artists, Elisa Sighicelli and Sergio Prego, Gallaccio has been invited to occupy a floor of the Palazzo delle Papesse with pieces that respond in some way to the space itself and, more generally, to an idea of Sienese - ness.

Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's Man in a Museum 1962 from the British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude, Lady C 1959 - 60 which have not been seen in public for many years.

Over the last 7 years I've probably organised more shows and told more artists what to do than any other independent curator in London.

Curators, on the other hand, have turned their attention to what Terry Smith calls «recurating,» a tendency focused on recovering exhibition histories (think of Kari Conte and Florence Ostende's Retracing Exhibition, 2009, in which they reconstructed sections of the Independent Group's 1953 exhibition Parallel of Life and Art).

Since then, Thompson has organized such major Creative Time projects as The Creative Time Summit (2009 - 2015), Kara Walker's A Subtlety (2014), Living as Form (2011), Trevor Paglen's The Last Pictures (2012), Paul Ramírez Jonas's Key to the City (2010), Jeremy Deller's It is What it is (2009, with New Museum curators Laura Hoptman and Amy Mackie), Democracy in America: The National Campaign (2008), and Paul Chan's Waiting for Godot in New Orleans (2007), among others.

Curated by Christine Macel, Chief Curator at Centre Pompidou, with Rachael Thomas, Head of Exhibitions at IMMA, What We Call Love will include works from Cecily Brown, Miriam Cahn, Elmgreen and Dragset, Jim Hodges, Jeremy Shaw, Pablo Picasso, Marcel Duchamp, Alberto Giacometti, Louise Bourgeois, Meret Oppenheim, Annette Messager, Andy Warhol, Rebecca Horn, Marina Abramoviæ, Nan Goldin, Wolfgang Tillmans and others.

The artist shows a bit of his work environment, which he shares with other artists, and answers to a question by, curator and Nominating Committee member, Daniela Labra: «What is the main shortage you observe in the field of Brazilian contemporary art?»

While a curation blog won't showcase your written communication skills, it will show that you know what you're talking about, because as a curator you recommend «best of» content for others to read.