Sentences with phrase «what paint projects»

So I am not sure what paint project will scream the loudest and get painted next, maybe what ever room I am in with said paint brush is in my hand at the time I have a few moments and I have had enough of that room.

Not exact matches

Paint pouring is a really fun art project to do with kids, because what little one doesn't love to squeeze the paint bottle?!
Sarah presents three paint projects (along with books) and what concepts / skills your child will learn.
«No matter what the Administration is painting as a rosy picture that there's going to be a decrease in the overall debt, I just don't see how a project of $ 192 million plus other projects that we have been assured will move forward at a cost of $ 93 million and knowing that union contracts will be up for ratification throughout the next several years, there's no way that the county can say that our taxes will not increase and that I can't imagine will be able to stay under the cap unless we decimate services,» says Strawinski.
You have so many wonderful projects but what caught my eye was that you could clean an old paint brush with vinegar!
What kinds of projects have you done where spray paint comes in handy?
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Well, in this case I had the perfect flat thin piece of wood (not even sure what project this came from) and decided to paint it white and make a sign to fill this big empty wall in my Kitchen that of course needed a vintage «EAT» sign.
What I usually do with large projects is paint the first coat and then add a little water to the paint container to thin it (just a bit, like maybe 1 - 2 Tablespoons).
But it's such a quick and easy paint project and fits in just about any space... what can I say.
The power of paint strikes again:) What a great project
While in that project I painted the outside of the glass, this time I wanted to try painting the inside of the glass, which is what the intended technique for this spray paint is (if you want the reflective side to show on the outside).
What color paint did you use on the oak project?
I want to try this method, I've been making my own chalk paint, and painted my china cabinet, and used the Minwax dark wax to antique it, it's not for everyone, but the look is just what I want, old world look, not even put it has character, I am doing my coffee table as well, I find very ornate pieces cheap and paint a base cream chalk paint and then go over it with the Minwax dark, let it sit for 15 min and buff, then add another layer of wax, its so much fun, but the problem I'm having is I'm ADD and I have 5 projects going at once!
What better way to jump back into my obsession with painting terra cotta pots than with a super fun, insanely easy Valentine's Day DIY project?
I'm having a super fun time with watercolor painting recently, and when creating this Mint & Tulips little illustration (which I was planning to use for a few projects) I immediately thought it would look amazing on top of a to - do list and after a little Photoshop session this is what came out.
Where I could catch up on sewing, spend a bit of time binge - watching old episodes of Project Runway, and remember what it felt like to paint my nails and bask in the simple joy of relaxation.
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In the sense of at what point do you apply Gilding Wax to your painted project piece....
December 30, 2016 • A bar owner who wants patrons to put away their phones, Internet users tracking down a vandal, a project to analyze hundreds of Rembrandt paintings — can you remember (or guess) what happened?
«I wanted to create a project that would invite teachers to dream from outside the box about what schools and classrooms should be like,» said Warlick, «and then paint their dreams on the Web for others to see and share.»
Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»
Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.
Some of Reilly's recent curatorial projects include Pace Gems: Selections from the Linda Pace Collection (2014), Nayland Blake: Behavior (2010), Carolee Schneemann: Painting, What It Became (2009), and Richard Bell: Uz vs. Them, the artist's first retrospective which traveled throughout the US from 2011 - 13, accompanied by a major monograph.
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT
While each adjustment is undertaken to orchestrate and tighten the relation of each pictorial unit to every other pictorial unit, to secure formally the integrity of each painting as a whole, the overall effect of the process is also to enliven the space, to acknowledge its flatness while simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a century ago.
A few weeks before the opening reception of his exhibit The Story of What Happens (August 26 — October 6, 2012) at devening projects + editions in Chicago, Rail Publisher Phong Bui paid a visit to the painter Gary Stephan's Canal Street loft / studio where they resumed their ongoing conversation about Cézanne, painting, and everything.
Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
I just find that chilling and amazing» (M. Bradford, «Clyfford Still's Paintings», in The Artist Project: What Artists See When They Look at Art, New York, 2017, p. 46).
Last year's Tuner Prize shortlist heralded what looked suspiciously like the return of sculpture — stuff that was physically present in the gallery after years of empty rooms, off - site projects, films and performance — this year we have what looks almost unnervingly like the return of painting.
Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.
Converse Inc. gave me an opportunity to paint mural for Converse Wall to Wall project, and this is what I did.
Not only did he know what the art of painting was, but he had the capacity to project his meanings.
click here to download PDF by Brian Prugh When Glenn Ligon visited the Pulitzer Arts Foundation in St. Louis, Missouri, to consider doing a project, he was looking at Ellsworth Kelly's monumental painting on aluminum, entitled Blue Black (2000), when he «heard Louis Armstrong's gravel - strewn voice singing, «What did I do to be so black -LSB-...]
I have this project that I'm slowly working on where I have the same set - up for a group of paintings in Nevis, and a group of paintings here, and a group of paintings upstate, just to see what the differences will be.
Spencer Finch's light work Goldberg Variations, new paintings by Art & Language, Michael Rakowitz's What Dust Will Rise project from Documenta, a hanging sculpture by Richard Rezac, and other recent works buttress the exhibition's historical pieces...
The paintings he designed — influenced by the work of Mexican muralists, jazz music, and the prevailing social realism of the 1930s — were approved by the Federal Art Project but rejected by the hospital's administration for what they saw as an excess of subject matter relating to African Americans.
They have migrated from canvases and wall paintings to neon light works, projected images, and shower curtains in recent years, what she calls the «fugitive image.»
In her past project Light Atlas (2014), a result of a yearlong road trip throughout the United States, the artist explored the social and geographic characteristics of paintings as what she calls «place settings,» or stakeholders — as objects that create meaning from particular representations of claims to space.
Michael Brennan: Knife Paintings MINUS SPACE project space, Brooklyn, 2006 Skeleton Star, Knife Painting # 3 (left) Bishop, Knife Painting # 2 (right) Jacob Gossett: How long have you been teaching here at Pratt and what brought you to this school?
Solo FLOORED, Williamson Knight, Portland, OR, 2018 Salty & Fresh, Emerson Dorsch Gallery, Miami, FL, 2017 Paula Wilson: The Backward Glance, Bemis Center for Contemporary Art, Omaha, NE, 2017 Salty & Fresh, Cherry & Lucic, Portland, OR, 2015 Back it Up, Museum Blue, St. Louis, MO, 2015 Undress, Center for Contemporary Arts, Spector Ripps Project Space, Santa Fe, NM, 2014 First Story, The Fabric Workshop and Museum, Philadelphia, PA 2010 The Stained Glass Ceiling, Bellwether Gallery, New York, NY, 2008 Paintings and Drawings from the Hanno Valley, Galleria Suzy Shammah, Milan, Italy, 2006 What's So Personal, The Butcher Shop, Chicago, IL, 2000
Over the past 12 years he has curated and organised over 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep».
I went back to painting without trying to project so much, to express so many opinions, my ideas about what great painting was.
Their bright and synthetic - feeling palette is similar to Grant's, while their ambiguity allows viewers to see what they want in the twisted colorful forms, projecting themselves into the work — much like what Grant asks from her paintings, only with greater success.
In this regard what Greenberg and Fried theorize as a «strictly optical» space of pure painting, Hamilton pictures as a strictly scopophilic space of pure design; and what Greenberg and Fried theorize as a modernist subject, fully autonomous and «morally alert», Hamilton projects as its apparent opposite, a fetishistic subject openly desirous.
Her description betrayed a desire to project oneself into space, which resonates with what Newman has achieved in her recent paintings.
When Glenn Ligon visited the Pulitzer Arts Foundation in St. Louis, Missouri, to consider doing a project, he was looking at Ellsworth Kelly's monumental painting on aluminum, entitled Blue Black (2000), when he «heard Louis Armstrong's gravel - strewn voice singing, «What did I do to be so black and blue?
Contemporary British Painting @ Art Bermondsey Project Space What is contemporary British painting and what does it Painting @ Art Bermondsey Project Space What is contemporary British painting and what does it inclWhat is contemporary British painting and what does it painting and what does it inclwhat does it include?
2018 New Contemporaries 2017, Block 336, London 2017 New Contemporaries 2017, Baltic Centre For Contemporary Art, Newcastle Tumultuous Noise, Blip Blip Blip, Leeds Addams Outtakes, Roaming Projects, London Something like you, ANDOR Gallery, London 2015 Tired and Clever, with Issy Wood, Westminster Waste, London One O» Those, 9 Valerie Walk, Manchester 2014 Every Emotion Under The Sun, That's What I'm Feeling, PLAZAPLAZA, London Mexico Project Space stall, Wysing Arts Centre Festival Tossed Salad and Scrambled Eggs, with Jesse Wine, Cactus Gallery, Liverpool 2013 Painting and Performances, Winter Projects, London We Are Winning 1, Melbourne Street Studios, Leeds Chuck Connerly was right, Leeds Met, Leeds 2010 Crumplezone, The Fenton, Leeds
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