Sentences with phrase «what painting methods»

And lastly, what painting methods and finishing touches will create final pieces that have strong visual impact?

Not exact matches

In other words, the three methods complement each other and paint a congruous picture of what the tree of life should look like.

With all but the eye treatment, I use what I call the war paint method.

I want to try this method, I've been making my own chalk paint, and painted my china cabinet, and used the Minwax dark wax to antique it, it's not for everyone, but the look is just what I want, old world look, not even put it has character, I am doing my coffee table as well, I find very ornate pieces cheap and paint a base cream chalk paint and then go over it with the Minwax dark, let it sit for 15 min and buff, then add another layer of wax, its so much fun, but the problem I'm having is I'm ADD and I have 5 projects going at once!

I agonized for months over exactly what to do with the cabinets (Chalk Paint, Alkyd Paint, Re-staining, Gel Stain, Refacing, Waiting until my husband was out of the house then smashing them to pieces so we'd be forced to get new cabinets... etc.) and finally landed on the no - sanding, prime and paint method.

The Sculptural Method is where we treat our painting or drawing as a clump of clay and gradually form it into what we want it to look like.

Painting became almost radical and came to represent a new intersection merging fresh ways of seeing and traditional methods of art making to rediscover, and reinvent, a medium rift with possibility and enlivened with artists actively re-imagining what painting cPainting became almost radical and came to represent a new intersection merging fresh ways of seeing and traditional methods of art making to rediscover, and reinvent, a medium rift with possibility and enlivened with artists actively re-imagining what painting cpainting could be.

In what has been called a «post-medium» (and even «post-feminism») era, how can we look critically at the specific tools, methods, and means of painting, particularly abstraction, from within a feminist rubric?

I find it amazing to look at a painting in Photoshop and change the colour, or else figure out how an artist worked — what was their method, for example.

What was your path towards art - making and what led you to working with mixed media, including sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblWhat was your path towards art - making and what led you to working with mixed media, including sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblwhat led you to working with mixed media, including sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock?

We had paintings from his Urbana and Berkeley series, and what I love about Diebenkorn is that his method is always on the surface: you can really see it all right there.

Throughout the years, Niele Toroni has remained steadfast in his practice of «Travail - Peinture,» in which the working method of applying paint in imprints of regular intervals delineates what is put on view.

Done with oil sticks pressed directly against the canvas, a method Mr. Goldberg chose some years ago over brushing with paint, they are energetic productions based on what he called a «quasi grid,» with patchy squares of color intersected at random by strong diagonals.

His method hinges on a kind of information processing that often starts with a photograph, he says, because painting from photographs distances him from what is real or true.

«The process of making these is so slow and organic — like creating an aftermath or a debris field where you intuit, and sometimes actually make out, the lives of many generations of humans, alongside nonhuman traces, and objects, all laid down under pressure — which take time to make and are filled with that time, pieces of what might have been a larger canvas of handiworks that reference entire lives, whole communities that are brought into the field of the painting, where the painting itself becomes another community,» described Sacks his painting method in a 2014 interview with Natasha Kurchanova published on Studio International.

In the confined space of his East Hamptons studio in Long Island, Pollock used the drip painting method as a way of touching base with his subconscious in the spirit of what became known as abstract expressionism.

Join professional art instructor Andrew Geeson as he shows you his fast and achievable method for painting watercolours that showcase what sets this medium apart from others.

However, it wasn't long after the LIFE article came out that Pollock abandoned this method of painting, whether due to the pressure of fame, or his own demons, beginning what are called his «black pourings.»

No longer wholly reliant on what Kenneth Noland described as a «one - shot» process of pre-conceived design, these paintings show Gilliam developing a freer method of composition.

Jones, a member of the East Coast Art Collective, Paper Rad, has received recognition with an impressive exhibition, performance, and publication record for what is described in the press release for his solo exhibition The New Dark Age at Deitch Projects in New York as, «between - media video sculpture, light painting, and «drawing in the digital age»» that «explores new methods of pictorial storytelling...»

Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's Man in a Museum 1962 from the British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude, Lady C 1959 - 60 which have not been seen in public for many years.

His solo November 1985 exhibition at what is now the National Art Museum of China in Beijing exposed Chinese artists to non-traditional methods of art - making for the first time, inspiring them to experiment and work beyond the academic painting and sculpture techniques taught in China's state art academies.

The method wasn't very different from Pollock's own «drip» technique - he, too, had poured paint onto raw canvas - but what made it so radical in Frankenthaler's hands was that she managed to wrest from it a dazzling sense of color and light.

If abstract expressionism was defined by a reaction against Europe, an assertion of nationalist values, a way of decentring the way in which one worked by putting the painting on the floor, and minimalism is defined by the understanding of the three dimensional object, and fabrication and industrial methods, what happens when a painting comes after abstract expressionism but before minimalism?

In the many interviews on this site we often ask painters variations of similar questions such as; «Where did you come from», «Who has been most influential to your work» «How did you make this», «What's important to you»... to peek into painter's working methods, observations and ideas about art that may help other painters and to pass on the continuum of knowledge about painting practise as well as the visual poetics of art.

What is still not sufficiently appreciated is that the twist Frankenthaler gave to Pollock's drip method removed the heavy breathing from abstract expressionism while retaining the closeness to the physical act of painting.

What you will learn: properties of furniture painting, best practices & preparation, distressing methods, creating buttery finishes, waxing, as well as tools such as brushes, sandpaper, waxing, and distressing.

What are the best painting methods to use?

I too would love to know what finish you used (ie eggshell, semi gloss or gloss) as well as what method was used to paint the cabinets.

Can you tell me what method you use to get a smooth finish with the paint, i.e., brush, roller (if so, what nap), sprayer, etc.?

If you think I could have them painted or do it myself what method would be best?»

What you will learn: properties of furniture painting; best practices & surface preparation, distressing methods (dry & wet), creating finishes (waxing & clear coat).