Sentences with phrase «what writer director»

Science fiction is at its best when it takes a crazy concept and applies it to real world issues, and that's exactly what writer director Yoshio Kato does with 3FT Ball and Souls, a teeny tiny Japanese film filled with big ideas and even bigger heart.

Not exact matches

Everyone wants to be the director, CEO, the manager, the writer — well, guess what?

You'll learn about: * The opportunities provided by the growth in the esports streaming content market * What's causing the streaming content surge and market growth * The technology making this explosive esports growth possible on a global scale * Confronting the problems around scale in markets like China and elsewhere Speakers: * Dean Takahashi, Lead Writer, GamesBeat * Johannes Waldstein, CEO, FanAI Inc. * Roc Harry, Relationship Director, Worldpay * Carter Rogers, Senior Analyst, SuperData Research Sponsored by Worldpay

It took me nineteen years of research and three books (The Final Revolution, Witness to Hope, and The End and the Beginning) to do what executive producer Carl Anderson and writer / director David Naglieri have done in ninety - three minutes of gripping videography and marvelous graphics: explain how and why John Paul played a pivotal, indeed indispensable, role in the greatest drama of the last quarter of the twentieth century, the collapse of European communism.

Actors said they only do what they are told by the writers and directors.

In summary, actors say they only do what they are told by the writers and directors; writers and directors say producers require them to put more sex and violence into the shows; producers say it is the networks that demand more sex and violence; networks say their choices are limited, the competition is brutal, and the sponsors demand results.

The choices made by writers, directors, producers, distributors and sponsors all contribute to what our world shall become.

I find it fascinating when writers and directors and even producers of films about real people in the Bible read into what the people were like and how they fill in the gaps of the dialog, some I like, others I disagree with, but it allows me to put flesh and blood on their bones.

Bruce Cronin, the producer, director, writer, chief grip and what - all, had made a 20 - minute drama in 1974 but never a ski film.

The model of hospital administration in this publication actually has lots of semblance with contemporary models in the US, UK, Republic of Ireland, Australia and Canada where there is a board of directors / governors with a Chairman (does not have to be a Medical Doctor), a CEO / President / Hospital administrator (does not have to be a Medical Doctor) and a CMD / MD / CMO / Executive director medical services etc (Is ALWAYS a Medical Doctor — different names but similar portfolio — In Nigeria we always look up to these countries for direction with respect to global best practices so I do not understand what the commentator code - named afam6nr means by «Obviously, this writer has not attended any Business School Training and has no knowledge of Business Administration» — My advice to afam6nr is to do a little study of the different heath system of the world (specifically regarding corporate governance, organisation and administration of tertiary hospitals) and after this little research come back and comment on his findings!

Neil deGrasse Tyson — the acclaimed astrophysicist, writer, and director of the Hayden Planetarium — lays out what it will take for America to remain the leading superpower in space.

Big - budget special effects, swiftly paced action, and a distinct feminist subtext from writer / director James Cameron turned what should have been a by - the - numbers sci - fi sequel into both a blockbuster and a seven - time Oscar nominee.

Not a movie for most, The Tree of Life is an over-dramatic representation of what seems like a personal, spiritual struggle waged by the writer / director, Terry Malick, himself.

There should be more point to dramatizing something than the fact that it has yet to be dramatized, and it's not entirely clear if writer Tim Talbott or director Kyle Patrick Alvarez know what that reason is.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

With no original cast members and the director / writer team unaffiliated with the production, Dumb and Dumberer: When Harry Met Lloyd becomes exactly what one might expect: a complete and utter waste of time.

What's really intriguing is the way that an Africanist myth invented in 1966 by two Jewish guys in New York, Stan Lee and Jack Kirby, and later elaborated upon by the likes of Reginald Hudlin and Ta - Nehisi Coates, has now been taken over by Ryan Coogler, the writer - director who previously made the very good social - realist drama Fruitvale Station and the first - rate genre - revisionist Creed.

In his 2014 speculative thriller «Ex Machina,» writer - director Alex Garland created a haunting, stylishly atmospheric meditation on what it means to be human, building a credible world just this shy of the future in which humanoid robots moved, loved and deceived with all the nuance and subterfuge of their flesh - and - bone counterparts.

Writer - director Ari Aster's first feature culls from a tradition of slick, elegant genre filmmaking, making up what it lacks in originality with an impressive volume of atmospheric dread.

What Canadian writer - directors Carlos and Jason Sanchez get creepily right is the insidious seduction stage as Laura worms her way in.

Writer - director Francis Lee captures not only what masculinity does and how it comes undone, but the complex apparatus that keeps it into place: the family's surveillance, the silence, the shame.

In terms of originality, there's no denying that writer / director Yorgos Lanthimos has what it takes to tell some incredible stories.

But director / writer Richard Brooks has a little more on his mind than simply a horse race and those liberal causes are what the piece is really about.

What do you get when you cross writer / director Alex Garland with producer Scott Rudin and a facile read of Jeff Vandermeer's Southern Reach Trilogy?

Writer / director Scott Cooper's latest film, Hostiles, starts with a bang and ends with a whimper, but it's what happens in between those diametrically opposed sensations that makes this one of the most engaging and complex films of 2017.

If the side - by - side comparisons at the end of this movie don't convince you of James Franco's deep understanding of the wacky world of writer / director Tommy Wiseau, then I don't know what will.

The low - budget flick made big money, but somehow — in what's surely a behind - the - scenes Hollywood story crueler than anything Strangers writer - director Bryan Bertino could get onscreen — it's taken ten years for a sequel to make it to theaters.

What makes «Very Bad Things» a more rewarding experience than other films in its genre is that writer - director Peter Berg seems to be onto the fact that he's making a piece of shock schlock and not a sociological pronouncement.

If the goal of the Darwin's great - great - grandson, Randal Keynes, the author of Annie's Box, along with the writers and director of «Creation» was to humanize Darwin and bury the iconic image of the stoic bearded man who walked with a cane and was slightly hunched over in his later years, then they brilliantly accomplished what they set out to do.

Writer / director Taika Waititi is known for cozy comedies like Eagle vs Shark; his previous film, What We Do in the Shadows, was a hilarious take on vampires with Jemaine Clement.

While his cast is first - rate, director - writer Michael Caleo doesn't know quite what his movie is about.

This is what makes French writer / director Coralie Fargeat's debut feature Revenge so special.

Adapting Barry Crump's book Wild Pork and Watercress, writer / director Taika Waititi (What We Do in the Shadows) explores personal connection, specifically the way that one or two meaningful relationships can transform people into the best possible versions of themselves.

What makes the material work so well here is the perception that both writer and director choose to execute with its protagonist, which is not to provide overlying sympathy for him or his choices.

Fortunately, with Thor: Ragnarok, writer - director - actor Taika Waititi (What We Do In the Shadows) wisely mines humor from the character's inherent silliness and wraps it around an dazzling, offbeat core of straight - up comic book antics.

Writer / director Luc Besson directs Scarlett Johansson in Lucy, an action - thriller that examines the possibility of what one human could truly do if she unlocked 100 percent of her brain capacity and accessed the furthest reaches of her mind.

The dialogue is sharp and justly famous, though writer - director Joseph L. Mankiewicz has trouble putting it into the mouths of his actors: nothing sounds remotely natural, and the film is pervaded by the out - of - sync sense of staircase wit — this is a movie about what people wished they'd said.

To the enormous credit of these preternaturally clever writer - directors, the above paragraph contains more low - hanging Lego puns than the movie itself, which relies on ingenuity and genuinely inspired twists on what audiences expect from such an experience to deliver a constant stream of engagement and laughs.

After watching it, I really think that this one will divide the audience and any time could go both ways - some would love figuring it out what the writer and director wanted to say while others could simply walk away, deciding that their life is too precious to be wasted on such movies.

No, what writer Chris Weitz and director Kenneth Branagh present us with here is a film that prefers to get by on its charm alone.

Glass Chin seems to be a bit confused as to what type of film writer / director Buschel wants it to be.

In this case, the director was a book writer too, so I was really looking for Bill Condon to give his perspective about what he wanted in terms of his storytelling.

Since Graham is a veteran of the Hollywood scene, and since this is her first outing as writer and director, we can assume she knows what she's talking about.

I was recently able to sit down with director Karyn Kusama and writers Phil Hay and Matt Manfredi to see what they had to say about the film and the psychology behind it.

Alex Garland, who wrote and directed the film, has shown a lot of promise as a writer so I am curious to see what he can do in the directors chair.

Co - writer / co - director / costar Jemaine Clement has confirmed that a sequel to the vampire mockumentary What We Do in the Shadows is in the planning stages.

Writer / director / producer Bettina Wilhelm is the granddaughter of Richard Wilhelm and in this film she travels to China and the towns and cities her grandfather worked in to witness for herself what he saw in the country and its people whilst discovering more about his life and work.

DVD Extras Anamorphic 1.85:1; incredibly atmospheric animated menus; scene selection; choice of 2.0 / Dolby digital 5.1; full audio commentary by co - writer / director Shane Meadows, co - writer / star Paddy Considine, and producer Mark Herbert (all giggling), revealing that the decision to include Anthony in scenes other than flashbacks was last - minute, that the script changed daily on - set, that the castle was a disused zoo, and that the original ending was too close to Get Carter; nine minutes of commentary out - takes (Easter egg); Optimum trailer reel; What U Sitting On?

Director: Lake Bell Writer: Lake Bell Nationality: US Other title: What's The Point?

Playing in Un Certain Regard at the 2017 Cannes Film Festival, «The Workshop» reteams Laurent Cantet and his co-screenwriter Robin Campillo (also the writer / director of this year's awards frontrunner «120 Beats Per Minute») in what initially seems like an attempt to make lightning strike twice.