Sentences with phrase «whatever kind of films»

I just want women to make whatever kind of films they want to make.

Not exact matches

However, now one such film has come along, and there is, for whatever reason, a sort of eagerness for it to fail, with people anticipating hating exactly the kind of work that is sadly lacking in mainstream film culture.

But even with that in mind, this is still the kind of film that saves a few moments for the lead character's precocious toddler (Colin Baiocchi), who, like an ersatz Olsen twin, regurgitates whatever elementary dialogue is fed to him.

I became conscious of Ben Shenkman noodling around with his hands as stage business, or Julianne Nicholson primly concentrating on her inner monologue, or Chris Messina striving for a kind of «yeah, whatever» blasé version of selfishness that has become an indie film cliché, or Josh Charles earnestly attacking a monologue to a series of girls where he gets to «have fun» with different facial hairs and outfits.

At least Fraser manages to be completely in tune with the kind of film he's been hired to star in, mocking whatever he sees as if none of it really matters — and it doesn't.

«[Director Craig Gillespie] kind of on the day was like, «Just do whatever in the moment,»» said Robbie, «and we got so carried away that I genuinely forgot that we were on a film set and that I wasn't Tonya and that he wasn't Jeff.»

Whatever one has to say about the idea that they kind of want real fans to own two versions of the same film just to have all the special features, «Snow White» is still a timeless classic.

Whatever the truth of this, Poltergeist had far more in common with the positive vision of bourgeois suburbia found in Spielberg's own Close Encounters of the Third Kind (1977) or E.T. — The Extra-Terrestrial (released within a week of Poltergeist) than with any unnerving Texploitation made by Hooper, and often seemed to be a feel - good family film merely masquerading as horror.

Whatever games I was playing, especially Final Fantasy and stuff like that, Nobuo Uematsu was really huge for me because, as a kid, that was the first time I saw music that was really kind of trying to work your emotions in the same way that music from film tries to do.

Instead of film stills, the formal portraits are of a kind that might appear in a «whatever happened to?»