Sentences with phrase «when condon»

Producers Bill Condon and Larry Mark are hard at work putting the show's particulars together (when Condon has a few moments away from that Richard Pryor biopic -LSB-...]

I was on set when Condon directed the actor in Mr Holmes and Beauty And The Beast.

Not exact matches

Religion condons violence when it helps, and tries to maintain a morale high ground when it cant help.

Condon, on the other hand, never really had the pedigree of a solid NHL backup but the Senators overvalued his performance when he was filling in for Andy and paid him like a 1b when he's a marginal backup that you can find throughout the league.

Smith and Manning are both represented by Tom Condon of CAA, so the case could be made that Condon believes the Niners are the front - runners for Manning and he's preparing Smith for when the 49ers» contract offer is rescinded.

Cosmological theory predicts that scantily clad singularities should often form when galaxies collide, and Condon hopes to discover more examples.

It turns out producers Bill Condon and Laurence Mark weren't kidding when they promised to reinvent the Oscar.

Gracey and screenwriters Bill Condon and Jenny Bicks don't make much of the connection between current popular culture and Barnum's hoax - heavy sideshows, even when they underline his attempts to go legit by presenting Jenny Lind (Rebecca Ferguson), a Swedish opera singer.

The internet was overjoyed back in late January when it was announced that Emma Watson will star in the Disney film, directed by Bill Condon (The Twilight Saga: Breaking Dawn Part 1 and Part 2), as Belle.

But when Sean breaks into the house of a wealthy a-hole named Cale Erendreich (David Tennant), he's shocked to discover that Cale has a young woman named Katie (Kerry Condon, «Three Billboards Outside Ebbing, Missouri») chained up inside a room lined with plastic.

When it seemed as if the standup - comic - as - Oscar - host tradition was becoming awfully tired, producers Bill Condon and Lawrence Mark brought in a singing, dancing, charismatic movie star to show what a new kind of host could do.

When director Bill Condon mentioned in passing that his upcoming Beauty And The Beast would touch, very briefly, on the sexuality of Josh Gad's character — Gaston - admiring crony LeFou — he probably wasn't expecting to unite Russian politicians and Alabama - based theater owners in common homophobic cause.

When Belle sings the reprise of the opening number, her climb up a hill will recall images of Julie Andrews in Sound of Music, but Condon and company, seem too eager to move on to the next scene.

When McAvoy's name cropped up a few weeks ago, the word was that Condon's movie would shoot around the actor's X-Men schedule.

There is much thematic material to delve into when it comes WikiLeaks, but Condon, along with the script from Josh Singer, perhaps trying to come off as even - handed, winds up looking unfocused.

The loneliness of later life and the depression it brings with it, as explored recently in Bill Condon's Mr Holmes, is touched upon but there is an air of pomposity when Victoria confides to Abdul, «We are all prisoners.»

The internet fervor began when «Attitude,» a British gay lifestyle magazine, published an interview with «Beauty and the Beast» director Bill Condon in which he talks about LeFou exploring his sexuality throughout the film.

By the end of the film, we see both characters as gods, both as monsters, and the great talent of Bill Condon is in knowing when to push the esthetic toward humorous self - parody and when to bend it toward tragedy.

Like KINSEY, the film he wrote and directed, Bill Condon is direct when discussing the research that his title character carried out on human sexuality.

James Ellroy, Perfidia Stephen Rebello, Alfred Hitchcock and the Making of Psycho Stephen Tobolowsky, The Dangerous Animals Club Jennifer Grant, Good Stuff: A Reminiscence of My Father, Cary Grant Piper Laurie, Learning to Live Out Loud John Grisham, Bleachers James Earl Jones, Voices and Silences Henry Bromell, Panic Howard A. Rodman, Savage Grace Fay Wray, On the Other Hand Betty Comden, Off Stage Budd Boetticher, When in Disgrace Michael Powell, A Life in Movies Frank Thomas and Ollie Johnston, Too Funny For Words Stephen Rebello and Edward Margulies, Bad Movies We Love John Waters, Trash Trilogy and The Obsessions of John Waters Louis Sacher, Holes Leonard Maltin, Leonard Maltin's Movie & Video Guide Richard Condon, The Manchurian Candidate Jack Palance, The Forest of Love Roger Ebert, Ebert's Little Movie Glossary Terry Jones, Nicobobinus and The Fly - By - Night Bernie Brillstein, The Little Stuff Matters Most Mia Farrow, What Falls Away Andre Dubus III, House of Sand and Fog John Boyne, The Boy in the Striped Pajamas Dennis Hopper, Out of the Sixties James Stewart, Jimmy Stewart and His Poems Mark Frost, The Greatest Game Ever Played Sam Staggs, Born to be Hurt: The Untold Story of Imitation of Life

Director Michael Gracey, working from a script by Jenny Bicks and Bill Condon, crafts a Moulin Rouge-esque vision that transports you, which is appropriate when tackling the life of PT Barnum.

Although he was in attendance at the 2013 Toronto International Film Festival to talk about his great new film The Fifth Estate, when I spoke to director Bill Condon at the press junket, I landed an interesting bit of news...

When a couple of petty thieves (Robert Sheehan and Carlito Olivero) break not a house, they find a woman (Kerry Condon) who is being held against her will by the home owner (David Tennant).

That said: a directorial switch - up can be very tricky when it comes to franchise fare — especially when studios trade in a respectable filmmaker who leaves a recognizable artistic fingerprint on the series (see: David Slade with The Twilight Saga: Eclipse or Bryan Singer with X2) for someone who delivers more of a generic take on the property (see: Bill Condon with Breaking Dawn or Brett Ratner with X-Men: The Last Stand).

Directed by Bill Condon («Mr. Holmes») and written by Stephen Chbosky («The Perks of Being a Wallflower») and Evan Spiliotopoulos («The Huntsman: Winter's War»), «Beauty and the Beast» is strongest when it adapts and expands its source material as opposed to slavishly recreating it.

I didn't think it was funny when the 19 - year - old girl (Samantha Weaving) dating the abusive shit - fuck ex-husband (John Hawkes) of our anti-heroine, Mildred (Frances McDormand), is used as an object of derision / tension - breaker, and I didn't think it was funny when secretary Pamela (Kerry Condon) is treated identically before getting punched in the face as her exit from the film.

Niall Heery's second feature - length film focuses on a semi-rural Irish family and how they cope when Alice's (Kerry Condon) ex comes back into their life.

Last year, Condon experienced «an honor of a lifetime» when Wellesley College's seniors chose her as their commencement speaker.

Condon knew she had found a new companion; what she didn't expect was the reaction of others when they heard she'd adopted a pit bull.

Middle - school art teacher, Nichole Condon, wasn't looking for love when she visited San Diego Humane Society shortly after losing her two beloved dogs, but love found her — in the form of a three - legged blue pit bull puppy named Blueberry.

Jeff Condon — I'm sure Mosher can contribute to the analysis and when he does I will be interested; it is his arrogant, snarky, know - it - all attitude conveyed in his posts that causes vitriol.