Sentences with phrase «when lyrical abstraction»

But when Lyrical Abstraction waned and Pattern Painting petered out, Seery and Zakanitch continued to explore the manners and motifs that had initially motivated them, only released from the expectations of the art world (most especially, and perhaps dauntingly, their peers).

Not exact matches

This is a transitional painting from the minimalism that Christensen had adopted when he first came to New York and the lyrical abstraction of his «Dorado» period — but beyond that, worthwhile in its own right, very tight and neat and sober.

[27][28] When in 1967 he returned to abstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction but he remained independeabstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction but he remained independeAbstraction but he remained independent of both.

Nevertheless, the concentric shapes and meticulously ordered compositions would remain until the «80s, when Stella's work shifted into a much more lyrical mode of abstraction.

[37] When in 1967 he returned to abstraction his works were parallel to movements like the Color Field movement and Lyrical Aabstraction his works were parallel to movements like the Color Field movement and Lyrical AbstractionAbstraction.

[34] Lyrical Abstraction is a type of freewheeling abstract painting that emerged in the mid-1960s when abstract painters returned to various forms of painterly, pictorial, expressionism with a predominate focus on process, gestalt and repetitive compositional strategies in general.

European Abstraction Lyrique born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of (Tachisme) when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of L'Art à Paris 1945 — 1966, and American Lyrical Abstraction a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.

When in 1971, Mr. Aldrich donated this collection to The Whitney Museum of American Art, [2] John Baur, the museum director, mounted a second Lyrical Abstraction exhibition and Willis's painting Wall became part of the Whitney Museum's permanent collection.

During the late forties, when painting was becoming physically big, angst - ridden, and unprecedentedly theoretical in its exploration of new modes of non-representational painting, MacIver kept her canvases compact and continued developing an intimate brand of lyrical abstraction that remained mimetically based.

Despite these experiences, Tàpies was swiftly drawn to the lyrical abstraction known as art informel, especially after 1953, when he experienced the American equivalent, abstract expressionism, at the time of his first one - man show in New York.

When the War ended, he turned his attention to abstract art in the form of oil painting, becoming associated with Art Informel, Tachisme and Lyrical Abstraction.