Sentences with phrase «when attitudes»

[jounal] Rohmann, A. / 2008 / When attitudes do not fit: Discordance of acculturation attitudes as an antecedent of intergroup threat / Personality and Social Psychology Bulletin 34: 337 ~ 352

Such a program would be certain to fail.By contrast, a well - designed marriage initiative would target women and men earlier in their lives when attitudes and relationships were initially being formed.

When Attitudes Become Form was a landmark show for Post-Minimalist American artists in 1969 at the Kunsthalle Bern.

Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit, urban warfare and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); «Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2015).

This German artist participated in ground - breaking exhibitions such as «When Attitudes Became Form» (1969) and «Documenta V» (1972).

She's exhibited work and created site - specific installations throughout the United States and eight other countries; right now you can see one of her works, The fall without the fruit, at the CCA Wattis Institute's When Attitudes Became Form Become Attitudes exhibition, on view through December 1, 2012.

First presented in 1969 at the Kunsthalle Bern in Switzerland, When Attitudes Become Form was originally met with derision and received exceedingly negative reviews.

This book documents all phases of Szeemann's career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apartment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realised projects on wide - ranging themes until his death in 2005.

But between Massimiliano Gioni's rather historical, «research - driven» Fifty - Fifth International Art Exhibition, Il Palazzo Enciclopedico (The Encyclopedic Palace), and the reconstruction of Harald Szeemann's 1969 landmark survey of conceptual art, When Attitudes Become Form, this floating city is drifting towards the past rather than future.

Generous support for When Attitudes Became Form Become Attitudes provided by C. Ross Sappenfield and Laura Brugger, Robin Wright and Ian Reeves, and Laura and Joe Sweeney.

September 13 - December 1, 2012 The CCA Wattis Institute for Contemporary Arts presents the exhibition When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion Location: CCA Wattis Institute for Contemporary Arts, California College of the Arts, 1111 Eighth Street (at 16th and Wisconsin), San Francisco CA 94107 - 2247 Opening reception: Thursday, September 13, 2012, 7 - 9 p.m. Gallery hours: Tues. - Fri., noon - 8 p.m.; Sat., 10 a.m. - 6 p.m.; closed Sun.

«When Attitudes Become Form: Bern 1969 / Venice 2013» at Fondazione Prada's Ca» Corner della Regina, 2013.

Prada Foundation artistic director Germano Celant discusses «When Attitudes Become Form» at the Reel Artists Film Festival in Toronto.

Installation view, When Attitudes Become Form Become Attitudes, CCA Wattis Institute for Contemporary Arts, San Francisco, 2012

Recent group presentations include The Invisible Hand: Curating as Gesture, 2nd CAFAM Biennale, CAFA Art Museum, Beijing (2014); Geestverwanten (Kindred Spirits), Rabo Art Collection, Utrecht, The Netherlands (2013 - 2014); Station to Station organized by Doug Aitken (2013), When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion, CCA Wattis Institute for Contemporary Arts, San Francisco (2012), and Intense Proximity: La Triennale 2012, Palais de Tokyo, Paris, 2012 (group).

Celant's lecture in Toronto followed the screening of a documentary about the original 1969 version of «When Attitudes Become Form,» as well as a brief documentary about the 2013 Venice presentation.

In September 2012, Wattis director Jens Hoffmann will tackle the history and the myths surrounding When Attitudes Become Form with a new «sequel» exhibition, When Attitudes Became Form Become Attitudes.

«Live in Your Head: When Attitudes Become Form.

Recent exhibitions include a solo show at Modern Art Oxford (Oxford, 2014), Rolled Lead Piece 1970, Karsten Schubert (London, 2013), the re-staged exhibition When Attitudes Become Form, Fondazione Prada (Venice, 2013) and the group show United Enemies, Henry Moore Institute (Leeds, 2011).

The legendary exhibition Live in Your Head: When Attitudes Become Form, presented in 1969 at Kunsthalle Bern, Germany, has been exhaustively discussed, researched, and examined.

Louw was one of 5 British artists included in Harold Szeemann's seminal exhibition When Attitudes Become Form, and exhibited in both Bern and London in 1969.

At Fondazione Prada's Ca» Corner della Regina, curator Germano Celant, artist Thomas Demand, and architect Rem Koolhaas have recreated Szeemann's historic show When Attitudes Become Form — an undertaking that reinforces the current retro - craze of the art world.

The most recent homage to it, When Attitudes Become Form: Bern 1969 / Venice 2013, features an almost 1:1 reconstruction of the show's original floor plan in an eighteenth century Venetian palazzo.

Van Elk was included in almost all key exhibitions of conceptual art, notably Arte Povera, Amalfi, 1968, Op losse schoeven, Amsterdam, 1969 and in the same year, Harald Szeemann's seminal exhibition When Attitudes Become Form, Bern and London.

When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion: Curator Jens Hoffmann riffs on an era - defining international exhibition of 1969 with help from a spate of artists, many of whom were born since 1969.

Like Graham, Long is one of a group of artists shown by Nicholas Logsdail in the earliest years of the Lisson Gallery and his legacy as a pioneering conceptualist and one of the originators of the Land Art movement is especially relevant now, as evidenced by the recent re-staging of «When Attitudes Become Forms» at the Fondazione Prada.

«I worked on the original «When Attitudes Become Form» at the ICA,» Morris recalled, when dealer Toby Webster introduced us at the Modern Institute booth.

McLean has exhibited in many major shows including When Attitudes become Form, A New Spirit in Painting, Zeitgeist and Documenta 6, 7 and 8.

His work has been presented in significant survey exhibitions, including documenta 6 and 7, Kassel (1977, 1982); Zeitgeist, Martin - Gropius - Bau, Berlin (1982); A New Spirit of Painting, Royal Academy of Arts, London (1981); Information, Museum of Modern Art, New York (1970); Op Losse Schroeven, Stedelijk Museum, Amsterdam (1969) and When Attitudes Become Form, Kunsthalle Bern (1969).

In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann's epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca» Corner della Regina in Venice in June — November 2013.

Solo exhibitions or duo shows include: When Attitudes Became Form Became Attitudes, CCA Wattis Institute for Contemporary Arts (San Francisco, USA), O - RA - LI - TÉ, Bugada & Cargnel (Paris, France), and Le Musée Décapité, Sies + Höke (Düsseldorf, Germany).

Miuccia Prada attends the opening cocktail of «When Attitudes Become Form: Bern 1969 / Venice 2013» exhibition at Fondazione Prada's Ca» Corner della Regina, Venice, on May 29, 2013 in Venice, Italy.

Olafur Elliason attends a private lunch and preview of «When Attitudes Become Form: Bern 1969 / Venice 2013» hosted by Miuccia Prada and Patrizio Bertelli at Fondazione Prada's Ca» Corner della Regina, Venice, on May 29, 2013 in Venice, Italy.

McLean has participated in many major international exhibitions since the 1960s, highlights include: When Attitudes Become Form, Kunsthalle, Bern (1969); Information, Museum of Modern Art, New York (1970); The British Avant Garde, New York Cultural Centre (1971); Documenta 6, Kassel (1977); Art in the Seventies, Venice Biennale (1980); A New Spirit in Painting, Royal Academy, London; Zeitgeist, Martin - Gropius - Bau, Berlin (1982); Documenta 7, Museum Fredericianum, Kassel (1982); Thought and Action, Laforet Museum, Tokyo (1983); The Critical Eye, Yale Centre for British Art, New Haven (1984); Out of Actions; Between Performance and the Object, 1949 - 79, Museum of Contemporary Art, Los Angeles (1997); Bruce McLean and William Alsop, Two Chairs, Milton Keynes Gallery (2002) and Body and Void: Echoes of Moore in Contemporary Art, The Henry Moore Foundation, Hertfordshire (2014).

In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche.

Legacy: Photographs from the Emily Fisher Landau Collection, The Aldrich Contemporary Art Museum, Ridgefield, CT, USA When Attitudes Become Form: Bern 1969 / Venice 2013, Ca» Corner della Regina, Prada Foundation, Venice, Italy

2012 Shanghai Biennial: Reactivation, Shanghai, China Material Information, Kunstindustrie Museum, Bergen, Norway When Attitudes Became Form Become Attitudes, CCA Wattis Institute of Contemporary Art, San Francisco, CA Moscow International Biennale for Young Art, Moscow, Russia Rendez - vous 12, South African National Gallery, Cape Town, South Africa Mission Afterviews, Victoria Theater, San Francisco, CA DocumentO, Krowswork, Oakland, CA

Gio Marconi attends a private lunch and preview of «When Attitudes Become Form: Bern 1969 / Venice 2013» hosted by Miuccia Prada and Patrizio Bertelli at Fondazione Prada's Ca» Corner della Regina, Venice, on May 29, 2013 in Venice, Italy.

Michael Govan and Katherine Govan attend a private lunch and preview of «When Attitudes Become Form: Bern 1969 / Venice 2013» hosted by Miuccia Prada and Patrizio Bertelli at Fondazione Prada's Ca» Corner della Regina, Venice, on May 29,... More

A general view of atmosphere during the opening cocktail of «When Attitudes Become Form: Bern 1969 / Venice 2013» exhibition at Fondazione Prada's Ca» Corner della Regina, Venice, on May 29, 2013 in Venice, Italy.

When Attitudes Become Form, Become Attitudes, Wattis Institute for Contemporary Arts, San Francisco,

Miuccia Prada and Francois Pinault attend a private lunch and preview of «When Attitudes Become Form: Bern 1969 / Venice 2013» hosted by Miuccia Prada and Patrizio Bertelli at Fondazione Prada's Ca» Corner della Regina, Venice, on May... More

Michael Govan and Katherine Govan attend a private lunch and preview of «When Attitudes Become Form: Bern 1969 / Venice 2013» hosted by Miuccia Prada and Patrizio Bertelli at Fondazione Prada's Ca» Corner della Regina, Venice, on May 29, 2013 in Venice, Italy.

When Attitudes Become Form», an exhibition conceived and organised by Harald Szeemann at the Bern Kunsthalle in 1969, which went down in history for the curator's radical approach to exhibition practice.

In 1969 he participated in the groundbreaking exhibitions When Attitudes Become Form at Kunsthalle Bern and Op Losse Schroeven: Situaties en Cryptostructuren at the Stedelijk Museum Amsterdam; the latter still counts as the introduction of conceptual art in The Netherlands.

«When Attitudes Become Form» exhibition in Bern, Switzerland and last in the exhibition brochure for Kaltenbach's solo show at the Whitney Museum, «Room Alterations» in late 1969.

Long has used language in this pared - back manner since his first text work, A Walking Tour in the Berner Oberland: When Attitudes Become Form 1969 (whereabouts unknown).

Since the 1970's, Kaltenbach's work has been included in many conceptual art surveys including «1965 - 1975: Reconsidering The Object As Art ``, Museum of Contemporary Art, Los Angeles, CA (1995), «The Quick and The Dead», Walker Art Center, Minneapolis, MN (2009), «1969», PS1, New York, NY (2010), «Under the Big Black Sun», MOCA, Los Angeles, CA (2011), «State of Mind», Orange County Museum of Art, Newport Beach, CA (2011) and Berkeley Art Museum / Pacific Film Archive, Berkeley, CA (2012), «ENDS OF THE EARTH: Land Art to 1974», MOCA, Los Angeles (2012), «When Attitudes Become Form: Bern 1969 / Venice 2013», Prada, Venice, Italy (2013), and «Materializing «Six Years»: Lucy R. Lippard and the Emergence of Conceptual Art», Brooklyn Museum (2013).

Group exhibitions include Conceptual Art, Arte Povera, Land Art, Galleria Civica d'Arte Moderna, Turin (1970); documenta 6, Kassel (1977); Biennale di Venezia (Venice), 2007; When Attitudes Became Form: Bern 1969 / Venice 2013, Fondazione Prada, Ca» Corner della Regina, Venice (2013).

Included in Harald Szeemann's renowned exhibition When Attitudes Becomes Form at the Kunsthalle Berlin in 1969, we see Ruthenbeck's desire to create forms that erase or resist the tie of the work of art to the physical material object.