When characters speak it's rushed and muted, and that's cute because the information is conveyed pictorially, anyway.
Some sound files
when characters speak are repeated again for a few seconds even after the scene is finished.
The voice acting is also of high - quality and the lines, even the cheesing of the lot, make sense
when the characters speak them.
The main campaign chapters have Japanese voices with English subtitles
when characters speak.
It's a wonderful thing
when the characters speak up and take the story in a direction I hadn't expected.
One thing that initially threw me off was
when characters speak their mouths don't move, much like in the Phoenix Wright games but this is a minor quibble and one that doesn't hinder your enjoyment of the game.
Motion occurs only in key parts of the frame, such as mouths moving
when characters speak or body parts moving when action calls for it.
The quality of the whole production is astounding, with perfect lip - synching
when characters speak and hilarious dialogue make Jak and Daxter seems more like an interactive movie than a game.
Even the subtitles, used
when characters speak Spanish, get into the act, certain key words being made larger or the whole lines jumping around the screen as the people talk.
The cool part of this game is that all of the characters dialogue is recorded except for
when your character speaks.
The only gripe I had was that you can't choose your character's voice from presets, and that coupled together with the fact that there aren't dialogue choices makes it feel weird
when your character speaks.
The only disappointing part was with the character animations, which moved stiffly at times and
when the characters spoke their mouths didn't match the words.
Not exact matches
A lot of that backstory is hinted at with costume designer Edna Mode's
character, who
speaks fondly of a time
when she made super-suits (but hates the capes).
But words can be a clue to
character, as well - especially
when the words are as provocative as the ones Harper has written and
spoken over the years.
He needs a letter board to point to
characters when speaking.
The fact that a novel's narrator must
speak as a god from outside the story has always vexed novelists, particularly
when the narrator is also a human
character in the story.
When he lies, he
speaks out of his own
character, for he is a liar and the father of lies.
We suspend disbelief for enjoyment
when we watch cartoon
characters talk & romp on screen, but we don't expect the next mouse or duck or rabbit that we see to start
speaking and joking with us!
It is indeed difficult to expatiate on the
character of one's mentor, especially
when so much of what we would
speak about pertains to private exchanges and painstaking individual guidance.
When he lies, he
speaks out of his own
character, for he is a liar and the father of lies» John 8:44, emphasis mine.
When the political infringes upon God's
character and calling, it's important to
speak loudly and clearly — even if it upsets the people in the pews.
William Abraham
spoke for many postconservatives
when, after writing that Carl F. H. Henry's God, Revelation and Authority is «the monument of a generation's work,» he added: «Yet given its barren orthodoxy and turgid
character, it can at best inspire mediocrity.»
It was a great shock to liberal Protestant theology of the turn of the century
when men like Albert Schweitzer (1875 - 1965) and Johannes Weiss (1863 - 19I4) drew attention to the eschatological
character of the New Testament and made it clear that Jesus, his apostles, and the early churches, all lived and
spoke in a thought - world which, in important respects, is completely foreign to us.
There is much which points to the fact that even
when the exaltation of Jesus came to be
spoken of in terms of resurrection, the grounds for this conviction were still of an ambiguous
character, and open to more than one interpretation.
And
when I
speak of the essential
character of these elements in the event, I mean simply that we actually find them there and that, so far as we can see, the event would have been altogether different if any one of them had been missing.
To begin with the first and most obvious:
When we
speak of Christ, we certainly have in mind the man whose personality and the general
character of whose life emerge clearly enough in the Gospels, the man who was remembered as
speaking such words as are found in the Sermon on the Mount and in the fifteenth chapter of Luke and, more important, as being himself the person who could have
spoken them.
when the Bible
speaks of God's Word, then it means unreservedly word as word — word that as far as its word -
character is concerned is completely normal, let us not hesitate to say: natural, oral word taking place between man and man.5
Even
when we
speak of «conceiving» an individual or «having a concept of» an individual, we are conceiving that individual in terms of the universals which determine its definiteness or
character.
But
when he
speaks of «the creative advance into novelty,» you have to give it some
character by which it is an active transfer of properties.
(p. 27 and cf. p67) It is not clear whether, in the dialectic between subject and «community with ecclesial
character»,
when say papal teaching does not «
speak to me», there is a place for Vatican II's call for the human subject to offer a «religious assent... of mind and will... according to (the Pope's) manifest mind and will» (Lumen Gentium, 25).
She did not hesitate to
speak up
when the ministers or the City Council saw fit to exile a man because of his religious views without taking into account his personal
character.
Phil Jagielka had
spoken beforehand of the «good
characters» in the Blues» dressing room being an invaluable resource
when it comes to this type of examination.
Anya uses her manners and is very polite
when speaking to the player which is perfect
when teaching your children
character building.
Both of my kids have been allowed to watch Super Why pretty early on and I loved that they actually started
speaking up
when the
characters asked what letters were on the screen!
«In fact, I become very excited anytime I watch persons of Indian origin
speaking Twi... what really attracts me to watch the series is that the
characters speak pure and unadulterated Twi and I can't really find words to describe the moral lessons in the telenovela... I am very grateful to Adom TV for this...,» Nana Kwasi Wadie said
when he toured the studios of Adom TV.
Some of the costume designers I
spoke to dismiss concerns about hefty price tags with a nod to the
character's resourcefulness or propensity to wear their «staple pieces» more than once — an unsatisfying answer
when you remember that even if they reuse a designer bag daily, they would have still have had to splurge on it in the first place.
* good sense of humour — old school dating
speak from
when Tinder had like a 140
character limit or something.
In the film, Ben Stiller's Walter Mitty
character speaks on the phone with his «eHarmony counselor,» who guides him through the process by helping him to build a great profile and coaching him
when he hits stumbling blocks.
Hey everybody, Way back in 1972 I was sitting in my garage with a little Wurlitzer electric piano
when this song popped out and Rendigs Attorneys at Law have big firm capability and small firm
character, we
speak your language.
Manifesto's visual inventiveness and Blanchett's multifarious performances make the movie consistently engrossing, even
when the relationship between Blanchett's
character and the words coming out of her mouth — or, more often in this version,
spoken by her in voiceover — seem purely arbitrary.
There was a time
when films of this quality and
character were not as rare as they are now,
when directors of Spielberg's talent and ambition thought it was an obligation to make movies that were not meant to be huge hits, that
spoke to their passions or, rather, their obsessions.
The dialogue is always authentic, even
when a
character is
speaking in theme, like during a suitably awkward conversation about Hitler.
But why on earth would the Cuban
characters in The Perez Family
speak English to one another even on the boat
when they're traveling to the United States for the first time?
Her Vietnamese
character who has been arrested for protesting and turned into a maid,
speaks like an Ali Wong
character when she is making fun of Asian females.
But in the rare moments in which these
characters actually do
speak to one another (always
when louder sounds are drowning out their voices), the things they say are so basic and obvious that one wonders whether they actually know each other at all.
(There's a specific cinematic language these films
speak;
when you hear a certain kind of music cue, or see a shot framed in just such a way, or
when a
character expresses anything approaching contentment, you'll know it's coming, so gird your loins.)
When speaking with
characters, you will occasionally receive a prompt to respond in conversation.
It's fairly effective, that is, until the moment
when one of the
characters says to another: «We are not so different, you and I.» That sentence is so bad, so on - the - nose, you can almost hear the actor opening a tiny drawer labeled «THIRD - RATE THESIS LINES» as quietly as possible before
speaking.
The
characters are three - dimensional, and even after watching Warren for almost two hours,
when he has to make a key speech later in the film, we actually don't know what he's going to say, and
when he delivers it, if he's
speaking what he truly feels inside.
One major
character in particular had a strange echo whenever he
spoke for the first few levels, something that only became more noticeable
when other
characters were able to
speak much more clearly.