Sentences with phrase «when conceptual ideas»

Her new work was a departure, but it also looked back to the days of her first degree, when conceptual ideas and the language of minimalism had been common currency, and it moved her pretty swiftly from the margins.

Not exact matches

Altizer betrays his assumption of a metaphysics when he states, «Hegel's central idea of kenosis, or the universal and dialectical process of the self - negation of being, provided me with a conceptual route to a consistently kenotic or self - emptying understanding of the Incarnation, an understanding which I believe has been given a full visionary expression in the work of William Blake.»

Hillis: But I think, you know, tying it to back to the whole computer thing, the idea of having conceptual systems that really are well thought out, so they're simple and easy to understand, so you don't have all these configurational problems that happen when you start combining them all together; because then it all of a sudden becomes more like a weather pattern: very unpredictable.

A blend of theory, research, personal vignettes, and practical strategies and suggestions, including a chapter on instructional strategies that support conceptual understanding in science and the Framework for Linking Assessment, Instruction, and Learning when using the formative assessment probes in the Uncovering Student Ideas in Science series.

«Maker - centered learning supports a deeper conceptual understanding, so we really appreciate the power of maker - centered learning and hands - on learning when it comes to understanding mathematical ideas, or a scientific idea, or understanding civics and how the world around us works.»

Cluster standards into meaningful units based on conceptual similarity, big ideas, essential questions, pacing guides, and / or when the standards are assessed.

These visual approaches, or conceptual directives, may combine and overlap in one piece, or spread individually through a body of work — each idea originally segregated, fully integrates when understood as an oeuvre.

Works by artists such as Chuck Close, Petah Coyne, and Tom Friedman display the rich cross-fertilization that occurs when painters, sculptors and conceptual artists explore new ideas through photography.

Gonzales - Torres» works exist as fleeting interactions between the work and the viewer, and are an extension of the aesthetic of the 1960s, when happenings and conceptual art favoured the artistic idea rather than the aesthetic object.

His works are balanced between the painterly and the conceptual; in the catalog for his 2014 exhibition Stacking Stones at Gallery 16 in San Francisco, Sprecher wrote: «When I work I want to create paintings that surprise, paintings that can hold competing ideas but not contain them.»

«He has a complete understanding about the weddedness between conceptual ideas and the world of form, and the way they are integrated,» said the artist Laura Owens, who first met Mr. Ray some 20 years ago when he hired her for her first teaching job, at U.C.L.A., where he ran the sculpture program.

Though he's known as a master conceptualist, the Large Glass displays Duchamp's interest in how material relationships follow conceptual ideas, an example that would be especially informative for the post-Minimalist artists of the 1970s — for example Eva Hesse and Bruce Nauman — when they reacted to Minimalism's austerity by using transparent, ephemeral, and organic materials.

Daniele Dodd, one of the founders of the charity Salon Des Arts, which raises money to promote the arts, said she thought conceptual art was «great when the idea behind it has value».

The Conceptual Art book is also a comprehensive overview of the revolution that took place when a whole generation of artists experimented with the idea of art as an idea.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Drawing from Kozlov's to date unexamined archive, Information explores how sculpture became redefined during the conceptual art movement, when idea came to take precedence over object.

The exhibition associates this idea of «offshore art» with past developments in Land Performance and Conceptual Art of the 1960s and 70s — a time when artists moved the creative process beyond the studio — and forms new dialogues with contemporary artists whose processes continue the interdisciplinary and site - specific practices that began with pioneers such as Bas Jan Ader, Dennis Oppenheim, and Robert Smithson.

Because before when I didn't care as much about the materials, when I was more of a conceptual artist, I was interested in the idea, and the end product.

What becomes of a Conceptual artist when he runs out of ideas?