Sentences with phrase «when editors and agents»

When editors and agents say they want «the same, but different» this is what they mean: they want something fresh, that still fulfills the same visceral emotional needs the readers expect from tried - and - true genre, tropes, and archetypes.

We wonder if it is possible that in the coming years there will be other mechanisms put in place to ensure this separation, ironically to become a force that creates a massive subclass of titles, becoming virtually like the «bad old days» when editors and agents were the thrashers.

Not exact matches

These aren't the best pictures of people's outfits, but they do give a lot of different examples of how various authors dress when meeting with agents and editors.

The era when book publishing was in firm hands of publishing companies, editors and agents are gone.

Danielle Lazarin, who won Glimmer Train's Fall 2013 Family Matters Contest says, «When I won, and in the time since, I've received emails from multiple agents and editors, and they've all come via the contest win.»

Here are some of the questions that a writer should ask before starting a book, since they are the questions agents and editors will ask when evaluating its potential:

That means you could be getting a list of required revisions from an agent, and then when an editor agrees to buy it, the editor will send you another list of their own desired revisions.

When it comes to novel openings, there are common problems that agents and editors seem to notice often.

The romance market is constantly changing, so how then, are you to know what and when to submit to editors and agents?

When my agent or an editor makes suggestions for revision, I'm always energized and excited to get the novel back on track.

The term first came from fan fiction, and it means a person who reads your work - in - progress (or «WIP») when you, the writer or «alpha,» are ready for feedback — before it goes into final draft to be sent to your fanfic page, editor, or agent.

When an agent or editor take to social media and make fun of an author, especially someone trying to break into the business, they are no better than the prima donna author.

Both as an agent and back when I was an editor at Bethany House.

Bizarrely, 3 of my 4 agents also balked at sending my work to editors who had specifically told — me - they wanted to see it (and who usually did indeed make me offers when I sent the work there myself).

And if you want to traditionally publish, you'll be disappointed when agents or acquisitions editors reject your project because they feel the time is not yet right.

We think about how sick we get of our stories when we're working on them and agents and editors deal with the same problem.

And that difference is the obstacle we face when we want to find an agent or editor.

But when agents and editors are swamped with manuscripts, you may only have one shot to make a professional impression.

Someone writing for that market might be rejected time and again by editors and agents (and I know a few) when their work was just fine.

From a business perspective, that's a pretty risky model, especially when you consider the fact that most agents and editors admit they have no idea why some books make a splash while others sink to the bottom of the bargain bin.

Sometimes it's enough to make you pull out your hair, especially when you find an agent (or publisher or editor) who represents what you write and is looking to build his or her list.

When you are preparing to submit to publishers we recommend you join www.writing.ie as an Emerging Writer Member (only $ 35 per year)-- this gives you a webpage to link to in your submissions, it demonstrates how serious you are about writing and it gives you exposure to the editors and agents who regularly visit the site.

Does it really make sense for authors to go through the grueling process of querying agents and editors when that time could be spent getting their books to market and building the foundation of a long - term career?

When my agent set out to sell my first book, Charming the Highlander, I asked her to please tell the editors she submitted it to that this time - travel gig was a one - time thing, as I really wrote contemporary romance and didn't want them to expect more magical stories from me.

Bridget McKenna presents The Golden Age of Big Publishing (Not a Fairy Tale) posted at Points of View, saying, «There was once a golden age when editors edited, agents agented, and publishing companies thought beyond this quarter.

Editors and agents are exposed to thousands of projects every year, so they have a sense for when something special or different comes through.

Take it from us here at Web Design Relief — literary agents, editors, readers, and fans will love your author blog when you begin incorporating these blog posts ideas!

Tips for success when writing a proposal * When you write your proposal, always keep agents and editors in mwhen writing a proposal * When you write your proposal, always keep agents and editors in mWhen you write your proposal, always keep agents and editors in mind.

When readers, editors, or agents want to learn more about you and your writing, they're going to do an Internet search.

So, you now have better access to editors for selling books, better access to overseas publishers, no need for agents on contracts and negotiations, and a way to get your books directly to readers when you decide that's a good way to go with a project.

As for the gatekeeper, the acquisition editors and the agents, that model imploded a long time ago when the publishers basically outsourced the slush pile to the agents, thus turning them into freelance employees of the publisher and away from being the advocate for writers and their work.

Then, when the time comes for you to query literary agents or submit your writing to literary journals, you'll have a substantial author platform built for agents and editors to look at and admire.

I pitched a project to one of the visiting agents or editors, and I remember being so thrilled when he asked to see the first three chapters.

As a side note, I should mention that nonfiction authors do not need to have a full manuscript ready when it comes time to pitch agents and editors.

Use literary agency websites and social sites like LinkedIn will help you research the agents and editors who are most likely to respond to your work for when you send out that brilliant query or bulletproof proposal.

When I was querying my epic, I had a lot of agents and editors scratching their hands.

From the days when authors had their works transcribed by hand, to authors publishing their works serially in periodicals, to the current traditional model of finding a literary agent who would in turn market the book to editors and publishers, the concept of writing and publishing a book has adapted exponentially.

When I started writing A Promise of Fire over five years ago now, there was a good chance this manuscript would end up like my other works of fiction: perhaps unfinished, never seen by anyone but me, definitely never presented to agents or editors and using up space on my hard drive in a folder with a misleading enough name that hopefully no one would ever open it and stumble upon my first (and sometimes hilarious) attempts at writing a novel.

Their support and interest kept her writing, even in the years when agents and editors sent back nothing but rejections.

In fact, having a platform (and website) already in place when you query or submit to an agent or editor is a vital part of gaining acceptance.

When researching agents or publishers, always, always check Preditors & Editors and Writer Beware.

A forerunner of the modern agent / impresario, he secured Spencer a New York publisher, Appleton and Co.; pressed for - and won - royalties on a par with native authors» at a time when most American houses ignored international copyrights; churned out scores of reviews and notices with publication of each new volume, which he placed in newspapers and magazines across the country; pressed other reviewers into service; helped Spencer organize and popularize his most arcane thoughts; and cultivated literary clubs, college professors, editors, ministers, politicians, tycoons, and labor councils.

Want to save money and time when using a professional editor (which every author should do) or before you send a manuscript to an agent or publisher?

A bonus hardly anyone thinks about when faced with big - time agents and editors and the possibility of publication.

Literary journal editors and literary agents often search for authors on Google and visit author websites and social media profiles when reviewing submissions, so a strong author platform is key to an author's success.

My first book is called «Dead and Buryd», and when I was writing it and had it at the finished stage (by that I mean I was finished with it — I couldn't go any further without the input of an editor or agent), I started looking around at my options.

When the sale of the manuscript is being made to the editor's publishing house, the agent negotiates and manages the publication contract for the writer.

Traditional publishers are also insisting more and more that a manuscript be in a more or less «finished» form when it comes in, meaning that the author and / or agent may have to hire an outside editor to polish their work.

This includes finding and submitting to the right agent, editing, how the agent determines the best houses to submit work to, what the editors look for when they receive a submission, how the process of contracting for a book works, basic information on royalties, who has the responsibility for different parts of the process, time frames, the non-writing parts authors will deal with, marketing, and many other aspects of being traditionally published.

When an agent or editor requests your partial or full manuscript, it's nerve wracking to wait and wonder, day after day, if they're reading it and whether they like it.