Sentences with phrase «when moving characters»

There's a slight bit of lag when moving characters around the virtual environment, but nothing that ruins the experience.

(Note: Use caution when moving characters in the bottom left hand corner of the game board.

When you move a character during battle it's akin to taking your hand off a chess piece.

When moving your character you use the left control stick, but you can't use the control stick to maneuver through menus even during combat sections.

Not exact matches

God can not deny Himself, and when we pray for things that align with the character and nature of God, and His will, that prayer can move mountains.

Stokes moves exceedingly close to Neville's description of Being - Itself when he characterizes creativity as «indeterminate [having] no character of its own,» yet possessing a fundamental (reality not reducible to the characteristics of the actual entities («Recent Interpretations of Whitehead's Creativity,» The Modern Schoolman, XXXIX, 2 [May 1962], 32sf.

Fourth, with regard to the experience of value: When one is moved by attracting or repelling powers in different situations so as to become aware of the dynamic character of his existence, it is appropriate to use the word «God».

When he's on commentary, he's like a filtering machine that takes everything that's happening in a match, every move, sell, character work and drama and doubles its effect.

but, here's a little reminder of his importance (i) upon arrival his was the goal that catapulted into th CL; (ii) when others were tired and unable to respond he has the strength of character to fight to bring us into the game; (iii) he scores the goal to save us face in FAC after last seasons fiasco; (iv) he is without equal our best player so he already earned the right to be in the highest bracket of epl strikers, we need sanchez desperately we've no choice other than to pay # 320K + and build into his deal performance rated enhancements so as we're all able to move forwards.

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

Indeed, when AC Milan were linked with a move for the then - Manchester City forward in January of last year, club owner Silvio Berlusconi castigated the Palermo native's character.

In fact, this is the time of your little one's life when cuddling for hours is a desired activity and conversations start to move beyond characters in Barney.

It starts in the early Grimond years and moves on to a time when I was beginning to get active in Liberal Party politics so there are a lot of characters that I know.

Unlike such horror icons of the past as Boris Karloff and Vincent Price, however, Englund was not able to shed his famous character's image when he wanted to move on to other roles.

For some reason someone thought the casting of «Xzibit» and «RZA» was a good move for this film, errrr no, they add nothing in their roles and I don't understand why they were even considered when simple more toned down characters would have been better.

When the camera moves, it's fluid and unhurried, and it often forces the characters to catch up with it in order to stay in the frame.

Right when you think the film is about to kick into gear and start moving faster, it flashes back to a moment from the past where two character talk for extensive periods of time.

As with Lawrence, Edgerton presents his character in an understated way, letting gestures and looks communicate Nash's feelings and only moving into exaggerated action when the scene calls for it.

When The Social Network was deservedly garlanding awards attention, one aspect which was widely praised was Aaron Sorkin's script; it moved through the creation of Facebook at a blistering pace, conveying both the natural impatience of the characters and the ruthlessness of the world in which they exist.

And just as Haneke respects these characters (and us) too much to trivialize them through overemphatic contrivance or too - easy intimations of emotion, so too does he exclude all non-diegetic music from the soundtrack, so that when we do hear the music played and appreciated by these inveterate music lovers — as when the characters do, finally and unavoidably, betray their unwanted, overpowering grief — it's something rare, precious, truly sublime, and profoundly moving.

5 Star Wrestling is all about the characters each coming with their own original theme music, massive move set and spectacular finishing manoeuvres which look and feel different depending on the characters physical condition when executing the move.

However, when Matthews is lured off his guard and badly wounded, Isaac moves centre stage as he finds himself pinned down by an unseen Iraqi sniper (loosely based on a real - life character called Juba, who was responsible for killing a huge number of Americans).

When Line passes away unexpectedly, Kelly, the coach, and the rest of the players (personalities not found) face an uncertain road ahead, torn between the agony of moving forward without their beloved friend and the determination to win games «for Line,» the prepositional phrase that nearly every character in the movie says at least six times.

The added issue I had with Sonic Forces» story is that it's filled with practically every Sonic character we've seen over the years, yet they seem to do little more than talk to you over the radio during levels and have their faces appear next to text boxes, moving the story forward when in the world map view.

The four main characters players can choose from at the beginning of the game have very similar move sets when it comes to special moves.

This is especially the case when Infinity War has to move on to another story or character beat in order to keep up the film's brisk pace and wrap up in a reasonable amount of time.

Natalie Portman has hinted at being a versatile actress, willing to go deep to access the emotional soil for a part, but never has she committed this fully and completely, giving herself over as actors sometimes do — Robert DeNiro is Raging Bull, Meryl Streep in Sophie's Choice, Vivien Leigh in A Streetcar Names Desire, Charlize Theron in Monster, Marion Cotillard in La Vie En Rose, Dustin Hoffman in Midnight Cowboy (Tootsie, Rain Man, etc.) These are those rare occasions when the actor is eclipsed by the character, the performance that then reaches something more than likable, believable; it becomes moving art.

Exarchopoulos takes us deep inside Adèle's skin in the film's more compelling final third, and she is especially heartbreaking when she portrays the character's attempts to move on with stunned dignity despite the crushing physical isolation she feels even years after the carnal relationship has run its course.

It's pretty simple and intimate, focusing mainly on three characters, but it's on an epic canvas; it's nearly 3 hours long and it spreads out to widescreen when it moves from New York to the wide open fields of Montana, photographed lovingly by Robert Richardson (U-TURN, THE AVIATOR, DJANGO UNCHAINED).

Pausing the game and ordering your teammates to defeat commanders or defend / attack forts works really well, and the characters actually do a good job of fighting by themselves — even if they don't, you can always order them to move there, and then just take control of them when they arrive.

Characters combine attacks when next to each other, and have different ranges for different moves.

Very bad game, crap storyline with graphics from the PS2... the faces of characters look deformed and mouth do nt move when they talk... the voices are annoying.

Collaboratively realized, these characters reflected our innermost feelings, thoughts, concerns and aspirations, thrilled and moved us, guided us to places we had n`t been before and, when their cinematic journeys were over, they leapt from the movie screens and into our hearts and minds.

Motion occurs only in key parts of the frame, such as mouths moving when characters speak or body parts moving when action calls for it.

However, Pitt's character is the most intriguing, capable of moving from outright savagery in the opening scene to moments of surprising tenderness, never more so than in a touching and quite long sequence when he and Norman regain touch with their humanity by having a meal with two German women after a town has surrendered.

One of the most evident features of the character models was the exquisite work done to the hair, which when long really moves quite gracefully.

When the Fascist handler who supervises the Jean - Louis Trintignant character paces back and forth in a park, the camera moves with him.

WHY: The fourth season of «The Walking Dead» may be plagued by many of the same problems as previous years, but while its tendency to let plotlines drag on for too long causes the show to grind to a halt at times, the renewed focus on keeping the story moving even when its characters aren't plays a huge part in its success.

You can distinguish when the characters are behaving realistically and when they're just trying to move the plot forward.

When you watch each of these characters being interviewed, you might think of the movie riffs on speed - dating in which each guy gets a limited time to define himself and moves on to the next — except that Father James hears deadly serious and mordant cries of despair.

Hopping in the fast - moving tank, for which the series is named, armors your character from damage, as your solider's health is replaced by your vehicle's health when you're riding.

In fact, «Tallulah» is «at its best when the plot [which involves Page's young drifter stealing a baby and moving in which her ex's mother] recedes and we get to see Page and Janney's characters testing their tolerance and eventual affection for one another.»

I felt as though I was watching the slow decline of Kate's character — Her bike is stolen, relationships didn't work out for her, she was downsizing to a smaller apartment, she was messy and sloppy in her living conditions and relationships (she didn't rush her friend to the hospital when he hurt himself helping her move), she was about to lose her best friend to marriage (where she would have no place), she was starting to sleep around with the guys at work, her job was going nowhere, she was shallow, and if she continued to drink at the same rate she'd most likely incur health problems, lose her job and wind up living under a freeway overpass.

When corresponding element moves are executed within the «fonon - charged» circles, a more powerful version of that attack is used by the character.

Demme's film was a rich psychological film that moved when its characters moved, but Hannibal director Ridley Scott is more concerned with style than substance.

As it moves amusingly along, «Lucas» gets us sufficiently caught up in how its hero is going to handle the failure of his first love affair that it comes as a disappointment when Mr. Seltzer winds it all up by switching from a comedy of character to a fable.

When I spoke to him on September 16, 2011, the conversation moved from MONEYBALL, and the journey his character, Peter Brand, makes during the course... Read More»

Once you realize, and it's quite early on when you will, that Snyder isn't going to do much more with these characters except give you more porn fetish outfits for them to try on and move them into a variety of increasingly over-populated action - war scenarios, you will find yourself doing what Baby Doll does in the film, zoning completely out and into the comfort of your own daydreams as the bullets fly and explosions erupt on the screen.

It's always a pleasure when a treasured character actor is handed a gift of a lead role (see also: Richard Jenkins in The Visitor) and Marsan delivers a quietly dignified, kind - hearted performance that is extremely moving.

However, when shown at E3 2011, it was clearly moving in a different direction, pitting four robust characters in a barmy, blood - soaked quest to rid the world of Adolf Hitler.