Sentences with phrase «when saber»

If done right, when your saber returns, and you let go of the force button, you will always be in slwo motion.

Why not just stay in the more active state all the time in case that's when the saber tooth tiger attacks?

For instance, it could have guided our ancestors not to visit a local watering hole on moonlit nights because that was when saber - toothed tigers hung out there.

We live at a time when saber rattling is in vogue.

Not exact matches

Coming home drunk on another occasion, he demanded 200 francs from his mother and attacked her with a saber when she didn't deliver.

It is the aggressive and muscular presence of Russia actively supporting Assad that allows him to use them as a shield against western retaliation, versus much earlier when they had a more passive approach and Assad turned over his then - current stockpiles to the west after Obama's «red line» saber rattling.

But crocodiles aren't the only animals with exposed teeth — elephants, for instance, have exposed teeth as well, and many extinct saber - toothed predators had very long canines that were also exposed when their mouths were closed.

Paleontologists have long wondered how extinct saber - toothed cats like Smilodon used their lengthy fangs when tackling and chewing prey.

Megafauna like the mastodon, wooly rhinoceros, or the saber - toothed tiger lived on every continent until the Pleistocene epoch, about 125,000 years back, when the human branch of the evolutionary tree spread from Africa to other continents.

«Our caveman and cavewomen ancestors did short, intense bursts of exercise, say, when a hungry saber tooth tiger chased them,» says Virgin.

For his possibly playable look, seen above, he's donning his Reploid green armor, purple cape, and beam saber seen in Mega Man X. It's likely Sigma will throw his cape off when entering battle because it was a trademark in the Mega Man game and a move Ultron Sigma does when fused together.

Then Manny is separated from his family when tectonic upheavals send our three heroes drifting out to sea, where they encounter a menagerie of animal pirates, including a menacing primate captain (Peter Dinklage, better than the movie deserves) and a feline first mate (Jennifer Lopez) who rattles the saber (Diego, I mean).

When attacked by a saber - toothed cat, chemicals were pumped into the body to help fight the predator or flee.

When I'm not sipping tea with princesses or light saber dueling with little Jedi, I'm writing my next novel or creating in - depth book marketing tactics at Kindlepreneur.com.

It's an easy call — just check out the musical archives of Van Cliburn, who became synonymous with the saber - rattling U.S. - Soviet Union standoff when he won the first International Tchaikovsky Competition in Moscow in 1958.

The recent War of Hachette Aggression proved that when publishers rattle sabers, authors get it in the neck.

In other words, even when we correctly judge the risks - the saber - toothed tiger has gone for the day - we may misjudge the rewards - «What, you call * that * an antelope?

Her tail is carried saber - like when moving.

I'll admit I was a bit excited when the Vader / Yoda announcement was made since light sabers are awesome and fighting with them is even more awesome.

After all, you want to feel powerful when you're wielding a light saber.

But when we saw games like Red Steel (crappy as it was), immediately people thought of light sabers and Master Swords and first - person shooters where you point at the screen rather than dual analog sticks.

Some of this can be chalked up to the game's haptics, which create a satisfying buzz in your controller when you touch anything with your sabers.

Group Exhibitions 2015 — «Plagiar o Futuro», (Plagiarizing the Future) Hangar, Lisboa, Portugal (curated by Bruno Leitão, Andrea Rodríguez Novoa)-- «Imagine Brazil» — Artist's Books, DHC / ART Founation, Montreal, Canada (curated by Jacopo Crivelli Visconti, Ana Luiza Fonseca)-- «Happeland», Radiator Arts / New York, EUA (curated by Eva Davidova, Almudena Baeza)-- «Open Sessions», Drawing Center, New York, EUA — «Theorem», Mana Contemporary, Jersey City, USA (curated by Octavio Zaya)-- «Contramuro», (Counter-mure) Galería Instituto de Visión, Bogotá, Colombia (curated by Omayra Alvarado)-- «Ejercicios de Traslado», (Practices on transference) Centro de Arte de Alcobendas, Alcobendas, Spain (curated Osbel Suárez)-- «La angustia de casi saber y quedarse no sabiendo», (The angst of almost knowing but remain ignorant) Galería Diablo Roso, Panama City, Panamá — «Instalations», Studio Sandra Recio / Geneva, Switzerland 2014 — «Cruce de Colecciones», (Collections Crossroads) Centro Atlántico de Arte Moderno, Las Palmas, Spain — «The Language of Human Consciousness», Athr Gallery, Jeddah, Saudi Arabia — «Cine Bogart, Imaginar un edificio», (Bogart Cinema, a building imagined) Centro Centro, Madrid, Spain (curated by Ines Caballero)-- «Objects in the mirror are closer than they appear», Lugar a Dudas, Cali, Colombia (curated by Daniel Silvo) 2013 — «La copia de la copia» (The copy of the copy), Museum of Contemporary Art, Guayaquil, Ecuador (curated by Hernan Pacurucu)-- «Cuando el mundo se hace plano» (When the world becomes flat), Centro de Cultura Contemporánea San Martin, Las Palmas de Gran Canaria, Spain - «Brutalidade Jardim», Galeria Marilia Razuk / São Paulo, Brazil (curated by Kiki Mazzucchelli)-- «Imagine Brazil» — Artist's Books, Astrup Fearnley Museet, Oslo, Norway (curated by Jacopo Crivelli Visconti, Ana Luiza)-- «On Painting», CEART — Centro Cultural Tomás y Valiente, Fuenlabrada, Spain (curated by Omar - Pascual Castillo)-- «Playtime», Museo Nacional de Arqueologia Subacuática, Cartagena, Spain — «Gracia Divina» (Divine Grace), Sala Gasco, Santiago, Chile (curated by Andrea Pacheco)-- «Hacer en lo cotidiano», Sala de Arte Joven de la Comunidad de Madrid, Madrid, Spain (curated by Beatriz Alonso)-- «En Obras» (In the Works), Galería Nuble, Santander, Spain (curated by Iciar Sagarminaga)-- «On Painting», Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain (curated by Omar - Pascual Castillo)-- «Objects in the mirror are closer than they appear», Galeria Isabel Hurley, Málaga, Spain (curated by Daniel Silvo) 2012 — «Expanded Drawing», Casal Solleric, Palma de Mallorca, Spain (curated by Pilar Ribal)-- «Carnaza para los Dioses» (Offering to the Gods), CAAM — Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain — 11th Havana Biennial, Havana, Cuba 2011 — 11th Cuenca Biennial, Cuenca, Ecuador — «Inside», Cidade da Cultura, Santiago de Compostela, Spain (curated by Rafael Doctor)-- «New Brazilian Sculptur» e, Caixa Cultural, Rio de Janeiro, Brazil (curated by Alexandre Murucci)-- 8th Mercosul Biennial, Porto Alegre, Brazil — Bologna Art First, Pinacoteca di Bologna, Bologna, Italy (curated by Julia Draganovic) 2010 — 12th International Cairo Biennale, Cairo, Egypt — «Synergie's, Museum of Contemporary Art, Union Fenosa (MACUF), La Coruña, Spain (curated by Carlos Jimenez)-- «Look Up», Alfandega, Porto, Portugal (curated by David Barro)-- «Kierkegaard's Walk», Galeria Marilia Razuk, Sao Paulo, Brazil (curated by Jacopo Crivelli Visconti)-- «Synergies», Museum of IberoAmerican Contemporary Art in Extremadura (MEIAC), Badajoz, Spain (curated by Carlos Jimenez)-- «Postgraffiti, Geometry and Abstraction», Fundación Caixa Galicia, A Coruña, Spain (curated by Javier Abarca) 2009 — «Residency 09», Futura Project, Prague, Czech Republic — «Building, Dwelling, Thinking — Strategies for Contemporary Art and Architecture», IVAM, Valencia, Spain (curated by Fernando Castro Florez)