Sentences with phrase «when talking about the film»

When talking about films and ideas we often reference what has come before as to not repeat it.

When he talks about film - making, it is very often «we».

So when you talk about these films, you have to look at them in multiple levels — on how well the movie succeeds on its own, and how well it fits into the larger story.

Even though the cast and crew were all working long hours day after day, they all seemed fresh and excited when talking about the film.

Ellis hits the nail on the head when he talks about the film as a «sequence of connections.»

This is usually the part, when talking about a film in early production, where one writes: «While there isn't that much information to go by just yet... ``.

Not exact matches

«When I was in film school, no one ever talked about lighting nonwhite people,» Berkofsky said in this essential piece from Mic.

When he was called to talk about his film, he was in the process of moving furniture out of his house, which he sold to help finance the filming of «Blue Like Jazz.»

By Lauren Kearney You may have first seen Gene Baur when he was featured talking about how not eating animal products changed his life in the inspirational pro-vegan film, Forks Over Knives.

Flint compared herself to the hugely outnumbered band of Spartans in the film 300 when talking about the onslaught from Ukip - turned - Tory voters that she and others like Gloria de Piero and even Dennis Skinner faced.

When people decide they want to sign up for the service, we spend about 1 to 2 hours talking with them and asking them questions about their tastes in music, film, food, places they've been, etc..

Wes Bentley was a relative newcomer to film when he starred in Sam Mendes» American Beauty (1999), but his haunting portrayal of the battered, enigmatic Ricky Fitts made him one of the most talked about young actors of the year.

Right when you think the film is about to kick into gear and start moving faster, it flashes back to a moment from the past where two character talk for extensive periods of time.

When you hear «pre-code women's prison film» you may have an impression based other films, such as «Ladies They Talk About» (1933), but this one is refreshing in its portrayal of the inmates.

In my previous Harry Potter review, I talked about the challenges the film franchise faced when the books began to grow in size.

Or you can sit in the dark and talk about how consistently solid the animation has been between the three films and that there are just enough jokes aimed at adults to make this a watchable film when you take your children.

When talking about cynical marketing campaigns, it's usual to point to terrible films that become big hits through licensing, advertising and sponsorship deals, but the other side of the coin is John Carter.

Not that it's saying much when we're talking about films like Bold Eagles, Mummy I'm a Zombie, and Justin and the Knights of Valor.

I knew this new film was in trouble when I heard De Bont talking about being able to do all the things Jackson described in her book that the original film had to skip due to the technical limitations of the era.

Continuity and growth are tricky things to consider when you're talking about a film role as opposed to a stage performance.

The Hidden Gem: Want to see something off the beaten path, a title rarely mentioned when people talk about the films of Maurice Pialat?

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

While we're no stranger to the idea of shock deaths in movies and TV series — our favorite characters being killed off gives fans something to talk about — the sheer scale of what happens at the end of Infinity War, and the Russo brothers decision to leave the ball in Thanos» court, is unprecedented when it comes to a film franchise of this scale.

I remember when this came out; I was at a restaurant celebrating someone's birthday, and I walked by a table that was talking about Mike Leigh, I forget what film exactly.

Robert Osborne and Robert Wagner have known each other a long time, so when I sat down with them on April 16, 2013 to talk about TCM's Road to Hollywood presentation of THE PINK PANTHER, the interview became a spirited three - way conversation about the magic of film and filmmaking, as well as why there is... Read More»

During the interview, Hooper talked about if he felt any pressure following up Les Miserables and The Kings Speech, the experience of making a film about transgender issues when the subject is so timely, when he first realized Redmayne and Vikander would deliver such tremendous performances, deleted scenes, how his first cut compared to the finished film, if he's conscious of making «awards» films and whether he want to break out of that, future projects, and so much more.

The film is at its best when it's about these two opposites getting to know each other by talking about absolutely nothing.

Talks about making a film about transgender issues when the subject is so relevant and such a part of the zeitgeist.

Here's what the pair had to say when they recently sat down for to talk about the film:

When he isn't trying to talk about films with words he is making tweets you'd regret reading.

When asked about the prospect of a stage version, Benj Pasek, who co-wrote The Greatest Showman's songs, said there have been talks of pursuing the story beyond its feature film.

Buckaroo Entertainment and Screen Gems released this brand new movie poster for the upcoming film «Priest» by director Scott Stewart (What We Talk About When We Talk About Love, Legion) and starring Cam Gigandet (Pandorum, Twilight, The Unborn) and Paul Bettany (Iron Man 2, Inkheart).

During their conversation, they talk about how the film came about, Daniel Day - Lewis» process and preparing to play a dressmaker, the challenges of filming in London when you need dailies, how the crew reacts when you cross the line (the invisible 180 - degree mark of a shot / reverse - shot), and much more.

Talks about how his editor was cutting as they were filming so when they wrapped it was almost done.

He also talked about the experience of being a part of the highly successful The Hangover franchise, whether he and Todd Phillips took the criticism of the second film into account when writing The Hangover Part III, making films for audiences to enjoy, and the animated feature Turkeys (featuring the voices of Amy Poehler, Owen Wilson and Woody Harrelson), which he's writing and producing.

Here's a brand new international movie trailer for the upcoming film «Priest» by director Scott Stewart (What We Talk About When We Talk About Love, Legion) and starring Cam Gigandet (Pandorum, Twilight, The Unborn), Karl Urban, Maggie Q, Lily Collins, Brad Dourif, Stephen Moyer, Christopher Plummer and Paul Bettany (Iron Man 2, Inkheart).

But in a new interview with the Belfast Telegraph, he talked about working with Woody Allen on a film with another screen legend — Anthony Hopkins — when he appeared in You Will Meet A Tall Dark Stranger.

The movie should be about the players and their journey, but when the story pulls away to talk about the historical events, the film becomes prosaic and pedantic.

Roger praised Kore - eda's film often in context of Ozu, like when he talks about the similar beauty to its simple camera work: «the camera does not move, but regards.»

There's been a lot of talk about comic book movie fatigue these days, but the people at Marvel Studios clearly aren't letting that affect their productivity, because just like fellow Disney - owned company Pixar, they've continued to deliver the same high - quality films as when they started.

Writer - director Elite Zexer and lead actress Lamis Ammar talk about preparing for the film, how Zexer prioritized performance when shooting the film, and the knockout ending.

When I wrote him a letter about why he should do this movie, I did talk about how we've come a long way from that time and I think [Redford] playing another journalist in this period of time carries extra added baggage for the film.

As a window into the auteur's late - career preoccupation with adolescent angst, «Bertolucci Makes The Dreamers» is illuminating, bookended as it is by telling quotes («When I'm with these kids, I feel the same age» and «Maybe I didn't talk enough about young people when I was young») that make one wish Bertolucci would do a film about the vanishing act of youth rather than these pitiful attempts to trap it in a When I'm with these kids, I feel the same age» and «Maybe I didn't talk enough about young people when I was young») that make one wish Bertolucci would do a film about the vanishing act of youth rather than these pitiful attempts to trap it in a when I was young») that make one wish Bertolucci would do a film about the vanishing act of youth rather than these pitiful attempts to trap it in a jar.

The Hidden Gem: Want to see something off the beaten path, a title rarely mentioned when people talk about the films of William Friedkin?

Talking about his new film Whiplash in which he plays an aspiring jazz drummer who's both tortured and inspired by his brilliant teacher, Teller tells W, «When I first read Whiplash, I was feeling dead inside.

Although they talk a lot about the underlying themes of the film, the gem is definitely when Viola Davis continues her Harrison Ford fangirling and reveals that he's got a really dirty mind and tells a lot of dirty jokes.

There's a moment late in the film when she talks about Rex to a support group and she breaks down in tears.

He'll drop names from Elia Kazan to Roger Corman, do a mean Hitchcock imitation (he appeared in the director's final film, «Family Plot») and talk about meeting Marilyn Monroe when she sat in on classes at Lee Strasberg's Actors Studio — and being stunned when she suddenly began crying as the two of them were passed by an older woman on a New York street in the early 1960s.

The Hidden Gem: Want to see something off the beaten path, a title rarely mentioned when people talk about the films of George Miller?

When we did manage to stay on topic, they talked about the great cast, their memories of National Lampoon, how Emmy Rossum got cast at the last minute, Mr. Robot, memorable moments from filming, what it was like for McHale to play Chevy Chase after working with him on Community, the way they like to work on set, and so much more.