Sentences with phrase «when viewing this exhibition»

Kiki Smith is an inventive printmaker as one can immediately gather when viewing this exhibition of her prints and multiples currently on view at Pace Prints, 32 East 57th Street.
You might also want to consider what your culture has taught you about power, beauty, gender, sexuality, constructing whiteness, and race when viewing this exhibition.

Not exact matches

Context is crucial, particularly when viewing postmodern, ready - made art like Marcel Duchamp's famous installation, Fountain, which placed a urinal in an exhibition — much to the dismay of the artistic establishment.
When I reviewed the exhibition «Matisse / Diebenkorn» for ARTnews during its run at the Baltimore Museum of Art (it is currently on view at the San Francisco Museum of Modern Art), I found helpful the overstuffed, unwieldy, four - volume Richard Diebenkorn catalogue raisonné published this past autumn by Yale University Press.
(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)
So when I saw «Slippery Slope,» Theresa Hackett's sharp and thoughtful exhibition at High Noon, on view through April 22, I had been conditioned to read jeopardy into her large - scale panels depicting abstracted landscape cross-sections.
With almost 40 works, this exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and 50s.
When planning the exhibition, a consideration is made in terms of how the work is going to be viewed, like you'll looking at it from across a room like three times as big as your last solo show?
That came earlier this week, on Jan. 11, when the Whitney Museum announced the acquisition of Motley's «Gettin» Religion,» a 1948 Chicago street scene currently on view in the exhibition.
On the second floor of the exhibition, guests will view a group of drawings the artist made when he was a child, which his mother then saved.
When considering the work on view and the exhibition as a whole, the exhibition text holds some predictions for the exhibition in the realm of the commercial.
This film — which was previously only available in the gallery when the exhibition was on view — includes manuscripts and photographs from The Gilder Lehrman Institute of American History, The Shapell Manuscript Foundation, and the Morgan Library & Museum.
On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.
Join us during this festive evening when all exhibitions will be on view, including Archibald Motley: Jazz Age Modernist, Frank Stella: A Retrospective, Rachel Rose: Everything and More, and Jared Madere.
Walker's wordplay suggests a relationship between the works on view in the exhibition and the moment, a century ago, when art and architecture were remaking a modern world.
Typically when artists are tapped to curate shows, such as Robert Gober with his presentation of Forrest Bess in the last Whitney Biennial, they are given only a moderate amount of space for exhibitions that are viewed as creative curiosities.
Hamptons Art Hub has put together a list of photography exhibitions on view in New York City museums and galleries that showcase what's possible when working with light and the various ways photographers have made artistic choices with the photography medium and its possibilities.
Capsule is pleased to announce its inaugural exhibition When We Become Us, on view from October 15th to November 27th.
In this exhibition a total of 265 are on view with many previously unseen prints from Bourgeois» final two decades, when she returned to the print medium with gusto.
The exhibition, «I speak now from the aesthetic and artistic point of view when I say that life with Michelle Grabner is dull» brings together the work of four antithetical painters who Michelle Grabner, the Chicago - based artist, heralds as profoundly enabling to her own unvaried and unimaginative abstract investigations.
This time - lapse video shows how SFMOMA visitors interacted with Robert Rauschenberg's White Painting [three panel](1951) during a one - week period when the work was installed as part of the exhibition 75 Years of Looking Forward: The Anniversary Show (the painting was on view July 1, 2010 — January 16, 2011).
When multiple special exhibitions are on view at the same time only one ticket is required unless otherwise noted *.
At the heart of the exhibition, a cinematic space will feature the animated film Curtains (2014), in which a series of still stereoscopic images converge and diverge, becoming momentarily three - dimensional when viewed through anaglyph 3D glasses.
The initial success of Webster's solo exhibition eventually propelled him into the national spotlight when the Dallas Museum of Art exhibited his work in group show Black Art, Ancestral Legacy: The African Impulse in African - American Art on view December 3, 1989 through February 5, 1990.
SAN FRANCISCO — Richard Diebenkorn: The Berkeley Years, 1953 — 1966, on view at the de Young Museum from June 22 through September 29, 2013, will be the first exhibition to explore in - depth the work produced by Diebenkorn between 1953 and 1966, when he lived in Berkeley, California.
Hall met Pete Eckert and Alice Wingwall, the Guild's other two members, in 2009 when their work was selected by curator Douglas McCulloh to be part of the traveling exhibition called Sight Unseen: International Photography by Blind Artists, which was on view at the Canadian Museum for Human Rights.
She enjoyed a privileged, intimate view of the dynamic art world of those years, thanks to Greenberg, whom she met in 1950, when she organized an exhibition of work by Bennington alumni for Jacques Seligmann Gallery.
The galleries are open Monday through Saturday from 10:00 a.m. to 5:00 p.m. when exhibitions are on view (please check exhibition dates).
«This exhibition offers an opportunity to view the pictures from the vantage point of the twenty - first century in a time when women's rights and the social mores that determine their behavior are being questioned, debated, and even protested in the political arena,» Lombino explains.
You can also view a 360º tour of the temporary exhibition that was held in the nearby church of St Martin - in - the - Fields when the artists were invited to create miniature versions of their proposed works.
When the monumental landscape photographs of Andreas Gursky hit the mark — most of the time in the focused exhibition of more than 20 examples currently on view at the Parrish Art Museum in Water Mill — they offer a thoughtful view of man's paltry place in nature.
When I first thought about an exhibition at Night Gallery my instinct was to tear down all the walls, which I thought created difficult triangular areas and didn't offer long distance viewing of the work that would be possible in an emptier space.
Her work has been included in such exhibitions as, Another Place, Museum of Modern Art of São Paulo, Brazil (2011), and When Lives Become Form, Yerba Buena Center for Arts, San Francisco, CA (2009) which was also on view at Contemporary Art Museum, Tokyo, Japan (2008).
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The exhibition currently on view at Baxter Street at the Camera Club of New York (CCNY), titled «Deep Shade,» is the result of what happens when you take images made for fast consumption (think speeding by a roadside billboard or flipping through instagram) and remake them within the conventions of more considered viewing.
Richard Serra's work on view now in Vencie for the updated version of «When Attitudes Become Form,» the important 1969 Bern exhibition that cemented Process art.
The curatorial premise inverts the process of the exhibition, arranging and including works pertaining to the camera's «ideal point of view» first, a process Griffiths explains is when «the image and reality are doing the same thing.»
Each of the artists in this exhibition were chosen because they create nonrepresentational art based on personal narratives that may go unnoticed when viewing the formal elements of the artwork alone.
And then, as a mortician, you have to prepare it for the funeral, which is the exhibition when it's on view.
When you or a family member is looking to take an art class, view an exhibition, or attend a cultural event, where do you turn?
Exhibition invitation April 23 — May 22, 2010 Participating Artists: Michelle Grabner, Katharina Grosse, Brad Killam, Philip Vanderhyden & Molly Zuckerman - Hartung The exhibition, «I speak now from the aesthetic and artistic point of view when I say that life with Michelle Grabner is dull» brings together the work of four antithetical painters who Michelle Grabner, the Chicago - based artist, heralds as profoundly enabling to her own unvaried and unimaginative abstract invesExhibition invitation April 23 — May 22, 2010 Participating Artists: Michelle Grabner, Katharina Grosse, Brad Killam, Philip Vanderhyden & Molly Zuckerman - Hartung The exhibition, «I speak now from the aesthetic and artistic point of view when I say that life with Michelle Grabner is dull» brings together the work of four antithetical painters who Michelle Grabner, the Chicago - based artist, heralds as profoundly enabling to her own unvaried and unimaginative abstract invesexhibition, «I speak now from the aesthetic and artistic point of view when I say that life with Michelle Grabner is dull» brings together the work of four antithetical painters who Michelle Grabner, the Chicago - based artist, heralds as profoundly enabling to her own unvaried and unimaginative abstract investigations.
When the Committee for United Negro Relief hosted a benefit luncheon and exhibition in 1964, Hardison was among the artists — including Ernest Crichlow, Walter Williams, and Hale Woodruff — whose work was on view and for sale.
Ridley Howard interviews painter Jim Lee on the occasion of the exhibition Jim Lee: Please Be Clean When You Do It at Nicelle Beauchene Gallery, New York, on view through March 31, 2013.
When Nicole Eisenman visited Münster last year to plan her contribution to the exhibition — she described it as «a big, elegant, flat, grassy lawn and a very kind of sharp, midcentury modern — style infinity pool carved into the middle of it, and then a bunch of sloppy - ass plaster sculptures in and around it, dripping and leaking» — she and König toured the city on bikes, which is the preferred method for viewing the show.
When you visit, Anne will present their work and process, ask our guests to put descriptive language to the abstract work on view, and, through simple exercises, and encourage you to reflect on / share their own creative practice and / or identity in relationship to their work as well as the larger group exhibition.
His work has been shown in recent exhibitions, including Barely There, Lesley Heller Workspace, New York, NY (2015); 2015:1947, Equity Gallery, New York, NY (2015); A Palace with a View, The Pool NYC, Venice, Italy (2015); you know it when you feel it, Art in General, New York, NY (2014); Drawing Up!
When Carrie Moyer and I decided to have a conversation, her recent paintings were already at DC Moore Gallery, where her solo exhibition — now on view — was soon to open.
2013 Make every show like it's your last, Frac Île de France / Le Plateau, Paris, FR Once upon a bicycle, not so long ago, Annet Gelink Gallery, Amsterdam, NL Ryan Gander's Associative Photographs, 2004, Zabludowicz Collection, New York, US How I Imagine artists physically envisage the internet when using it as a presentation platform, Desktop Residency, www.desktopresidency.com 2012 These are things that I do nt understand, Daiwa Press Viewing Room, Hiroshima, JP Esperluette, Palais de Tokyo, Paris, FR Boing, Boing, Squirt, Museo Tamayo Arte Contemporáneo, Mexico City, MX Lost In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT Ryan Gander: An Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK An exercise in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, UK
The exhibition is most easily understood and appreciated when viewed as the personal indulgence of the curator.
The Academy is honored and thrilled to share the news about Senior Critic Eric Fischl's exciting exhibition: From AmericaNowAndHere.org: «America: Now and Here began when the artist Eric Fischl invited a group of friends and peers, all leading visual artists, musicians, poets, playwrights, and filmmakers, to submit a work of art reflecting their points of view and hopes for America....
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