Kiki Smith is an inventive printmaker as one can immediately gather
when viewing this exhibition of her prints and multiples currently on view at Pace Prints, 32 East 57th Street.
You might also want to consider what your culture has taught you about power, beauty, gender, sexuality, constructing whiteness, and race
when viewing this exhibition.
Not exact matches
Context is crucial, particularly
when viewing postmodern, ready - made art like Marcel Duchamp's famous installation, Fountain, which placed a urinal in an
exhibition — much to the dismay of the artistic establishment.
When I reviewed the
exhibition «Matisse / Diebenkorn» for ARTnews during its run at the Baltimore Museum of Art (it is currently on
view at the San Francisco Museum of Modern Art), I found helpful the overstuffed, unwieldy, four - volume Richard Diebenkorn catalogue raisonné published this past autumn by Yale University Press.
(This statement was originally published in the
exhibition catalogue that accompanied this installation
when it was first on
view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum
exhibition.)
So
when I saw «Slippery Slope,» Theresa Hackett's sharp and thoughtful
exhibition at High Noon, on
view through April 22, I had been conditioned to read jeopardy into her large - scale panels depicting abstracted landscape cross-sections.
With almost 40 works, this
exhibition proposes a complete
view of the artist's aesthetic development, starting with his figurative works,
when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and 50s.
When planning the
exhibition, a consideration is made in terms of how the work is going to be
viewed, like you'll looking at it from across a room like three times as big as your last solo show?
That came earlier this week, on Jan. 11,
when the Whitney Museum announced the acquisition of Motley's «Gettin» Religion,» a 1948 Chicago street scene currently on
view in the
exhibition.
On the second floor of the
exhibition, guests will
view a group of drawings the artist made
when he was a child, which his mother then saved.
When considering the work on
view and the
exhibition as a whole, the
exhibition text holds some predictions for the
exhibition in the realm of the commercial.
This film — which was previously only available in the gallery
when the
exhibition was on
view — includes manuscripts and photographs from The Gilder Lehrman Institute of American History, The Shapell Manuscript Foundation, and the Morgan Library & Museum.
On
view from December 1, 2010 — February 13, 2011, the
exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created
when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.
Join us during this festive evening
when all
exhibitions will be on
view, including Archibald Motley: Jazz Age Modernist, Frank Stella: A Retrospective, Rachel Rose: Everything and More, and Jared Madere.
Walker's wordplay suggests a relationship between the works on
view in the
exhibition and the moment, a century ago,
when art and architecture were remaking a modern world.
Typically
when artists are tapped to curate shows, such as Robert Gober with his presentation of Forrest Bess in the last Whitney Biennial, they are given only a moderate amount of space for
exhibitions that are
viewed as creative curiosities.
Hamptons Art Hub has put together a list of photography
exhibitions on
view in New York City museums and galleries that showcase what's possible
when working with light and the various ways photographers have made artistic choices with the photography medium and its possibilities.
Capsule is pleased to announce its inaugural
exhibition When We Become Us, on
view from October 15th to November 27th.
In this
exhibition a total of 265 are on
view with many previously unseen prints from Bourgeois» final two decades,
when she returned to the print medium with gusto.
The
exhibition, «I speak now from the aesthetic and artistic point of
view when I say that life with Michelle Grabner is dull» brings together the work of four antithetical painters who Michelle Grabner, the Chicago - based artist, heralds as profoundly enabling to her own unvaried and unimaginative abstract investigations.
This time - lapse video shows how SFMOMA visitors interacted with Robert Rauschenberg's White Painting [three panel](1951) during a one - week period
when the work was installed as part of the
exhibition 75 Years of Looking Forward: The Anniversary Show (the painting was on
view July 1, 2010 — January 16, 2011).
When multiple special
exhibitions are on
view at the same time only one ticket is required unless otherwise noted *.
At the heart of the
exhibition, a cinematic space will feature the animated film Curtains (2014), in which a series of still stereoscopic images converge and diverge, becoming momentarily three - dimensional
when viewed through anaglyph 3D glasses.
The initial success of Webster's solo
exhibition eventually propelled him into the national spotlight
when the Dallas Museum of Art exhibited his work in group show Black Art, Ancestral Legacy: The African Impulse in African - American Art on
view December 3, 1989 through February 5, 1990.
SAN FRANCISCO — Richard Diebenkorn: The Berkeley Years, 1953 — 1966, on
view at the de Young Museum from June 22 through September 29, 2013, will be the first
exhibition to explore in - depth the work produced by Diebenkorn between 1953 and 1966,
when he lived in Berkeley, California.
Hall met Pete Eckert and Alice Wingwall, the Guild's other two members, in 2009
when their work was selected by curator Douglas McCulloh to be part of the traveling
exhibition called Sight Unseen: International Photography by Blind Artists, which was on
view at the Canadian Museum for Human Rights.
She enjoyed a privileged, intimate
view of the dynamic art world of those years, thanks to Greenberg, whom she met in 1950,
when she organized an
exhibition of work by Bennington alumni for Jacques Seligmann Gallery.
The galleries are open Monday through Saturday from 10:00 a.m. to 5:00 p.m.
when exhibitions are on
view (please check
exhibition dates).
«This
exhibition offers an opportunity to
view the pictures from the vantage point of the twenty - first century in a time
when women's rights and the social mores that determine their behavior are being questioned, debated, and even protested in the political arena,» Lombino explains.
You can also
view a 360º tour of the temporary
exhibition that was held in the nearby church of St Martin - in - the - Fields
when the artists were invited to create miniature versions of their proposed works.
When the monumental landscape photographs of Andreas Gursky hit the mark — most of the time in the focused
exhibition of more than 20 examples currently on
view at the Parrish Art Museum in Water Mill — they offer a thoughtful
view of man's paltry place in nature.
When I first thought about an
exhibition at Night Gallery my instinct was to tear down all the walls, which I thought created difficult triangular areas and didn't offer long distance
viewing of the work that would be possible in an emptier space.
Her work has been included in such
exhibitions as, Another Place, Museum of Modern Art of São Paulo, Brazil (2011), and
When Lives Become Form, Yerba Buena Center for Arts, San Francisco, CA (2009) which was also on
view at Contemporary Art Museum, Tokyo, Japan (2008).
Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily
Views Chicago Film Examiner Chicago Film Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The
Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But
When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western
Exhibitions What's Going On?
The
exhibition currently on
view at Baxter Street at the Camera Club of New York (CCNY), titled «Deep Shade,» is the result of what happens
when you take images made for fast consumption (think speeding by a roadside billboard or flipping through instagram) and remake them within the conventions of more considered
viewing.
Richard Serra's work on
view now in Vencie for the updated version of «
When Attitudes Become Form,» the important 1969 Bern
exhibition that cemented Process art.
The curatorial premise inverts the process of the
exhibition, arranging and including works pertaining to the camera's «ideal point of
view» first, a process Griffiths explains is
when «the image and reality are doing the same thing.»
Each of the artists in this
exhibition were chosen because they create nonrepresentational art based on personal narratives that may go unnoticed
when viewing the formal elements of the artwork alone.
And then, as a mortician, you have to prepare it for the funeral, which is the
exhibition when it's on
view.
When you or a family member is looking to take an art class,
view an
exhibition, or attend a cultural event, where do you turn?
Exhibition invitation April 23 — May 22, 2010 Participating Artists: Michelle Grabner, Katharina Grosse, Brad Killam, Philip Vanderhyden & Molly Zuckerman - Hartung The exhibition, «I speak now from the aesthetic and artistic point of view when I say that life with Michelle Grabner is dull» brings together the work of four antithetical painters who Michelle Grabner, the Chicago - based artist, heralds as profoundly enabling to her own unvaried and unimaginative abstract inves
Exhibition invitation April 23 — May 22, 2010 Participating Artists: Michelle Grabner, Katharina Grosse, Brad Killam, Philip Vanderhyden & Molly Zuckerman - Hartung The
exhibition, «I speak now from the aesthetic and artistic point of view when I say that life with Michelle Grabner is dull» brings together the work of four antithetical painters who Michelle Grabner, the Chicago - based artist, heralds as profoundly enabling to her own unvaried and unimaginative abstract inves
exhibition, «I speak now from the aesthetic and artistic point of
view when I say that life with Michelle Grabner is dull» brings together the work of four antithetical painters who Michelle Grabner, the Chicago - based artist, heralds as profoundly enabling to her own unvaried and unimaginative abstract investigations.
When the Committee for United Negro Relief hosted a benefit luncheon and
exhibition in 1964, Hardison was among the artists — including Ernest Crichlow, Walter Williams, and Hale Woodruff — whose work was on
view and for sale.
Ridley Howard interviews painter Jim Lee on the occasion of the
exhibition Jim Lee: Please Be Clean
When You Do It at Nicelle Beauchene Gallery, New York, on
view through March 31, 2013.
When Nicole Eisenman visited Münster last year to plan her contribution to the
exhibition — she described it as «a big, elegant, flat, grassy lawn and a very kind of sharp, midcentury modern — style infinity pool carved into the middle of it, and then a bunch of sloppy - ass plaster sculptures in and around it, dripping and leaking» — she and König toured the city on bikes, which is the preferred method for
viewing the show.
When you visit, Anne will present their work and process, ask our guests to put descriptive language to the abstract work on
view, and, through simple exercises, and encourage you to reflect on / share their own creative practice and / or identity in relationship to their work as well as the larger group
exhibition.
His work has been shown in recent
exhibitions, including Barely There, Lesley Heller Workspace, New York, NY (2015); 2015:1947, Equity Gallery, New York, NY (2015); A Palace with a
View, The Pool NYC, Venice, Italy (2015); you know it
when you feel it, Art in General, New York, NY (2014); Drawing Up!
When Carrie Moyer and I decided to have a conversation, her recent paintings were already at DC Moore Gallery, where her solo
exhibition — now on
view — was soon to open.
2013 Make every show like it's your last, Frac Île de France / Le Plateau, Paris, FR Once upon a bicycle, not so long ago, Annet Gelink Gallery, Amsterdam, NL Ryan Gander's Associative Photographs, 2004, Zabludowicz Collection, New York, US How I Imagine artists physically envisage the internet
when using it as a presentation platform, Desktop Residency, www.desktopresidency.com 2012 These are things that I do nt understand, Daiwa Press
Viewing Room, Hiroshima, JP Esperluette, Palais de Tokyo, Paris, FR Boing, Boing, Squirt, Museo Tamayo Arte Contemporáneo, Mexico City, MX Lost In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT Ryan Gander: An
Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK An exercise in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, UK
The
exhibition is most easily understood and appreciated
when viewed as the personal indulgence of the curator.
The Academy is honored and thrilled to share the news about Senior Critic Eric Fischl's exciting
exhibition: From AmericaNowAndHere.org: «America: Now and Here began
when the artist Eric Fischl invited a group of friends and peers, all leading visual artists, musicians, poets, playwrights, and filmmakers, to submit a work of art reflecting their points of
view and hopes for America....