Sentences with phrase «where documenta»

Organisers hope the event will draw as many as 300,000 viewers and establish Cleveland as a cultural destination along the likes of Kassel, Germany, where documenta is held.

A complex piece in Zaatari's overall oeuvre, Time Capsule not only serves as a sort of sequel to the artist's earlier video In This House (2005), for which he unearthed a letter buried by leftist militants in 1991 (right after the Lebanese Civil War ended), it also links the experience of the Arab Image Foundation, which Zaatari co-founded in 1997 (he recently resigned from the organization's board, which inspired the time capsule project), to that of Beirut's National Museum, where dOCUMENTA (13)'s team found the wrecked objects that are now on view with Adnan's painting tool in the rotunda of the Fridericianum.

In Friedrichsplatz, Argentinean artist Marta Minujin has recreated a life - sized Parthenon out of banned books, while in the city's former underground train station Nikhil Chopra's film and painted panorama records the vicissitudes of his recent overland odyssey from Athens (where Documenta had another incarnation earlier this year) to Kassel.

Not exact matches

Language and articulation are in fact key aspects of Le fort des fous, which was in part commissioned by this summer's documenta 14 exhibition, where it was presented as an installation before its festival premiere in Locarno's Filmmakers of the Present section.

So, to come back to this work for Documenta, you say that the format of the piece was developed in relation to the space where you'll be showing it in Kassel.

J.J. Charlesworth's UK election special with a brief history of artists who have tried to work out which way the wind is blowing; Maria Lind goes in search of where things are really happening at Documenta 14 in Athens; Heather Phillipson considers interspecies empathy while watching Fevered Sleep's most recent performance; Jonathan T.D. Neil on the banal, the extreme, and the high commercial theatre of the art market.

That summer, his rapidly - advancing global reputation resulted in a prestigious invitation to Documenta VII in West Germany, where he was the youngest exhibited artist in a line - up of established veterans including Gerhard Richter and Joseph Beuys.

Among numerous group exhibitions, Riley participated in the 1968 Venice Biennial — where she won the international prize — and the 1986 Venice Biennial, as well as Documenta 4 in 1968 and Documenta 6 in 1977.

He represented the United States at the 1989 Bienal de São Paulo, where he was awarded the festival's Grand Prize, and his work was included in the 1992 Documenta.

The work was first staged at the Fridericianum in Kassel as part of dOCUMENTA (13)(2012), which is in the region of Hesse where the Monuments, Fine Arts and Archives officers undertook the largest book restitution project in history at the Offenbach Archival Depot.

He also participated in many international exhibitions, including the Venice Biennale (1958, 1988 and 1990); the Pittsburgh International, where he received the Carnegie Prize for sculpture in 1964 and, in 1978, shared the Andrew W. Mellon Prize with Willem de Kooning; and Documenta His first comprehensive retrospective in the United States was mounted by the Museum of Fine Arts, Houston, in 1966.

He has written for Artforum (where he had a column in the late 1980s and early 90s), Screen, the New York Times, International Herald Tribune, the Economist among other newspapers and journals; and contributed essays to catalogues and associated publications at Documenta (Kassel), the Louvre (Paris), Stedelijk Museum (Amsterdam), Centre Pompidou (Paris), MoMA PS1 (NY), Tate Modern and Tate Liverpool, Reina Sophia (Madrid), Metropolitan Museum of Art (NY), The New Museum (NY), Albertina, Vienna, Museum of Contemporary Art (LA), LA County Museum of Art, Sydney Biennial, Venice Biennale, Vienna Museum of Contemporary Art, Contemporary Art Gallery (Vancouver), Ludwig Museum (Budapest), Haus der Kunst (Munich), Edinburgh Festival, and Museo Nacional de Bellas Artes de La Habana.

Responding to a series of significant commissions from museums and organizations including Whitechapel Gallery, London (2009); the Zachęta National Gallery of Art, Warsaw (2011); the Walker Art Center, Minneapolis, MN (2011); and dOCUMENTA (13), Kassel, Germany (2012), Macuga evolved a practice in which she delves deep into archives to unearth the politics, peculiarities, and overlooked histories of the institutions where her work is shown.

Through that friendship I went to Documenta in 1968 for the first time where I saw work of Joseph Beuys.

In 1982 Flanagan had major presentations at documenta 7 and the Venice Biennale where he represented Great Britain.

Orozco was featured at Documenta XI (2002), where his sensuous terra - cotta works explored the elegance and logic of traditional ceramics — a pointed commentary on Mexican craft and its place in a «high art» gallery space.

In 2002 Okwui Enwezor commissioned Shonibare for documenta XI, where he created his most recognised work: Gallantry and Criminal Conversation, which launched him on the international stage.

He has had major museum exhibitions throughout the world and has participated in Documenta and numerous biennales, such as São Paulo and the 2013 Venice Biennale, where he represented Chile.

Six weeks before dOCUMENTA (13) opened, Christov - Bakargiev presented the «Notebooks» project in Beirut, where she explained that because Lebanon's population was so small, it actually had the highest density of artists per country in the whole of the exhibition.

For the one hundred days of documenta V in Kassel, from 30 June to 8 October 1972, Beuys established an «Information Office for The Organisation for Direct Democracy», which he manned each day and where he vigorously debated his ideas on social reform.

He participated in documenta 4, Kassel, in 1968, and the IX Bienal de São Paulo, Brazil, in 1967, where he was awarded second prize.

The first audio presentation of One Million Years, where male and female volunteers alternate to speak out the dates, took place at Dia Center for the Arts, New York in 1993, and other venues have included Musée d'Art Moderne de la Ville de Paris (2000); David Zwirner, New York (2001 and 2009); Documenta 11, Kassel (2002); Trafalgar Square, London (a continuous outdoor reading organized by the South London Gallery lasting seven days and seven nights, 2004); Stedelijk Museum, Amsterdam (2010); BALTIC Centre for Contemporary Art, Gateshead, England (2012); Jardin des Tuileries, Paris (organized in conjunction with FIAC by Galerie Martine Aboucaya and Galerie Yvon Lambert, 2012); Dia: Beacon, New York (2013); and BOZAR - Centre for Fine Arts, Brussels (2013).

After receiving rave reviews, further solo exhibitions followed in Los Angeles, Zurich, Rome and Rotterdam, as well as a prestigious invitation to Documenta 7 in West Germany, where Basquiat was the youngest exhibited artist within a line - up that included established contemporary masters such as Cy Twombly, Gerhard Richter and Joseph Beuys.

In tandem, The University of Cape Town's Michaelis School of Art initiates American artist Mark Dion's art - in - residency where he continues to develop a project based on the Schilback Xylotheque, an installation to be exhibited later this year at Documenta 13.

Since 1980, Lorna Simpson's work has been included in group exhibitions in New York and Los Angeles and, most recently, Documenta 8 in Kassel, West Germany, where she participated in a collaborative installation by Group Material.

Weerasethakul has presented his work widely in international art and film contexts, including the Sharjah Biennial 11 in the UAE (2013), where he and fellow Kick The Machine artist Chai Siri received the Sharjah Biennial Prize, dOCUMENTA 13 in Kassel, Germany (2012), Liverpool Biennial (2006), Busan Biennale (2004), the Istanbul Biennial (2001), and in solo and group exhibitions at art spaces such as Haus der Kunst in Munich, Germany; Hangar Bicocca, Milan, Italy; Walker Art Center, Minneapolis; New Museum, New York; Irish Museum of Modern Art, Dublin; and Musée d'Art Modern de la Ville de Paris.

His work has been exhibited in several international exhibitions, including the Venice Biennial (1988 where he represented Uruguay with a one - person show), the Whitney Biennial (2000), and Documenta XI (2002).

documenta 14 seeks to encompass a multitude of voices in, between, and beyond the two cities where it is situated, reaching outside the European context from the vantage point of the Mediterranean metropolis of Athens, where Africa, the Middle East, and Asia stand face to face.

Shonibare MBA (RA) stepped into the international spotlight when Okwui Enwezor commissioned work for Documenta 11 (Kassel, 2002) where he exhibited the impressive Gallantry and Criminal Conversation sculptural installation.

She lives in Berlin and in Athens, where she moved to join the curatorial team of documenta 14.

Kentridge's oeuvre has been seen in major exhibitions, museums and galleries around the world since the 1990s, including Documenta in Kassel, Germany (1997, 2003, 2012), the Museum of Modern Art in New York (1998, 2010), Jeu de Paume in Paris (2010) and the Musée du Louvre in Paris (2010), where he presented «Carnets d'Egypte», a project conceived especially for the Egyptian Room.

Given the fact that he hasn't shown any substantial amount of work in the States for about two decades — aside from a few group shows, art fairs, and his inclusion in the famously identity - politics - focused 1993 Whitney Biennial, where he showed a series of weapon - like wall sculptures (dealing with notions of surveillance, the police state, militarization) that were pieced together with vintage gun parts, carved branches, and coyote bone among other sundry items — «At the Center of the World» was a rare treat for countless artists, curators, and critics who could only follow Durham from afar while his work continually appeared abroad at august venues like the Venice Biennale, Documenta, and galleries and museums across Europe and Latin America.

She participated in Documenta 13, where she presented The Moral Exhibition House, 2012, a one - hundred - day performance based on Italian radical feminist literature, in which she channeled Annie Jones, the famous «Bearded Lady» of the Victorian era, and freak show performer Zalumma Agra, and for which she created a fictional campaign for feminist Valerie Solanas's SCUM Manifesto.

Documenta II in 1959 was the deciding event of the year; we were literally in Friderizianum and Orangerie daily, where we helped with construction.

He also participated in many international exhibitions, including the Venice Biennale (1958, 1988 and 1990); the Pittsburgh International, where he received the Carnegie Prize for sculpture in 1964 and, in 1978, shared the Andrew W. Mellon Prize with Willem de Kooning; and Documenta II, IV and VI.

Her work has been prominently featured in international biennials and group exhibitions such as documenta (1982, 1992, and 2002); Skulptur Projekte Münster (1987, 1997, and 2007); and the Venice Biennale (1982, 1993, 2003, 2007, and 2015), where she represented Germany in 2007.

His work was included in the 47th Venice Biennale (1997) and 53rd Venice Biennale (2009) where he won the Golden Lion Award for Lifetime Achievement, the Carnegie International (1985 - 86), the Whitney Biennial (1983), as well as the Documenta V (1972) and VII (1982).

Frieze is over and the art world has decamped for Europe, where the Venice Biennale, Documenta, and Skulptur Projekte Münster have collectors and dealers traveling in herds.

A multimedia artist, previous works include Untitled (Ghardaïa)(2009), a scale model made from couscous, of the North African town that was an inspiration to architect Le Corbusier and a major installation at the art survey dOCUMENTA (13), in 2012, where he juxtaposed images of wounded soldiers from World War I with re-appropriated African masks, suggesting a connection between physical healing and cultural reconstruction, both of which are processes of repair.

After working as a research assistant at the newly founded Kunsthalle Museum Fridericianum in Kassel, he joined the team of documenta 9 in 1991, where his responsibilities included heading the catalogue department.

When Francesco Bonami, director of last summer's Venice Biennale, famously wrote in his exhibition catalogue that «The «Grand Show» of the 21st century must allow multiplicity, diversity and contradiction to exist inside the structure of an exhibition... a world where the conflicts of globalization are met by the romantic dreams of a new modernity,» it was reasonable to imagine that he was responding to structural and thematic questions posed by Okwui Enwezor in his Documenta 11 of the preceding year.

Van de Ven heeft onderandere deelgenomen aan de volgende groepstentoonstellingen: Project Europa: Imagining the Impossible, Wallach Gallery, Columbia University, New York; Moving Worlds, Podbielsky Contemporary, Berlijn (bijde 2011); Morality — Act VIII Nether Land, Dutch Cultural Center, Shanghai World Expo (2010); Free as Air and Water, Cooper Union, New York (2009); Be (coming) Dutch, Van Abbe Museum (2008), Documenta 12, Kassel (2007), the 2006 Sydney Biennale, and Be What You Want But Stay Where You Are, Witte de With (2005).

The exhibition will also include a reconstruction of the spectacular Nay room at the documenta III of 1964, where three large - format works of the artist were hung from the ceiling, as an environment.

Among other large - scale international exhibitions, Nauman's work has been included on numerous occasions in Documenta, the Whitney Biennial, and the Venice Biennale, where he won the prestigious Golden Lion Award in 1999 and again in 2009.

She has just been announced as the winner of the 2016 Zurich Art Prize and will be a major presence at next year's Documenta 14 and Skulptur Projekte Münster, where we may see more reflection of the political dimension of her thinking.

Proposing wind at the Kassel dOCUMENTA, producing a remake of one of the key scenes in Julian Schnabel's biopic about Jean - Michel Basquiat, presenting sealed boxes whose contents are seemingly described by texts on the wall, associating images, captions and comments in a discursive style..., art — and in particular that art whose favorite subject is art itself — is, for him, a huge playground where the right thing to do is to redefine constantly the rules in order to play new games.

More recent works, about the wars in Iraq and Afghanistan and the deaths caused by American drones, have won Mr. Fast attention at the Documenta festival in Germany, at the Venice Biennale and at the Whitney Biennial in New York, where in 2008 he won the $ 100,000 Bucksbaum Award.

In 2012, she was the Anna Maria Kellen Fellow at the American Academy in Berlin where she worked on a collaborative project with Ines Schaber exhibited at dOCUMENTA (13).

Lum participated in the Carnegie International 1991, Sydney Biennale in 1995, the São Paulo Art Biennial in 1997, the Shanghai Biennale in 2000 where he also helped edit the exhibition catalog, and at Documenta XI in 2002.

The piece is called 7000 oaks and is in participation with Beuys» Documenta 7 project where he aimed to plant 7000 trees world wide.